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User:Brittanylutge0/Chike Aniakor/Bibliography

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Bibliography

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  • africa.si.edu. “Visionary Artists / the University of Nigeria, Nsukka,” n.d. https://africa.si.edu/exhibitions/current-exhibitions/visionary-viewpoints-on-africas-arts/the-university-of-nigeria-nsukka/#:~:text=Uche%20Okeke%20(1933%E2%80%932016
  • Aniakor, Chike (1996). "Household Objects and the Philosophy of Igbo Social Space". In Arnoldi I, Hardin II, Mary Jo, Kris L. (ed.). African Material Culture. Indiana University Press. pp. 214–215.
  • Aniakor, Chike C. (1982). "Igbo Aesthetics: An Introduction". Nigeria Magazine (141): 3–15 – via Africabib.
  • Aniakor, Chike C. (1982). Igbo Architecture: A Study of Forms, Functions, and Typology (1st ed.). Indiana University. pp. 1–15.
  • Aniakor, Chike; Cole, Herbert M. (1984). Igbo Arts: Community and Cosmos (1st ed.). University of California Museum of Cultural History. pp. 200–224
  • Aniakor, Chike; Cole, Herbert M. (1984). Igbo Arts: Community and Cosmos (1st ed.). University of California Museum of Cultural History. pp. 200–224.
  • Aniakor, Chike (July 1978). "The Igbo Ijele Mask". African Arts. 4 (11): 42-47+95 – via JSTOR.
  • Cole, Herbert M. (1988). "Igbo Arts and Ethnicity: Problems and Issues". African Arts. 21 (2): 26
  • Ene-Orji, Chinedu (2022). "Traditional Igbo Architecture: A Symbolic Evaluation". African Arts. 55 (3): 66–81
  • Enwezor, Okwui (1995). "Uli At The Skoto". Glendora Review. 1 (2): 23–24.
  • Fourchard, Laurent (2003). Modern History of Visual Art in Southern Nigeria. Ibadan: IFRA-Nigeria. pp. 25–44. ISBN 9791092312577.
  • Haig, David-West (1996). "Uli Art: Master Works, Recent Works". African Arts. 29 (1): 71–74
  • Igbo | Culture, Lifestyle, & Facts | Britannica". www.britannica.com. 2023-10-16
  • imagomundicollection.org. “Imago Mundi Collection,” n.d. https://imagomundicollection.org/artworks/chike-aniakor-global-warming/.
  • Institution, Smithsonian. “Visual Incantations.” Smithsonian Institution. Accessed December 1, 2023. https://www.si.edu/object/visual-incantations%3Anmafa_96-18-1.
  • Irele, Abiiola; Jeyifo, Biodun (2010). The Oxford Encyclopedia of African Thought (1 ed.). Oxford University Press. p. 35.
  • Jegede, Dele (1997). New Traditions from Nigeria: Seven Artsits of the Nsukka. Smithsonian Institution Press. pp. 2–109.
  • Kasfir, Sidney Littlefield (April 14, 2020). Contemporary African Art (Second) (World of Art). Thames & Hudson. pp. 1–304.
  • Kelly, Bernice M. (1993). Nigerian Artists: A Who's Who and Biography. Hans Zell Publishers. pp. 118–120.
  • Korieh, Chima J. (October 13, 2021). New Perspectives on the Nigeria-Biafra War: No Victor, No Vanquished. Lexington Books. p. 375.
  • Nwafor, Okechukwu (2020). "Chike C Aniakor: The The Community and a Congregation of Figural Elements". African Arts. 4: 58–67
  • Nwafor, Okechukwu (2020). "Chike C Aniakor: The The Community and a Congregation of Figural Elements". African Arts. 4: 58–67
  • Okeke-Agulu, Chika (February 9, 2015). Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria. Duke University Press. pp. 1–376. ISBN 9780822376309.
  • Okoduwa, E.A.M. Tanko (September 2007). "Chike Aniakor: The Man and his Creative Philosophy, Mind, and Art Ideas". University of Nigeria Research Publications: 1–75.
  • Onwuakpa, Samuel; Ononeme, Efe (2016). "Ethnic Traditions, Contemporary Nigerian Art and Group Identity". Arts and Design Studies. 47: 1.
  • Ottenberg, Simon (2002). The Nsukka Artists and Nigerian Contemporary Art. The University of California: Smithsonian National Museum of African Art. pp. 1–330. ISBN 9780295982052.
  • Ross, Doran (1987). "Exhibition catalogues and African Art". Humanities: National Endowment for the Humanities. 8 (6): 11
  • Roughley, Neil, ed. (February 6, 2013). Being Humans: Anthropological Universality and Particularity in Transdisciplinary Perspectives. De Gruyter. p. 277. ISBN 9783110822809.
  • Sanders, Robin Renee (November 11, 2013). The Legendary Uli Women of Nigeria: Their Life Stories in Signs, Symbols, and Motifs. Xlibris US. p. 3. ISBN 9781483679235.
  • Smith, Fred T. (February 1983). "Reviewed Work: Art in Development: A Nigerian Perspective by Uche Okeke". African Arts. 16 (2): 84
  • Udechukwu, Obiora (2019). "Art, Tradition, and the Dancing Masquerade(r)". In Lang, Karen (ed.). Field Notes on the Visual Arts: Seventy-Five Short Essays (1 ed.). Intellect. p. 279.
  • Wole, Oloidi (2014). "Chike Aniakor: Master of Poetic Lines". Global Journal of Social Scienes. 13: 31–38

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