Talk:Shinichi Watanabe
This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page. |
This article is rated Start-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||||||||||||
|
Nabeshin Song
[edit]Does anyone happen to know where I can get the English version of the song "I am Nabeshin"? 80.2.37.199 15:47, 22 May 2007 (UTC)
Manga Impact
[edit]Manga Impact: The World of Japanese Animation, 6 December 2010, ISBN 978-0714857411; pg 245:
Watanabe Shinichi (born in 1964 in Yokoyama) belongs to the generation who grew up during the anime boom years of the Seventies. The saga of Lupin III (1971) shaped his mischievous, inclusive and easygoing style of comedy and he used himself as the model for Nabeshin, an afro-haired alter ego with the power to change the plot of the anime he appear in, Shinichi's best-known and most absurd series Excel Saga (1999). Watanabe entered the anime industry at the end of the Eighties and began to make a name for himself as a storyboarder and episode director on the sports-themed series Gold Field Hunter (Goal FH, 1994). In 1997, he directed his first comedy series, Hare Tokidoki Buta (Tokyo Pig), starring a child and his magic piglet. He became famous with the series Excel Saga, which took television comedy to new and demented extremes: combining the manzai tradition of fast-talking stand-up with the distortion of cartoons, it opens the way to a new genre. Each episode sends up a specific genre - from the sentai 'task-force' style squadrons to kawaii (cute) culture with its ultra-sweet little animals. Visually, Watanabe takes all the characteristics of classic anime to extremes, with an overabundance of expressionistic graphic backgrounds and distorted inserts. The bizarre zaniness of the series extended to the spin-off Puni Puni Poemi (2001), which was followed by other comic series with uninhibited female protagonists such as Tenchi Muyo GXP (2002). With Nerima Daikon Brothers (2006) Watanabe turned his comedic talents towards musicals and made fun of the Japanese passion for karaoke through the bewildering adventures of a trio of blues-crazy Japanese turnip farmers. Excel Saga's Nabeshin intervenes in this series too, by providing the protagonists with gadgets that always have disastrous side-effects.
L.D.C. [Lucca Della Casa]
--Gwern (contribs) 19:49 23 December 2011 (GMT)
- Biography articles of living people
- Start-Class biography articles
- Start-Class biography (actors and filmmakers) articles
- Low-importance biography (actors and filmmakers) articles
- Actors and filmmakers work group articles
- WikiProject Biography articles
- Start-Class anime and manga articles
- Mid-importance anime and manga articles
- Anime and manga biography work group articles
- All WikiProject Anime and manga pages