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Baudelaire never used the term "profound voluptuousness" in reference to the Valpincon Bather. He wrote that Ingres's paintings "L’Angélique, les deux Odalisques, le Portrait de Mme d’Haussonville, sont des oeuvres d’une volupté profonde" in his Salon of 1846. 2001:5A8:49CA:7800:754E:3B52:F893:71E4 (talk) 03:08, 1 August 2024 (UTC)[reply]
