Jump to content

User:Eurodog/sandbox81

From Wikipedia, the free encyclopedia
The School Musician/Director & Teacher
FrequencyMonthly
FormatPrint
FounderRobert L. Shepherd
Founded1929
First issueOctober 1, 1929 (1929-10-01)
CountryUnited States
Based inChicago
LanguageEnglish

The School Musician Director and Teacher (The School Musician) was an American magazine for music educators that ran fifty-seven years, from October 1929 (Vol. 1, N° 1) to December 1986 (Vol. 58, N° 4) — 10 issues per year, monthly, but skipping two months each summer. The magazine was founded as The School Musician, and was issued under that name until 1964. The issue numbers started with September, each year, except for the inaugural issue of October 1929.

Owners

[edit]
Staff

The fifty-seven-year run endured under five editors and three owners/publishers.

Location

The magazine was published in Chicago from inception until the mid-1950s, then nearby Joliet, Illinois, until the mid-1970s, then — from the mid-1970s through its final issue — Chicago.

Target

The magazine was edited for the world of its contributors that included school music directors and other music educators (at all levels, from preschool to major music schools in higher education), teachers, performing artists, parents, students, experts in the music trades, and education policymakers. The magazine was a resource for the music trade and music educators at the scholastic and collegiate levels, dealing primarily with school, collegiate, and conservatory wind ensembles, school orchestras, choruses, opera workshops, marching bands, festivals, and contests. The School Musician became an influential forum on music education curricula as well as education policy in North America.

Era

The era of the magazine's launch, and its early years, was at the vanguard of a scholastic and collegiate movement in curricular music education across North America that was unique in the world.[1] The "school band movement in America," as it is commonly known, greatly influenced the expansion of instrumental music education in public schools.[2][3] The school band movement has not been fully replicated in Europe. Universities in North America — that is, non-conservatories — were developing comprehensive music education programs that incorporated professional training of traditional conservatories with academic offerings of research in music with the professional training of teachers colleges. The popularity of music education built more critical mass at universities which allowed more latitude to offer more comprehensive music programs. For instance, several collegiate opera workshops were able to produce fully mounted operas. Primary and secondary schools elevated music education as standard curricula, but with the added dimension of interscholastic solo and ensemble contests. Moreover, football season show bands of high schools and colleges at interscholastic and intercollegiate football games became standard in North America. At the same time, musical instrument manufacturing and merchandising, with a particular focus on student musicians, was a high-growth industry in North America. Demand and opportunities for music educators at all levels were unprecedented.

Influence and editorial bent

The editorial bent was progressive on several levels. For example, in its fifth issue, February 1930, the magazine published an article advocating women in music,[a] which might not seem extraordinary in current times, but that particular article has been cited by scholars for decades, namely, as an early turning point. As early as 1939,[TSM 1] and throughout its history, the magazine advocated for jazz education.[TSM 2] Submissions were not peer reviewed, per se; but, were solicited and overseen by an editorial advisory board.

Selected history

[edit]

At various times, The School Musician served as the official organ for:[b]

  • The National School Band and Orchestra Association (organized as the National School Band Association in 1926)
  • American School Band Directors Association (founded 1952)
  • National Catholic Bandmasters Association (founded 1952)
  • Phi Beta Mu, a National Bandmasters Fraternity[4]
  • Womens Band Directors National Association
  • Modern Music Masters, an International Music Honor Society
  • College Band Directors National Association

History

[edit]

Editors and publishers

[edit]
Editors-in-Chief
Shepherd
1929–1951 		Robert L. Shepherd (né Romack L. Shepherd; 30 September 1886 – Tipton, Indiana – 28 September 1957 Chicago)[5] was the founding editor, publisher, and owner. The first issue was dated October 1929. Shepherd remained as editor until 1948 and remained as owner until 1951.

