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Books, journals, magazines, papers, websites

• Eberwein, Robert. The War Film (edited and introduction by Robert Eberwein). Rutgers University Press.

LCCN 2004-3820

ISBN 0-8135-3496-8, 978-0-8135-3496-1

ISBN 0-8135-3497-6, 978-0-8135-3497-8

OCLC 255568503 (all editions)

Part 1: Genre
1. Kelley, Andrew. "The Greatness and Continuing Significance of All Quiet on the Western Front".
2. Basinger, Jeanine (born 1936). "The World War II Combat Film: Definition".{{cite book}}: CS1 maint: numeric names: authors list (link)
3. Polan, Dana. "Auteurism and War-Teurism: Terrence Malick's War Movie".

Part 2: Race

4. Burgoyne, Robert. "Race and Nation in Glory".
5. Rogin, Michael Paul (1937–2001). "Home of the Brave".{{cite book}}: CS1 maint: numeric names: authors list (link)
6. Woodman, Brian J. "Represented in the Margins: Images of African American Soldiers in Vietnam War Combat Films".

Part 3: Gender

7. DeBona, Guerric. "Masculinity on the Front: John Huston's The Red Badge of Courage (1951) Revisited".
8. Jeffords, Susan. "The Reagan Hero: Rambo".
9. Modleski, Tania (born 1949). "Do We Get to Lose This Time? Revising the Vietnam War Film".{{cite book}}: CS1 maint: numeric names: authors list (link)
10. Tasker, Yvonne. "Soldiers' Stories: Women and Military Masculinities in Courage Under Fire".

Part 4: History

11. White, Mimi. "Rehearsing Feminism: Women/History in The life and times of Rosie the Riveter and Swing Shift".
12. Auster, Albert. "Saving Private Ryan and American Triumphalism".
13. Doherty, Thomas. "The New War Movies as Moral Rearmament: Black Hawk Down and We Were Soldiers".

• Multiple Voices in Feminist Film Criticism. University of Minnesota Press. 1994.

ISBN 0-8166-2272-8, 978-0-8166-2272-6

ISBN 0-8166-2273-6, 978-0-8166-2273-3

OCLC 758331043 (all editions)

1. White, Mimi. "Rehearsing Feminism – Women / History in The Life and Times of Rosie the Riveter and Swing Shift". pp. 318–328 – via Internet Archive (archive.org) (Columbia University).
2. White, Mimi (1985). "Rehearsing Feminism – Women / History in The Life and Times of Rosie the Riveter and Swing Shift". Wide Angle. 7: 34–43.

• Doherty, Thomas (Summer 2002). "The New War Movies as Moral Rearmament: Black Hawk Down and We Were Soldiers". Cinéaste (quarterly). 27 (3). Cineaste Publishers, Inc.: 4–8. Retrieved October 23, 2021. ISSN 0009-7004; JSTOR 41690152; OCLC 5543485520.

• Basinger, Jeanine (born 1936) (1986). "The World War II Combat Film. Chapter 1: "Definition". Columbia University Press.{{cite book}}: CS1 maint: numeric names: authors list (link)

LCCN 85-22326 (1st ed. 1986)

ISBN 0-2310-5952-3 (hardback)

ISBN 0-2310-5953-1 (paperback)

• Basinger, Jeanine (born 1936); updated filmography by Jeremy Arnold (2003). The World War II Combat Film. Chapter 1: "Definition". Wesleyian University Press. pp. 14–74 (p. 72–74 not shown → that section is essentially a chapter outline).{{cite book}}: CS1 maint: numeric names: authors list (link)

https://books.google.com/books?id=lQ3GZuKbidMC&pg=PA14

LCCN 2003-243

ISBN 0-8195-6623-3

ISBN 978-0-8195-6623-2

OCLC https://www.worldcat.org/title/world-war-ii-combat-film-anatomy-of-a-genre/oclc/952637323/editions