Talk:Peter Fraser (photographer)

Literature

Some author(s?) threw into the article an enormous amount of literature. After reformatting, reverse-ordering, and slight (probably incomplete) spell-checking, this reads:

• Susan Beardmore, ‘I hate Green’, Valleys Catalogue, Ffotogallery, Cardiff, 1986.
• William Bishop, ‘Photographs by Peter Fraser’, Creative Camera, May 1986; pp. 18–25.
• Ian Jeffrey, ‘Inscriptions and Inventions’, British Council Catalogue, 1987; pp. 14 –15
• David Mellor, ‘Romances of Decay’, Aperture, New York, Autumn 1989, p 34
• Ian Jeffrey, ‘Unrepentant Roses’, Creative Camera, December 1989; p. 34.
• Ian Jeffrey, ‘British Photography Flourishes’, Camera Austria, 1989. pp. 58–61.
• Mary-Rose Beaumont, ‘Peter Fraser’, Arts Review, 28 July 1989; p. 42.
• Sue Hubbard, ‘Peter Fraser – Triptychs’, Time Out, 26 July 1989.
• David Mellor, ‘Coincidenta Oppositorum’, Exhibition sheet, Interim Art, London, 1989.
• Mark Durden, ‘Ice and Water’, Creative Camera, Dec 1993; p. 42.
• Ian Jeffrey, ‘Peter Fraser’, Untitled Magazine, Spring 1994; p. 17.
• Robert Duffy, ‘Fraser’s Different Focus’, St. Louis Post-Dispatch, 20 August 1995.
• David Mellor, ‘British Photography: Towards A Bigger Picture’, Aperture Magazine, New York, 1998. pp, 57-61
• Sleazenation, January 1999, pp. 48–57.
• Geraldine Haigh, ‘Chromatically Correct’, Professional Photographer, August 2002, pp. 45–48.
• Paul Tebbs, ‘Technological Confectionary’, Source, Issue 32, Autumn 2002, pp. 52–53.
• Gerry Badger, ‘Peter Fraser Material’, Next Level, Edition 02, Vol 01, 2002. pp. 42–29.
• Johanna Burton, ‘A Few Dumb Ideas On Peter Fraser and Rachel Harrison’, Brighton Photo Biennial 2003 Publication (with Photoworks), pp. 10– 13.
• Sarah Kent, ‘Citigroup Photography Prize’, Time Out, 18 February 2004.
• Sean O’Hagan, ‘Drive to the Edge’, The Observer, 1 February 2004.
• Ben Lewis, ‘Photography Triumphant’, Prospect, February 2004.
• Adrian Searle, ‘Smashing Pumpkins’, The Guardian, 29 January 2004.
• Oliver Bennett, ‘Out of the Ordinary’, Design Week, 8 January 2004.
• Johanna Burton, ‘Tiny Jubilations’, Citigroup Photography Prize 2004, published by The Photographers’ Gallery, pp38–39
• Interview with Rachel Withers, ‘Peter Fraser Material’, FOAM Magazine, Issue 5 ‘Near’, 2004. pp. 99–117
• Ian Jeffrey, ‘Review Citigroup Prize’, Photoworks Magazine, Spring / Summer 2004, pp 54–57
• Michael Bracewell, ‘Peter Fraser photographs 2002-2003’, Portfolio Magazine, no 39, 2004. pp. 8 –13
• Heinz-Norbert Jooks, ‘Citigroup Photography Prize Exhibition’, Kunstforum 171, July/August 2004, pg 326
• Charlotte Cotton, ‘The Photograph As Contemporary Art’, Thames and Hudson, 2004. pp 126–127
• Edgar Allen Beem, ‘Close Encounters With The Overlooked’, Photo District News, New York, July 2007, pp 82–86
• Aaron Rothman, ‘Peter Fraser’, Photo Eye Booklist, Santa Fe, New Mexico, Spring 2007, pp 20–22
• David Chandler, ‘Peter Fraser’, Photoworks Magazine, Brighton, England. May/October 2007, p74
• Gerry Badger, ‘The Genius of Photography, Quadrille Publishing, London. 2007. pp 212
• ‘No Such Thing as Society’, Photography in Britain 1967-1987, Professor David Mellor (author), Hayward Publishing, 2008. pp 127–131, 133-135, 146
• ‘Troubled Waters’, 12 Still Lives from the Siemens Photography Collection, Walther König, Köln, Germany, 2008, cover and pp 76–79
• ‘Máquinas’ (Machines), EXIT Magazine, Madrid, Issue 31, 2008, cover and pp130–137
• Peter Fraser, ‘Oxford University Residency’, Photoworks Magazine, Brighton, UK, Spring/Summer 2009, pp 28–37
• Jay Merick, Independent Newspaper, London, 9 March 2009, ‘How does architecture affect academic study?’, Higher Education News
• ‘At The Ruskin’, Oxford Poetry magazine, Magdalen College, Oxford University, Spring 2009, Vol.X111no1, pp 31>32 text, and 4 page colour insert.
• Alex Coles, 'Architecture with Art in Mind', Salt Bridges, Prestel Publishing Ltd, 2010 pp 120 (text), and pp 88–113 (images).
• Jeffrey Ladd, 5B4 Blogspot, June 25, 2010, 'Lost for Words by Peter Fraser' http://5b4.blogspot.com/2010_06_01_archive.html
• 'Focus', Colour Theory, SuperMassiveBlackHole, issue 7/2011, online magazine http://www.supermassiveblackholemag.com

With its apparent inclusion of passing references and obscurities, the list seems far less something for the article than (as a resource) for this talk page. For this reason, I'm about to prune it as it appears in the article. But for what it's worth for future editors, above you have it in full. -- Hoary (talk) 00:34, 25 December 2011 (UTC)