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Talk:Yogini with a Mynah Bird

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Feedback from New Page Review process

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I left the following feedback for the creator/future reviewers while reviewing this article: Nice work on your new article. It is currently uncategorised - I will add some now. You might consider adding the article to appropriate WikiProjects.

BastunĖġáḍβáś₮ŭŃ! 12:54, 19 December 2024 (UTC)[reply]

Did you know nomination

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  • Source: Zebrowski, Mark (1983). Deccani painting. p. 104. In the Dublin picture (82 and col. pl. x11), she appears asa religious mendicant, or yogini, her body smeared with ash, endowed with special powers resulting from severe austerities. Her magical, rather than her saintly qualities are stressed. She is a sorceress, wearing extravagant jewels, secretly communicating with a bird. Her face is strange and exotic, like a ferangi, or European. Fantastic plants undulate beside her. Her gleaming palace beckons to us, but its stony whiteness is like a tomb. Ibrahim Adil Shah, himself immersed in unorthodox rites, must have been intrigued by the picture's dark ambiguities. The Yogini may symbolize the seductive heresies which rivalled Islam for the young king's mind.
  • Source: Zebrowski, Mark (1983). Deccani painting. p. 104. In the Dublin picture (82 and col. pl. x11), she appears asa religious mendicant, or yogini, her body smeared with ash, endowed with special powers resulting from severe austerities. Her magical, rather than her saintly qualities are stressed. She is a sorceress, wearing extravagant jewels, secretly communicating with a bird. Her face is strange and exotic, like a ferangi, or European. Fantastic plants undulate beside her. Her gleaming palace beckons to us, but its stony whiteness is like a tomb. Ibrahim Adil Shah, himself immersed in unorthodox rites, must have been intrigued by the picture's dark ambiguities. The Yogini may symbolize the seductive heresies which rivalled Islam for the young king's mind.
  • Source: Zebrowski, Mark (1983). Deccani painting. p. 104. In the Dublin picture (82 and col. pl. x11), she appears asa religious mendicant, or yogini, her body smeared with ash, endowed with special powers resulting from severe austerities. Her magical, rather than her saintly qualities are stressed. She is a sorceress, wearing extravagant jewels, secretly communicating with a bird. Her face is strange and exotic, like a ferangi, or European. Fantastic plants undulate beside her. Her gleaming palace beckons to us, but its stony whiteness is like a tomb. Ibrahim Adil Shah, himself immersed in unorthodox rites, must have been intrigued by the picture's dark ambiguities. The Yogini may symbolize the seductive heresies which rivalled Islam for the young king's mind.
Created by AmateurHi$torian (talk). Number of QPQs required: 1. Nominator has 6 past nominations.

AmateurHi$torian (talk) 09:20, 20 December 2024 (UTC).[reply]