Shepherd was, from 1924 to 1928, an advertising manager for Buescher Band Instrument Company in Elkhart, Indiana.[6][7] Shepherd had been nominated for the "Advertising Hall of Fame," for his guiding force behind the advertising campaign of Buescher, and for being one of Elkhart's leading citizens.[8][9] Also, in 1927, while working in advertising for Buescher, Shepherd became editor of its True-Tone Musical Journal (OCLC 47972389, 247815019), which in 1925, had a circulation of 300,000. As editor of True-Tone, Shepherd increased the issues from quarterly to monthly. He was editor of about 18 monthly issues, beginning January 1927, Vol. 17, N° 1, and ending May 1928, Vol. 18, No° 6[10] Ernest Douglas Dennis (1897–1980) replaced Shepherd at Buescher as Advertising Manager and Editor of True-Tone, beginning the June 1928 issue, Vol. 18, N° 7. True-Tone eventually returned to being a quarterly publication.

Before working for Buescher, beginning 1919, Shepherd was in charge of advertising for United States Music Company, manufacturer of piano rolls. In 1918, Shepherd had been working in Texas[11]

While Shepherd was editor of The School Musician, the magazine amassed a high quantity of articles aimed at improving musicianship, for both educators and students.[12]Cite error: The opening <ref> tag is malformed or has a bad name (see the help page).Cite error: The opening <ref> tag is malformed or has a bad name (see the help page).In 1954, Shepherd moved to the Preston Hollow area of Dallas. While on a visit to Chicago, he died in a hotel September 28, 1957, two days shy of his 71st birthday. He was survived by his wife, Marian Elizabeth Mengle (maiden; 1904–2000), who he married after the death of his first wife Irene Rahte (1888–1928), a school teacher who died in Elkhart of complications from an appendicitis. Shepherd is buried at Graceland Cemetery, Chicago.
Harpham
1948–1951 		John Wood Harpham (1919–1981), hired by Shepherd, had been an advertising executive. He had earned a Bachelor of Science degree for Northwestern University in 1941. After his tenure Editor of The School Musician, he pursued advertising in Chicago and become a founding executive of his own firm.


McAllister
1951–1976 		Forrest Lee McAllister (1912–2001), on April 1, 1951 — after three months of intensive training to become editor-in-chief and publisher — purchased The School Musician, then located at 28 East Jackson Boulevard, Chicago.[TSM 3] He was the son of Archie Raymond McAllister (1883–1944), a legendary-long-standing Band Master of the Joliet Township High School Band, and posthumously dubbed, "Father of the school band movement in America" (several others also own this title). Forrest McAllister (1912–2001) had been an ex-field representative for the American Music Conference, a non-profit music promotion organization,[c] resigned to become editor and publisher of The School Musician, which he purchased in mid-December 1950.[13] Leading up to his foray as editor, owner, and publisher, McAllister, before World War II, had taught public school, but left to enlist in the U.S. Army where he directed the Music Department of the School for Special Services at Washington and Lee University in Lexington, Virginia. As editor, the magazine prospered, providing news and pedagogy oriented articles for music educators. In 1978, while McAllister was still running it, the magazine had over 125,000 readers in forty-eight states and twenty-one foreign countries.[14][TSM 4] In 1976, McAllister went into semi-retirement and appointed George Littlefield as editor-in-chief.
Littlefield
1976–1980 		George Louis Littlefield, Jr. (1942–2015), since 1970, had worked, and had been Managing Editor, for PTM World of Music ISSN 0030-8358, a trade publication first issued March 1907, formerly known as Piano Trade Magazine and Music Trade Indicator. In the 1970s, the magazine was issued by the Piano Trade Publisher of Chicago. PTM was published and edited by Robert E. Allan — 1973 "Man of the Year," according the the Piano Technicians Guild. In 1962, Littlefield earned a Bachelor of Arts degree from Illinois Wesleyan University. As the last living editor of The School Musician, Littlefield died of cancer in Chicago, December 28, 2015.[15]
Gangware
1981–1986 		Edgar Brand Gangware, Jr., PhD (1922–1994) was the former Director of Bands at Northeastern Illinois University. Gangware became editor around 1981 and held that position through the final issue of December 1986, Vol. 58, N° 4. Forest McAllister remained as consulting editor through the last issue.
Publishers
Shepherd
1939–1951 		Robert L. Shepherd (1886–1957), primary shareholder of The School Musician Publishing Co., Chicago.
Shepherd
1951–1976 		Forrest Lee McAllister (1912–2001), a son of Archie Raymond McAllister, primary shareholder of The School Musician, Inc., Joliet, Illinois.
Kay
1976–1986 		Leonard Kay (né Leonard Walter Kszyczkowski; 1930–2005), publisher from 1976 to 1986, owned AMMARK Publishing Co. Inc., Chicago. Kay retired in 1997. In 1956, Leonard Walter Kszyczkowski earned a Bachelor of Science in Accounting from the University of Illinois at Chicago.

