User:Connor.Sprouse/Afro-Cubans/Bibliography

Bibliography

Safa, Helen I. “AFRO-CUBANS IN THE SPECIAL PERIOD.” Transforming Anthropology 16, no. 1 (2008): 68–69.

Duany, Jorge. “After the Revolution: The Search for Roots in Afro-Cuban Culture.” Latin American Research Review 23, no. 1 (1988): 244–55.

MOORE, ROBIN. “Black Music in a Raceless Society: Afrocuban Folklore and Socialism.” Cuban Studies 37 (2006): 1–32.

Saunders, Tanya L. “Black Thoughts, Black Activism: Cuban Underground Hip-Hop and Afro-Latino Countercultures of Modernity.” Latin American Perspectives 39, no. 2 (2012): 42–60.

RAMSDELL, LEA. “Cuban Hip-Hop Goes Global: Orishas’ ‘A Lo Cubano.’” Latin American Music Review / Revista de Música Latinoamericana 33, no. 1 (2012): 102–23.

Garland, Phyl. “CUBAN MUSIC: AN INSTRUMENT OF THE REVOLUTION.” The Black Scholar 8, no. 8-9–10 (1977): 16–24.

Miner, Dylan. “Hasta La Victoria (Deportista) Siempre: Revolution, Art, and the Representation of Sport in Cuban Visual Culture.” The International Journal of the History of Sport 28, no. 8–9 (2011): 1283–1300.

Benmayor, Rina. “La ‘Nueva Trova’: New Cuban Song.” Latin American Music Review / Revista de Música Latinoamericana 2, no. 1 (1981): 11–44.

Moore, Robin D. Music and Revolution: Cultural Change in Socialist Cuba. 1 online resource (xvi, 350 pages) : illustrations, music vols. Music of the African Diaspora ; 9. Berkeley: University of California Press, 2006.

Guevara, Gema R. “Narratives of Racial Authority in Cuban Popular Music.” Journal of Popular Music Studies 17, no. 3 (2005): 255–74.

Harrison, Anthony Kwame. “Racial Authenticity in Rap Music and Hip Hop.” Sociology Compass 2, no. 6 (2008): 1783–1800.

Olavarria, Margot. “Rap and Revolution: Hip-Hop Comes to Cuba - Afro-Cuban Youth Are Building a Movement around Hip-Hop -- A Revolution within the Revolution.” NACLA Report on the Americas 35, no. 6 (2002): 28.

Bullard, R. L. “The Cuban Negro.” The North American Review 184, no. 611 (1907): 623–30.