The Mark of Cain (1947 film)
| The Mark of Cain | |
|---|---|
.jpg) | |
| Directed by | Brian Desmond Hurst |
| Written by |
|
| Based on | Airing in a Closed Carriage by Marjorie Bowen |
| Produced by | W. P. Lipscomb |
| Starring | |
| Cinematography | Erwin Hillier |
| Edited by | Sidney Stone |
| Music by | Bernard Stevens |
Production company | |
| Distributed by | General Film Distributors |
Release date |
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Running time | 88 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £253,400[1] |
| Box office | £75,800[1] |
The Mark of Cain is a 1947 British drama film directed by Brian Desmond Hurst and starring Eric Portman, Sally Gray, Patrick Holt and Dermot Walsh.[2] The film is based on the 1943 novel Airing in a Closed Carriage by Marjorie Bowen, which in turn was based on the true life murder trial of Florence Maybrick.[3][4] It was made at Denham Studios with sets designed by the art director Alex Vetchinsky.[5]
Plot
[edit]English industrialist Richard Howard visits Bordeaux, France to buy cotton for his mills from Sarah Bonheur, He becomes enamoured by Sarah and spends much of his business trip sight-seeing. When his younger brother, John arrives to close the deal, he also is attracted to Sarah, and after a whirlwind courtship, marries her.
When living a lonely existence in John's grand house in Manchester, England, Sarah confides to Richard that she is depressed by her marriage. Richard encourages her to divorce John and run off with him. Sarah consults a lawyer, but finally ignores Richard's advice, and somehow reconciles with her husband. Seeking revenge, Richard then poisons his brother and attempts to frame Sarah for the murder.
Dr. White is suspicious of the circumstances behind John's rapid decline, and after his death, Sarah's purchase of arsenic casts suspicion on her. In standing trial for murder, Richard defends Sarah thinking he will win her love, but she is found guilty. Another suitor, Jerome Thorn, is convinced he knows the identity of the poisoner, and comes to Sarah's aid.
Cast
[edit]- Eric Portman as Richard Howard
- Sally Gray as Sarah Bonheur
- Patrick Holt as John Howard
- Dermot Walsh as Jerome Thorn
- Denis O'Dea as Sir William Godgrey
- Edward Lexy as Lord Rochford
- Therese Giehse as Sister Seraphine
- Maureen Delany as Daisy Cobb
- Helen Cherry as Mary
- Vida Hope as Jennie
- Dora Sevening as Mme. Bonheur
- Janet Kay as Sylvia
- James Hayter as Dr. White
- Helen Goss as Lizzie Burt
- Beryl Measor as Nurse Brand
- Andrew Cruickshank as Sir Jonathon Dockwra
- Marjorie Gresley as Lady Rochford
- May MacDonald as Mrs. White
- Susan English as Sally Howard
- John Warren as Mr. Wilkins
- Rose Howlett as Mrs. Wilkins
- Miles Malleson as Mr. Burden
- William Mervyn as Mr. Bonnington
- Noel Howlett as Judge
- Arthur Howard as Clerk of the Court
- Hope Matthews as Foreman of the Jury
- Olwen Brookes as Mrs. Fisher
- Johnnie Schofield as Chemist
- Sydney Bromley as Martin
- Fred Johnson as Prison Chaplain
- Albert Ferber as Pianist
- John Hollingsworth as Conductor
- George Opoka as M. Vernier
- Jacqueline Robert as Madame Vernier
- Tony Etienne as Jean
- Willoughby Gray as Photographer
- Adrian Waller as Reporter
- James B. Carson as Reporter
- Mary Daniels as First Programme Seller
- Jean Bowler as Second Programme Seller
- Wensley Pithey as Opera House Attendant
- Michael Logan as Police Inspector
- Nora Gordon as Guard
- Christiana Forbes as Guard
- Colleen Nolan as Guard
- Sheila Raynor as Guard
- Jean Anderson as Extra
- Corey Ellison as Extra
- Ian Wilson as Extra
Critical reception
[edit]In reviewing The Mark of Cain, Britmovie wrote, "... the story never catches fire, one reason for this is the heavy-handed direction of Brian Desmond Hurst which fails to maintain adequate suspense. Dermot Walsh and Patrick Holt overplay their roles and both were a promise never really to be fulfilled, but Eric Portman dominates the film in a barnstorming acting performance. Sally Gray is somewhat inconsequential and there’s no spark of chemistry between the leads."[6]
Film critic Allan Essler Smith wrote, "This powerful drama is an interesting example of a strand of late 1940s British cinema, but has been long neglected and not shown on British TV for many years, if at all. Set in the late Victorian and early Edwardian eras, it has excellent period detail and the sets effectively highlight Sarah's alienation and despair in the Howards's suffocating and gloomy household."[7]
Box Office
[edit]Producer's receipts were £70,000 in the UK and £5,800 overseas.[1]
References
[edit]Notes
[edit]- ^ a b c Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 354. Income is in terms of producer's share of receipts.
- ^ Murphy 2003, p. 161.
- ^ Parkinson, David. Review: 'The Mark of Cain'." RadioTimes, 16 June 2016. Retrieved: 27 August 2016.
- ^ Vagarian. "Dust & Corruption: Joseph Shearing's 'Airing in a Closed Carriage' and the Florence Maybrick mystery." dustandcorruption.blogspot.co.uk, 10 December 2010. Retrieved: 27 August 2016.
- ^ "Review: 'The Mark of Cain' (1948)." British Film Institute, 2016. Retrieved: 27 August 2016.
- ^ "Review: 'The Mark of Cain' 1947." Britmovie. Retrieved: 27 August 2016.
- ^ Smith, Allan Essler. Review: 'The Mark of Cain' (1947)." briandesmondhurst.org. Retrieved: 27 August 2016.
Bibliography
[edit]- Murphy, Robert. Realism and Tinsel: Cinema and Society in Britain 1939-48. London: Routledge, 2003. ISBN
External links
[edit]- 1947 films
- 1940s historical drama films
- 1940s English-language films
- British historical drama films
- Films directed by Brian Desmond Hurst
- Two Cities Films films
- Films based on British novels
- British black-and-white films
- Films set in the 1890s
- Films set in France
- Films set in Yorkshire
- British courtroom films
- Films shot at Denham Film Studios
- 1947 drama films
- 1940s British films
- Films scored by Bernard Stevens
- English-language historical drama films