Ammark, located at 4049 Peterson Avenue, Chicago, at one time, also owned Siebel Publishing Company, which had been the publisher of The Brewers Digest, a trade magazine published since 1933. On July 18, 1997, year Kay retired, Thomas C. Volke (born 1937), of Thiensville, Wisconsin, and Ronald E. Siebel (born 1942), of Barrington, Illinois, purchased Brewers Digest from Leonard Kay and incorporated as Siebel Publishing Co. and moved the business and billing office to Thiensville. Siebel was the namesake of John Ewald Siebel, PhD (1845–1919), a German-born, Chicago-based chemist and founder of the Siebel Institute of Technology.
Addresses
1929–1939 Mather Tower, 75 East Wacker Drive, Room 1710, Chicago
1939–1947 Carbide & Carbon Building, 230 North Michigan Avenue, Suite 2900, Chicago
1947–1954 28 East Jackson Boulevard, Chicago
1954–1976 4 East Clinton Street, Joliet, Illinois
1976–1986 4049 West Peterson Avenue, Chicago

Access

[edit]
Vol. 1, N° 1 – Vol. 3, N° 2 (October 1929 – October 1931)
As School Band and Orchestra Musician
Vol. 36, N­° 4, December 1964 – as School Musician Director and Teacher,
Vol. 1, N° 1, Vol. 2, N° 1 misnumbered Vol. 5, N° 1 & 10
Suspended June 1944 – December 1947
Microform: NYPL
Vol. 1, N° 1 – Vol. 23, N­° 1 (October 1929 – September 1951) +fl
UM* Vol. 1, N° 1 – Vol. 43, N° 10 (0ctober 1929 – June-July 1972) +/-fl
(9 reels); Vol. 44, N° 1 – Vol. 50, N° 10 (August-September 1972 – July 1979) +/-fl
(16/35 mm)
Vol. 49, N° 1 - Vol 50, N° 10 (August-September 1977 – June-July 1979) +/-fc
Searchable snippet views via books.google.com
Searchable views via HathiTrust, no preview, only page and volume (no issue numbers given)

Published indices

[edit]
Educational Index, H.W. Wilson Co.

See also

[edit]

Selected online library locator codes

[edit]
The School Musician
Digital
Microfilm
  1. OCLC 9009437 (microfilm)
  • Loose
Microfilm (NYPL)
4 reels; 35 mm. Vol. 1, N­° 10 – Vol. 23 (September 1930 – September 1951)
Library of Congress
School Band and Orchestra Musician
Microfilm (Ann Arbor, University Microfilms International, reels; 35 mm.)
The School Musician Director and Teacher
The School Musician Director and Teacher
  • Loose

Selected articles

[edit]

