Template:Did you know nominations/The Temple (painting)
- The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page. No further edits should be made to this page.
The result was: promoted by Vaticidalprophet (talk) 11:38, 5 September 2023 (UTC)
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The Temple (painting)
- ... that according to an art historian, the painting The Temple evokes a sense of both crisis and "enduring power"? Source: "...within Delvaux's work too there is often the pervasive sense of a crisis of modernity conveyed in his pictorial articulation of a strange or disjunctive antiquity. ... A sense that, not only is the fragmented and broken nature of the past somehow also a fundamental reflection of the disjointed nature of the contemporary world of the present, but also that, beyond and between these two temporal eras, there stretches another wider and unexplored landscape of lyrical mystery and enduring power." Dumas, Adrienne (2012). "Paul Delvaux (1897–1994): Le temple".
- ALT1: ... that according to an archaeologist, it is significant that the painting The Temple, which shows the broken off head of a statue, does not evoke melancholy? Source: "Here, the fragment is not the sign of the past or an invitation to melancholy." Jockey, Philippe (2009). "Delvaux and Ancient Sculpture". In Draguet, Michel (ed.). Delvaux and Antiquity. p. 120.
- Reviewed: Template:Did you know nominations/Pope Sisinnius
Improved to Good Article status by Ffranc (talk). Self-nominated at 12:23, 8 August 2023 (UTC). Post-promotion hook changes for this nom will be logged at Template talk:Did you know nominations/The Temple (painting); consider watching this nomination, if it is successful, until the hook appears on the Main Page.
