The Times Are Racing
| The Times Are Racing | |
|---|---|
| Choreographer | Justin Peck |
| Music | Dan Deacon |
| Premiere | January 26, 2017 David H. Koch Theater |
| Original ballet company | New York City Ballet |
| Genre | contemporary ballet |
The Times Are Racing is a one-act ballet by Justin Peck, to "USA I-IV" from Dan Deacon's album America, with costumes designed by Humberto Leon from the fashion label Opening Ceremony and lighting design by Brandon Stirling Baker. [1] It premiered on January 26, 2017 at the David H. Koch Theater, danced by the New York City Ballet.[2][3]
Production
[edit]| External videos | |
|---|---|
 New York City Ballet Presents Justin Peck's THE TIMES ARE RACING with music by Dan Deacon, YouTube video | |
| Gretchen Smith on THE TIMES ARE RACING: Anatomy of a Dance, YouTube video |
The Times Are Racing is made by Justin Peck, the resident choreographer of the New York City Ballet. It was created during the 2016 presidential election, Peck said the ballet became "less optimistic piece than it could have been" after Donald Trump won the election.[1] The music is "USA I-IV" from Dan Deacon's album America, an electronic score, which Peck first listened few years prior. Though it was an unusual choice for ballet, and might be unpopular among some audiences, he went with it anyway as by then he was known for a "hypermodern direction".[2]
Peck opted the dancers to wear sneakers in the ballet, which had been used in a few ballets in NYCB's repertory and another ballet by Peck. The use of sneakers allowed him to incorporate elements of tap dance. He described the ballet as "rhythm tap and hoofing meets Fred Astaire soft-shoe, and Gene Kelly classical tap-film movements meets ballet". A tap number danced by Robert Fairchild and Peck himself was inspired by the video game Dance Dance Revolution, which the two played when they were roommates at the School of American Ballet, and Peck planned the sequence to look like the two dancers are "following along" the game's level track.[1][2] Peck, who was still dancing at the time but rarely in his own work,[4] said the tap portion was one of the reasons why he cast himself in the ballet.[1]
Ashly Isaacs, a female soloist, was chosen to be an alternate of Fairchild's role, due to her tapping ability, and the role is believed to be the first gender-neutral principal role in NYCB's repertory.[1][5]
Revivals
[edit]In later revivals, Taylor Stanley, a male principal dancer, was cast to dance the role originated by Tiler Peck (no relations to Justin Peck), and partnered Daniel Applebaum. Peck said the choice was made to allow his gay colleagues to perform "without any pretense" and the casting choice would continue the ballet's "exploration of gender-neutrality", though small changes were made to accommodate the dancers.[2][6][7]
The Joffrey Ballet in Chicago debuted The Times Are Racing in 2020.[8] Later that year, in response to the performances cancelled due to the coronavirus pandemic, NYCB streamed the tap number with Fairchild and Peck online, as part of its digital spring season.[9]
Original cast
[edit]The Times Are Racing is performed by 20 dancers. The lead roles were originated by:[10]
- Tiler Peck
- Amar Ramasar
- Robert Fairchild
- Justin Peck
- Brittany Pollack
- Gretchen Smith
- Savannah Lowery
- Sean Suozzi
Critical reception
[edit]The Financial Times gave The Times Are Racing five stars, called it Peck's "darkest, saddest, but also loosest, freest and most grounded dance to date".[11] The New Yorker also gave it five stars, and wrote the most impressive part "was not the cool-cat factor. It was the opposite. The ballet seemed to show a softness that was new to Peck".[4] In a mixed review, the New York Times criticized the music and duets with Tiler Peck and Amar Ramasar but complimented other parts of the ballet.[12]
References
[edit]- ^ a b c d e Kourlas, Gia (January 24, 2017). "At New York City Ballet, Lacing Up Their Sneakers to Unite". New York Times.
- ^ a b c d Weiss, Sasha (May 10, 2018). "Justin Peck Is Making Ballet That Speaks to Our Everyday Lives". New York Times Magazine.
- ^ "The Times Are Racing". New York City Ballet. Retrieved August 23, 2020.
- ^ a b Acocella, Joan (April 28, 2017). "Is Justin Peck trying to say something?". New Yorker.
- ^ Macaulay, Alastair (May 10, 2017). "Sign of the Times: City Ballet's Ashly Isaacs Laces Up Her Sneakers". New York Times.
- ^ Kourlas, Gia (October 10, 2017). "When Two Men Fall in Love on the Ballet Stage, and Why It Matters". New York Times.
- ^ "Justin Peck on Instagram". Instagram. September 27, 2017. Archived from the original on December 26, 2021.
- ^ Warnecke, Lauren (February 13, 2020). "Review: The Joffrey's new 'Times Are Racing' is great, except for the fluff piece 'Commedia'". Chicago Tribune.
- ^ Guerreiro, Teresa (May 29, 2020). "NYCB 2020 Digital Spring Season update". Cultural Whisperer.
- ^ Kourlas, Gia (January 18, 2017). "A Justin Peck Sneaker Ballet". New York Times.
- ^ Scherr, Apollinaire (January 28, 2017). "Ballet that rocks: Justin Peck world premiere The Times Are Racing". Financial Times.
- ^ Macaulay, Alastair (January 27, 2017). "New York City Ballet's Very 21st-Century Steps". New York Times.