Jazz

[edit]
  1. "The School Dance Band as an 'Extra' Makes Better Musicians," by George Sallade Howard (1902–1995), November 1939 ???
  2. "School Dance Bands," Robert L. Shepherd, XIII, November 1941, 30
  3. "We Put "Mr. Swing" Beneath the Microscope," by Charlie Lee Hill (1910–2002), Vol. 19, No. 4, December 1947, pps. 14-15
  4. "Is Swing the Thing?" (response to Dr. C.R. Garland's article, Vol. 19, N° 9, May 1948), by Charles Lee Hill (1910–2002), ??? (month) 1948, pps. 8–9
    (Hill earned a Masters of Education degree from North Texas, a year after the institution launched the world's first college degree in jazz)
    (Charles Lee Hall papers, Stephen F. Austin University)
  5. "You May Not Like JAZZ, But Your Audience Does," by James Elwin Handlon (1901–1981), August 1948
    (reprinted Vol. 50, N° 4, December 1978)
  6. "Jazz Wears, Becomingly, The Cap and Gown," by Calvin White Mayne (1926–1996), Vol. 20, N° 4, December 1948, pps. 8–10
    (Mayne, when he wrote the article, was a senior at Ohio State and was editor of the The Lantern)
  7. "Swing Is on the March When the Band Swings Down the Avenue," by James Elwin Handlon (1901–1981), Vol. 20, N° 8, April 1949, pg. 17
  8. "The Swing Band. Its Place in Today’s School Music Program," by Roy C. Snyder, Vol. 21, N° 8, April 1950, pps. 8-9, 25
  9. "Our Dance Band Sparks Our Entire Music Program," Forrest Schenks, Vol. 1, N° 10, June 1950, pps. 6–10
  10. "Stage Bands Can Teach Better Musicianship," by Leon Breeden (1921–2010), edited by Don Verne Joseph (1926–2008), Vol. 35, N° 6, February 1964, pps. 22, 24 & 52
    11. [d]

Features

[edit]
  • National High School Student Soloist Hall of Fame
  • Top 10 Band Directors in the United States and Canada (annual)
  • "They Are Making America Musical"
  • "Band Music Reviews," by Richard E. Strange (1928–2009)
  1. Vol. 49, N° 7, March 1978, pps. 48-49
    John Barnes Chance, Symphony No. 2
  2. Vol. 49, N° 8, April 1978, pg. 38
    Donald E. McGinnis (nl), Symphony for Band
  3. Vol. 50, N° 4, December 1978, pps. 43–44
    Fisher Tull, Cryptic Essay
    Gordon P. Jacob, Tribute to Canterbury
    Robert E. Jager, Apocalypse
  4. Vol. 50, N° 5, January 1979, pps. 33–34
    Robert E. Jager, Symphony No. 2 (The Seal of the Three Laws)
  5. Vol. 50, N° 6, February 1979, pps. 48–49
    Alfred Reed, Armenian Dances
  6. Vol. 51, N° 4, December 1979, pps. 26, 32
    Roger Nixon, Pacific Celebration Suite
    Alfred Reed, Second Symphony

Other

[edit]
  1. "Fifty Short Years," by Forrest Lee McAllister (consulting editor), Vol. 50, 1978 (date and issue not clear), pps. 80–82 (retrieved September 27, 2016 ... partial view)
  2. "I Teach Music to the Japanese," by Tad Hascall (né Orin Wade Hascall; 1917–1990), Vol. 14, N° 7, March 1943
    (reprinted in 1978)

"They Are Making America Musical" – column honoring ...

[edit]
  1. "Forrest McAllister," by Ed Chenette (né Edward Meyer Chenette; 1916–1984), Vol. 50, N° 2, October 1978
  2. "Why warm-up?" by Carl "Doc" Severinsen, Vol. 39, N° 2, October 1967, pg. 68
    (In 1967, Severinsen was named musical director of the NBC Tonight Show)

Race

[edit]
  1. "The Contribution of the American Negro to the Music Culture of the Country," by Henrietta Miller Yancy (1910–1979), Vol. 41, N° 7, March 1971, pps. 62–63

