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The Whole Truth (1958 film)

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The Whole Truth
Directed byJohn Guillermin
Written byJonathan Latimer
Based onplay The Whole Truth by Philip Mackie
Produced byJack Clayton
StarringStewart Granger
Donna Reed
George Sanders
Gianna Maria Canale
CinematographyWilkie Cooper
Edited byGerry Hambling
Music byMischa Spoliansky
Production
company
Distributed byColumbia Pictures
Release dates
  • 29 July 1958 (1958-07-29) (London)
  • September 1958 (1958-09) (United States)
Running time
84 minutes
CountriesUnited Kingdom
United States
LanguageEnglish
Box office392,806 admissions (France)[1]

The Whole Truth is a 1958 British-American thriller film directed by John Guillermin and starring Stewart Granger, George Sanders, Donna Reed, Gianna Maria Canale and Peter Dyneley.[2] It was written by Jonathan Latimer based on the 1955 play of the same title by Philip Mackie.

Plot

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While making a film on the French Riviera, the producer, Max Poulton, has been having an affair with his star, Gina Bertini. A married man, Max does not want to lose his wife Carol, but the hot-tempered Gina threatens to tell all.

Max comes home with a blood stain on his shirt cuff. A visit follows from an Inspector Carliss of Scotland Yard, who says Gina's body has just been found, stabbed to death.

Rushing to the house where he and Gina used to secretly meet, Max gathers up possessions he's left behind. A neighbour spots his car. Upon returning home, to a party Carol is hosting, Max is astounded to find Gina alive and well among the guests.

Confused, he drives her home, leaves her in the car briefly, then returns to find her lifeless body, stabbed. This time, a local police official, Inspector Simon, comes to call. The only conclusion Max can draw is that Carliss is somehow trying to frame him.

His suspicions are correct. Carliss is not a Scotland Yard inspector at all but Gina's jealous husband. He has arranged things to make Max appear guilty, and Simon, having the neighbour's eyewitness description of seeing Max's car, has little choice but to place Max under arrest.

When it looks as though Carliss intends to harm Carol as well, Max escapes from jail. He manipulates Carliss into stealing his own car, and when the police give chase to the wrong man, Carliss, in a panic, drives off a cliff to his death. Max's innocence becomes apparent to the police.

Cast

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Production

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The US rights and film rights were bought by Gilbert Miller in January 1956.[3] The film was made by Romulus Productions at Walton Studios with some brief location shooting in France.[citation needed] The film's sets were designed by the art director Anthony Masters.

Stewart Granger had just finished his contract with MGM and signed a two-picture deal with Romulus, of which The Whole Truth was to be the first. Jeanne Crain was originally announced as the female lead,[4] but Donna Reed ended up playing it. George Sanders joined the cast in July 1957.[5]

During shooting, Romulus announced that they had offered Stewart Granger a six-picture contract worth $1.5 million;[6] but he made no more films for that company. Teddy Darvas, sound editor, recalled that Granger "behaved exceedingly badly to Jackie Clayton on that film" by demanding large amounts of money to do ADR.[7]

Reception

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The Monthly Film Bulletin wrote: "The plot of this murder mystery is ingeniously contrived – if totally implausible – so ingeniously as to become thoroughly confused. In striving to make the twists and turns of the plot clear, the director loses control over his players, with the result that the performances are never more than adequate."[8]

Kine Weekly wrote: "Stewart Granger plays the tycoon-cum-playboy with easy assurance as Max, Donna Reed is a charming, unaffected Carol, Gianna Maria Canale scores in contrasts as the volatile, man-crazy Gina, and George Sanders is in his element as the vindictive, mentally unbalanced Carliss. Its supporting types too, register."[9]

Variety wrote: "This is a cosy little meller with some suave dialog, a slightly confused plot and some straightforward playing. ... But it is a routine effort which is unlikely to create outstanding interest, Granger and Sanders can play such roles on their heads, and Donna Reed as Granger's long-suffering wife, has little to do but look decorative. The most interesting piece of thesping comes from an elegant Italian actress, Gianna Maria Canale, who not only looks exciting but produces fireworks in the role of temperamental, possessive film actress. ... John Guillermin's direction is brisk and brings out as much tension as the story permits."[10]

Leslie Halliwell said: "A filmed play, but quite a solidly carpentered murder thriller with a couple of neat twists."[11]

Filmink praised the "brilliant first half".[12]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "Competent thriller, suitable mystifying if occasionally convincing."[13]

The Radio Times Guide to Films gave the film 3/5 stars, writing: "The over-the-top performances and overwrought direction ensure it's never boring."[14]

References

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  1. ^ Box office information for Stewart Granger films in France at Box Office Story
  2. ^ "The Whole Truth". British Film Institute Collections Search. Retrieved 13 October 2024.
  3. ^ Zolotow, Sam (10 January 1956). "Miller Twin Bill Play Be a Single". The New York Times. ProQuest 113596657.
  4. ^ "Drama". Los Angeles Times. 21 May 1956.
  5. ^ Schallert, Edwin (2 July 1957). "Cornel Wilde Readies Hungary Saga; George Sanders Stars Abroad". Los Angeles Times. p. B7.
  6. ^ Schallert, Edwin (5 November 1957). "British want Howard Keel". Los Angeles Times.
  7. ^ "Interview with Teddy Darvas". British Entertainment History project. 1991–1992.
  8. ^ "The Whole Truth". The Monthly Film Bulletin. 25 (288): 106. 1 January 1958 – via ProQuest.
  9. ^ "The Whole Truth". Kine Weekly. 494 (2653): 86. 19 June 1958 – via ProQuest.
  10. ^ "The Whole Truth". Variety. 211 (10): 7. 6 August 1958 – via ProQuest.
  11. ^ Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 1113. ISBN 0586088946.
  12. ^ Vagg, Stephen (17 November 2020). "John Guillermin: Action Man". Filmink.
  13. ^ Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 399. ISBN 0-7134-1874-5.
  14. ^ Radio Times Guide to Films (18th ed.). London: Immediate Media Company. 2017. p. 1023. ISBN 9780992936440.
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