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The Ravenscroft Tradtion

Edward Ravenscroft (c.1654–1707), was the first critic to posit that Shakespeare's play Titus Andronicus was not originally written by him. In 1686 he revived the play at the Drury Lane Theatre, which he entitled 'Titus Andronicus, or the rape of Lavinia',[1] he wrote in the preface,


TO THE READER.

READER, I Think it a greater theft to Rob the dead of their Praise then the Living of their Money: That I may not appear Guilty of such a Crime, 'tis necessary I should acquaint you, that there is a Play in Mr. Shakespears Volume under the name of Titus Andronicus, from whence I drew part of this. I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Master-touches to one or two of the Principal Parts or Characters; this I am apt to believe, because 'tis the most incorrect and indigested piece in all his Works; It seems rather a heap of Rubbish then a Structure.— However as if some great Building had been design'd, in the removal we found many Large and Square Stones both usefull and Ornamental to the Fabrick, as new Modell'd: Compare the Old Play with this, you'l finde that none in all that Authors Works ever receiv'd greater Alterations or Additions, the Language not only refin'd, but many Scenes entirely New: Besides most of the principal Characters heighten'd, and the Plot much encreas'd. The Success an∣swer'd the Labour, tho' it first appear'd upon the Stage, at the beginning of the pretended Popish Plot, when neither Wit nor Honesty had Encouragement: Nor cou'd this expect favour since it shew'd the Treachery of Villains, and the Mischiefs carry'd on by Perjury, and False Evidence; and how Rogues may frame a Plot that shall deceive and destroy both the Honest and the Wise; which were the reasons why I did forward it at so unlucky a conjuncture, being content rather to lose the Profit, then not expose to the World the Picture of such Knaves and Rascals as then Reign'd in the opinion of the Foolish and Malicious part of the Nation: but it bore up against the Faction, and is confirm'd a Stock-Play. In the Hurry of those distracted times the Prologue and Epilogue were lost: But to let the Buyer have his penny-worths, I furnish you with others which were Written by me to other Persons Labours, two of 'em were proportion'd to that Mad Season; For when Ill Manners and Ill Principles Reign in a State, it is the business of the Stage, as well as Pulpits, to declaim and Instruct: That was my design when I Writ, and now Print 'em that the Purchaser may not Repine at the Author or Bookseller for a hard Bargain.

Adieu.[2][3]


This position is now known as the "Ravenscroft tradition" within literary circles.

References

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