Gender

[edit]
  1. "Chicago Holds Her Solo Contest," Vol. 1, N° 4, January 1930, pg. 18
  2. "Give the Girls a Chance," by Adam Peter Lesinsky (1893–1991), Vol. 1, N° 5, February 1930
    (reprinted, Vol. 50, N° 1, August-September 1978, pps. 60–61)
  3. "Girls!" by Franklyn Leroy Wiltse (born 1906), Vol. 4, N° 8, April 1933, pg. 41
    (the author was Director of the Benton Harbor (Michigan) High School High School Girls Marching Band)
  4. "Career Opportunities for the Young Woman Graduate," by Gladys Wright, Vol. 46, N° 10, June–July 1975
  5. "Women in Music Education," by Nancy Jean Gray, Vol. 48, N° 4, December 1976
    (subject of authors masters thesis OCLC 81544259)
  6. "Women Musicians — In Step With The Times," by S. Shields, Vol. 49, N° 3, November 1977, pps. 64–66
  7. "Women Band Directors in Higher Education," by Carol Aim Feather, Vol. 50, N° 8, April 1979, pg. 64

Music education and music facilities boom

[edit]
  1. "How Mason City Built Her New High School Music Hall," by James Rae, Vol. 6, N° 6, February 1935, pps. 8–11
    (Rae was Principal of Mason City, Iowa, High School)
  2. "And Another School Band Building Goes Up," by Joe Berryman, Vol. 8, N° 3, November 1936, pps. 18–19
    (Berryman was once Band Director at Fort Stockton, Texas, High School, and went on to be Professor of Music at the University of Southern Mississippi; his 12-year-old son died in an electrical accident June 1, 1936, he is the composer of the official Texas centennial march, "Goliad")
  3. "Home Sweet Home, The New Music Building, Designed by Dr. R.D. Perry, Professor of Music," Vol. 11, N° 5, January 1940, pps. 12–13
  4. "DeLand, Florida, Builds a Home," by Hubert Stetson Talton (1897–1980), Vol. 11, N° 8, April 1940 pps. 12–13
    (Talton, when he wrote the article, was a student musician at DeLand High School)
  5. "The Bremen, Indiana, High School Band Moves In," by W.T. Duganne (né Walter Thomas Duganne; 1891–1957), Vol. 12, N° 8, April 1941
    (Duganne was a music teacher in the Bremen schools)

Teaching

[edit]
  1. "Problems in the Teaching of Brass Instruments," by Earnest S. Williams (1881–1947), Vol. 7, July 1936, pg. 13
    (Williams, in 1922, founded the once famous Earnest Williams School of Music in Brooklyn — mostly private students — then from 1929 to 1931, head of Ithaca Band School, then from 1936, to 1943, Director of Bands at NYU, then from 1937 to 1946, taught trumpet at Juilliard)

Selected paper that indexes articles from The School Musician

[edit]

Copyrights

[edit]


Founding Years
  Catalog of Copyright Entries, Part 2, Periodicals, New Series, Library of Congress, Copyright Office  
Periodical
Serial
Vol. 		Periodical
Serial
N° 		Copyright
Catalog
Vol. 		Copyright
Catalog
N° 		Copyright
Year 		Year
Published 		Page Permanent
Digital
Source
1 1–3 24 4 1929 1930 732 Google Books
1 4–6 25 1 1930 1930 157 Internet Archive
1 8–9 25 2 1930 1930 362 Internet Archive
1 10 25 3 1930 1930 550 Internet Archive
2 2–4 25 4 1930 1931 747 Internet Archive
3 5–7 27 1 1932 1932 103 Internet Archive
3 8–7 27 2 1932 1932 224 Internet Archive
4 1 27 3 1932 1932 331 Internet Archive


Peer magazines

[edit]
  • Educational Music, Frank B. Cookson, editor, was a faculty member at Northwestern University
  • Music News, Hans Rosenwald (de) (1907–1988), editor; Music News Corporation, publisher, 25 E. Jackson Blvd., Chicago 4, Illinois — monthly, illustrated, reviews (books, music); indexed (Music Index) "A monthly review of music." Principally news items with accent on Chicago and Midwest. Regular sections: one short feature article on a well-known musician; Who's Who in Music; short professional directory
  • The Etude, James Francis Cooke, editor; Theodore Presser Company, 1712 Chestnut St., Philadelphia; monthly; illustrated, mus. exs.; reviews (mus., recs., radio); indexed (Music Index; Reader's Guide) General articles on music chiefly designed to interest music teachers. Departments: Music and Culture, Junior Department, Questions and Answers, Presser Publisher's Notes. Each issue contains complete compositions, both instrumental and vocal
  • The Instrumentalist
  • Violins and Violinists, published by William Lewis & Son Co., Ernest Nicholas Doring (1877–1955), editor
  • Texas Music Educator
  • Music Teachers Review (Music Teachers Quarterly)
  • The Strad
  • The Music Educators Journal (formerly The Music Supervisors Journal), the official organ of the Music Educators National Conference
  • The Educational Music Magazine (formerly The Educational Music Bulletin)
  • School Music

