User:Dissolve vivi/Light and Space
Light and Space
[edit]Light and Space denotes a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It was characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or by playing with light through the use of transparent, translucent or reflective materials, Light and Space artists made the spectator’s experience of light and other sensory phenomena under specific conditions the focus of their work. Some people believe that the emergence of the art of light and space is largely due to the radiation and mild atmosphere in Los Angeles.[1]Many artists have applied newly developed industrial materials in their work, including acrylic panels, fiberglass and so on.[2] The focus of the Light and Space Movement is to use light to create colors and forms, similar to the technology used by California Impressionists. [3]As a branch of minimalism, the art of Light and Space still has influence today.[4]
Themes
[edit]Peter Alexander, another contemporary American sculptor who was a part of the Light and Space movement during the 1960s once said that "I'm a romantic, and I believe in it. I believe in the value of things,", "I believe that objects can be made that can have an extraordinary effect on me and others.” [5]The two basic elements of his art are color and light.[6]Throughout his career, Alexander found his artistic inspiration from many sources, including the scenery, geometry, phenomenological effects of color and light, and the nuances of perspective in his hometown of California.[7] His galleries—Parrasch Heijnen in Los Angeles and Franklin Parrasch in New York said, “Whether through resin sculpture or velvet painting, Alexander actively sought to capture light through environmental sensation."[8]
This is the sandbox page where you will draft your initial Wikipedia contribution.
If you're starting a new article, you can develop it here until it's ready to go live. If you're working on improvements to an existing article, copy only one section at a time of the article to this sandbox to work on, and be sure to use an edit summary linking to the article you copied from. Do not copy over the entire article. You can find additional instructions here. Remember to save your work regularly using the "Publish page" button. (It just means 'save'; it will still be in the sandbox.) You can add bold formatting to your additions to differentiate them from existing content. |
Exhibitions
[edit]In an attempt to share its collection with multiple communities LACMA began touring the Light Space, Surface: Works from the Los Angeles County Museum of Art to different museums and venues around the US. The collection was displayed at the Addision Gallery of America Art Phillips Academy in Andover Massachusetts, from November 23, 2021 through March 20, 2022 and from June 3, 2022 to September 4, 2022 at the Frist Museum. The works consisted of sculptures, paintings, and immersive environments. At the Frist Museum, the exhibition began with Norman Zammitt's painting Untitled (1984), followed by a gallery of works including Pastel Domes #1, by Judy Chicago. The exhibition then used Irwin's Untitled from 1966-67 as a transition to show that the works were moving from focus on the surface to the perception of the viewer. A room dedicated to Doug Wheeler's Untitled (Light Encasement) then moves to a full physical experience. The Frist museum displays various of James Turrells works, including the 1966 Afrum (White). The room showcasing Bruce Naumans work is different from the others as its walls were painted pitch black, and places the viewer in almost complete darkness. The room displayed two holographic glass images from 1968 Making Faces, that portray him with a playfully contorted face. Of the more recently created piece within the exhibition was Gisela Colon's work Untitled (Monolith Silver) (2016). To further enhance the multisensory exhibition the Frist collaborated with the Nashville Ambient Ensemble to compose new music inspired the works, to accompany them instead of the verbal commentary audio tour.
References
[edit]- ^ "Light and Space Movement". Artsy. Retrieved 2022-10-27.
- ^ Light, space, surface : art from Southern California. Carol S. Eliel, Kim Conaty, Michael Govan, Lawrence Weschler, Melinda Wortz, Katia Zavistovski. Los Angeles, CA. 2021. ISBN 978-1-942884-99-6. OCLC 1228216120.
{{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: others (link) - ^ "The Light and Space Movement - Combining the Momentary and the Permanent". Escalette Permanent Collection of Art at Chapman University. Retrieved 2022-10-27.
- ^ Feldman, Melissa E. ([2015?]). Another minimalism : art after California Light and Space. Fruitmarket Gallery. Edinburgh. ISBN 978-1-908612-34-2. OCLC 932592427.
{{cite book}}
: Check date values in:|date=
(help) - ^ www.artnet.com http://www.artnet.com/artists/peter-alexander/. Retrieved 2022-10-27.
{{cite web}}
: Missing or empty|title=
(help) - ^ "Peter Alexander dies: How the artist used color profoundly - Los Angeles Times". web.archive.org. 2020-05-29. Retrieved 2022-10-27.
- ^ "Peter Alexander | Pace Gallery". www.pacegallery.com. Retrieved 2022-10-27.
- ^ Greenberger, Alex; Greenberger, Alex (2020-05-27). "Peter Alexander, Los Angeles Artist Known for Transcendent Sculptures, Has Died at 81". ARTnews.com. Retrieved 2022-10-27.