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The Golden Haggadah is an illuminated Haggadah, a ritual text used in the celebration of Passover, created around the year 1320 in Catalonia.[1] There are 56 miniatures in the manuscript and it is one of the most lavishly decorated examples of a medieval Haggadah. It is now in the British Library.[2]

History

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Description

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Content

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Illuminations

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Purpose

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References

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  1. ^ "The Golden Haggadah (article)". Khan Academy. Retrieved 2020-01-24.
  2. ^ "Golden Haggadah". The British Library. Retrieved 2020-01-24.

Notes

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Further Readings

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  • Bezalel Narkiss, The Golden Haggadah (London: British Library, 1997) [partial facsimile].
  • Marc Michael Epstein, Dreams of Subversion in Medieval Jewish Art and Literature (Pennsylvania: Pennsylvania State University Press, 1997), pp. 16–17.
  • Katrin Kogman-Appel, 'The Sephardic Picture Cycles and the Rabbinic Tradition: Continuity and Innovation in Jewish Iconography', Zeitschrift für Kunstgeschichte, 60 (1997), 451-82.
  • Katrin Kogman-Appel, 'Coping with Christian Pictorial Sources: What Did Jewish Miniaturists Not Paint?' Speculum, 75 (2000), 816-58.
  • Julie Harris, 'Polemical Images in the Golden Haggadah (British Library Add. MS 27210)', Medieval Encounters, 8 (2002), 105-22.
  • Katrin Kogman-Appel, Jewish Book Art Between Islam and Christianity: the Decoration of Hebrew Bibles in Medieval Spain (Lieden: Brill, 2004), pp. 179–85.
  • Sarit Shalev-Eyni, 'Jerusalem and the Temple in Hebrew Illuminated Manuscripts: Jewish Thought and Christian Influence', in L'interculturalita dell'ebraismo a cura di Mauro Perani (Ravenna: Longo, 2004), pp. 173–91.
  • Julie A. Harris, 'Good Jews, Bad Jews, and No Jews at All: Ritual Imagery and Social Standards in the Catalan Haggadot', in Church, State, Vellum, and Stone: Essays on Medieval Spain in Honor of John Williams, ed. by Therese Martin and Julie A. Harris, The Medieval and Early Modern Iberian World, 26 (Leiden: Brill, 2005), pp. 275–96 (p. 279, fig. 6).
  • Katrin Kogman-Appel, Illuminated Haggadot from Medieval Spain. Biblical Imagery and the Passover Holiday (University Park: Pennsylvania State University Press, 2006), pp. 47–88.
  • Ilana Tahan, Hebrew Manuscripts: The Power of Script and Image (London, British Library, 2007), pp. 94–97.
  • Sacred: Books of the Three Faiths: Judaism, Christianity, Islam (London: British Library, 2007), p. 172 [exhibition catalogue].
  • Marc Michael Epstein, The Medieval Haggadah. Art, Narrative, and Religious Imagination (New Haven, Conn.: Yale University Press, 2011), pp. 129–200.