References

[edit]
Notes
  1. ^ The bias against school-age girls in music is encapsulated in a 2013 Masters of Music Thesis by Marsha Croskey Kincade at Bowling Green State University,

    "Early in the school band movement, participation was restricted to boys with male directors. If girls participated, they would do so in girls-only ensembles. The shift in this practice can been seen in a 1930 article published in The School Musician, which defends the right and ability of girls to participate in school bands without being detrimental to the overall ensemble. The author acknowledges stereotypes held by some male high school band directors at the time such as 'girls ruin the appearance of a band' and 'girls do not learn wind instruments as well as boys.' He goes on to argue the fairness of current practices in relationship to the current educational trends, the small importance uniformity plays in comparison to the music, and the ability of girls to learn instruments based on his personal experience." (OCLC 865473614)

  2. ^ Official Organ, as used in this article, refers to a newspaper, magazine, newsletter, journal, or the like, that publishes — on behalf of an organization — official news that includes opinions, meeting minutes, reports by officers, etc.
  3. ^ The American Music Conference (www.amc-music.org.) is a national non-profit educational association that was founded in 1947 in Chicago. When it was founded, it represented the music trade, namely merchants, piano manufacturers, instrument manufacturers, and standard music publishers. The impetus for creating the organization came from the National Association of Music Merchants (NAMM) as advocates of music education and researchers for the trade that serves education. AMC is currently based in based in Carlsbad, California. AMC is dedicated to promoting music, music making, and music education to the general public. Sometime around 2003, AMC merged with NAMM
  4. ^ The article was a retort to article by Hubert P. Henderson, "Jazz — Music Education’s 'Four-Letter Word'" in the January 1964 issue of Music Journal that criticized jazz education as, among other things, degenerate; Breeden highlighted the endless opportunity for creativity and musicianship; He argued that the purpose of jazz education was "to give the student as complete a background of preparation for performance as possible, based on good musicianship;" He stated that "the school approach to jazz should be education first and entertainment second"

    Henderson had also published the article "Musi-Caterers and Stage Band-Its" in the January 1964 issue of Music Journal, to which Rayburn Wright retorted in the February 1964 issue of Music Journal, Vol. 22, N° 2, under the title, "IS" The Stage Band Ruining Music Education?"; Henderson (né Hubert Platt Henderson; born 1918), among other things, served as Director of Instrumental Music at the University of Maryland, College Park from 1955 to 1965; Henderson held three degrees from the University of North Carolina at Chapel Hill, earning his PhD in Musicology in 1961. In 1967, Two years after Henderson left his position at Maryland, and three years after he wrote the articles, jazz education rapidly flourished at nearby Towson University under Hank Levy

    Henderson was the founding editor-in-chief of the Journal of Band Research, which launched Autumn 1964, produced by the American Bandmasters Association

    (see: "Musi-Caterers and Stage Band-its," by Hubert Platt Henderson (born 1918), Music Journal, January 1964, pps. 44, 102 & 103; ISSN 0027-4364)

