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GA Review

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The following discussion is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.


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Progressive music (edit | visual edit | history) · Article talk (edit | history) · Watch

Reviewer: Cartoon network freak (talk · contribs) 22:55, 31 October 2016 (UTC)[reply]

Lead

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  • and sometimes results → with it sometimes resulting
  • Electicism, like formalism, → Like formalism, electicism
  • toward style synthesis, or integration → remove comma here
  • but its listeners failed to move with the musicians → too unencyclopedic; try to reword
  • allowing performers limited control over their own content → offering performers limited control over their own material

Jazz

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  • its "progressive" features → begin sentence with capital letter
  • autobiography: "They tried → autobiography; "They tried
  • that was made for listening → Remove; I think that's already clear (I mean, we don't eat it, right? )
This is meant to contrast with music created for dancing, which is the antithesis of art music.--Ilovetopaint (talk) 09:27, 2 November 2016 (UTC)[reply]

Pop and rock

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  • dramatically accelerated → dramatically increased
  • the "progressive" label arrived → With the arrival of a "progressive" label
  • with standard pop music formula → with the standard pop music formula
  • "progressive" label: lyrics → "progressive label"—lyrics
  • For the rest of this sentence (above), please set a normal comma in place of a ;
  • Before the progressive pop of the late 1960s → Prior to the progressive pop of the late 1960s
  • Beach Boys' 1966 album → Beach Boys' 1966 studio album
  • with their lyrical unity, extended structure, complexity, eclecticism, experimentalism, and influences derived from classical music forms, are largely viewed as beginnings in the progressive rock genre → are largely viewed as beginnings in the progressive rock genre due to their lyrical unity, extended structure, complexity, eclecticism, experimentalism and influences derived from classical music forms.
  • Critic Simon Reynolds → [[Music journalism|Music critic]] Simon Reynolds
  • beginning in 1967 → beginning with 1967
  • (before the year 1969) → you can leave the paranthesis out
  • Those proto-prog musicians → The musicians that have approached this genre
  • bands ... into → bands [...] into
  • continued to support → continued to incorporate
  • by the likes of Yes, Genesis, and Emerson, Lake & Palmer → place this at the end of the respective sentence for better flow
  • John Covach: "By John Covach, "by
  • sound. ... What → sound [...] What
  • groups ... was → groups [...]
  • rock in that it balanced → rock by balancing
  • It also drew generously from → It was also notably influenced
  • From the same period → In the same period
  • writes: "the → writes; "the

Electronic

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  • DJ/producer → disc jockey and producer

Notes

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  • to the academic Tim Wall → "the" is overfluous
  • Allan Moore writes: "It → replace : with ;
  • song. ... → song. [...]
  • In note two there is a redlink, and the speech of the writer isn't quit with a closing "
  • From about 1967 → Starting with about 1967
  • both musics → both styles of music

References

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Outcome

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The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.