––––––––––––––––––––

General inline citations
  1. ^ The History of Public School Music in the United States, by Edward Baily Birge (1868–1952) (Professor of Music, Indiana University), Oliver Ditson Company (1937), pps. 186, 265, 302; OCLC 3144514
  2. ^ The Winds of Change: The Evolution of the Contemporary American Wind Band and Its Conductor, by Frank L. Battisti, Meredith Music Publications (2002), pg. 221; OCLC 50154441
  3. ^ "American Band Contest Movement 1875–1940," by Robert T. Stroker, PhD, Journal of the World Association of Symphonic Bands and Ensembles, 1996; presented at the WASBE Conference, Hamamatsu, Japan, July 1995
  4. ^ The American Wind Band: A Cultural History, Richard K. Hansen, GIA Publications (2005); OCLC 57709974
  5. ^ "Robert L. Shepherd," Dallas Morning News, September 30, 1957, Sec 4, pg. 7 (retrieved October 5, 2016, via www.genealogybank.com, fee required)
  6. ^ "I Am Music" (Musical Merchandise Section; Section 2 of 2), by Robert L. Shepherd, Music Trade Review, Vol. 83, N° 24, December 11, 1926, pg. 33
  7. ^ "Robert L. Shepherd Heads Buescher Co. Advertising," Talking Machine World, Vol. 20, N° 7, July 15, 1928, pg. 145
  8. ^ "News of the Musical Merchandise Field in Pictures" (Musical Merchandise Section; Section 2 of 2), Music Trade Review, Vol. 86 N­° 2, January 14, 1928, pg. 4
  9. ^ "Robert L. Shepherd Heads Buescher Co. Advertising," Music Trade Review, Vol. 79 N­° 4, July 26, 1924, pg. 43
  10. ^ "True-Tone to be Published Monthly," Music Trade Review, April 2, 1927, pg. 31
  11. ^ "R.S. Shepherd Joins United Forces," The Music Trades, October 4, 1919, pg. 25
  12. ^ "A Composite Analytical Index Of Articles Appearing In Selected Periodicals, Issued Between July 1937 And June 1947, Concerning Playing Problems of Wind and String Instruments" (Master of Music thesis), Byron E. Gray (1921–1998), University of North Texas College of Music (August 1947); OCLC 45144945
    (Gray, a euphonium player, went on to become an influential high school band director in Texas)
  13. ^ "Music as Written — Chicago" (alt. view), Billboard, Vol. 62, N° 52, December 30, 1950, pg. 22
  14. ^ "A History of the North American Band Directors' Coordinating Committee, 1960–1970," by John M. Seybert, Journal of Research in Music Education, Vol. 60, N° 4, January 2013, pps. 430–451 (first published on November 16, 2012) (retrieved September 23, 2016; abstract)
     (i) Al and Gladys Wright (interview), by John M. Seybert, PhD, July 24, 2007, transcript
    (ii) Forrest L. McAllister (interview), by Victor William Zajec (1923–2005), September 29, 1995, transcript
  15. ^ "George Littlefield Jr. Obituary," Chicago Tribune, January 4–6, 2016 (retrieved October 7, 2016, via www.legacy.com)

Cite error: A list-defined reference named "USTradeMark 1951" is not used in the content (see the help page).
Cite error: A list-defined reference named "IreneShepherdDeathCert 1928" is not used in the content (see the help page).

Cite error: A list-defined reference named "UNTCounterpoint 2014" is not used in the content (see the help page).

––––––––––––––––––––

Citations from The School Musician
  1. ^ "The School Dance Band as an 'Extra' Makes Better Musicians," by George Sallade Howard (1902–1995), November 1939 ???
  2. ^ "Stage Bands Can Teach Better Musicianship," by Leon Breeden (1921–2010), edited by Don Verne Joseph (1926–2008), Vol. 35, N° 6, February 1964, pps. 22, 24 & 52
  3. ^ "Fifty Short Years," by Forrest Lee McAllister (consulting editor), Vol. 50, 1978 (date and issue not clear), pps. 80–82 (retrieved September 27, 2016 ... partial view)
  4. ^ "They Are Making America Musical ... Forrest McAllister," by Ed Chenette (né Edward Meyer Chenette; 1916–1984), Vol. 50, N° 2, October 1978
Retrieved from "https://wiki.riteme.site/w/index.php?title=User:Eurodog/sandbox81&oldid=1137810601"