Talk:Magic I Want U/GA1
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Nominator: Locust member (talk · contribs) 02:17, 2 January 2025 (UTC)
Reviewer: LunaEclipse (talk · contribs) 00:41, 4 January 2025 (UTC)
Picking this up. I will review this in a few days. 💽 LunaEclipse 💽 🌹 ⚧ (CALL ME IF YOU GET LOST) 00:41, 4 January 2025 (UTC)
- Awesome, thank you! Locust member (talk) 01:46, 4 January 2025 (UTC)
Background and release
[edit]Following the release of her second studio album, Census Designated, in October 2023, Jane Remover released the tracks "Flash in the Pan" and "Dream Sequence" in July 2024. She also opened for JPEGMafia's North American tour during 2024. The single "Magic I Want U" was released by DeadAir Records on September 4, 2024, alongside its B-side "How to Teleport". It was written, performed, and mixed by Remover. → Following the release of her second studio album, Census Designated, in October 2023, Jane Remover released the tracks "Flash in the Pan" and "Dream Sequence" in July 2024. She also opened for JPEGMafia's North American tour during 2024. The single "Magic I Want U" was released by DeadAir Records on September 4, 2024, alongside its B-side "How to Teleport"; it was written, performed, and mixed by Remover.
Composition
[edit]- "Magic I Want U" is 4 minutes and 58 seconds long. It is a pop, emo, and R&B song that draws from a variety of genres, such as hyperpop, Latin music, 1990s hip-hop, EDM, and digicore. → "Magic I Want U" is 4 minutes and 58 seconds long; it is a pop, emo, and R&B song that draws from a variety of genres, such as hyperpop, Latin music, 1990s hip-hop, EDM, and digicore.
- Its production contains fuzzy guitars, synthesizer hooks, drums, and skittering breakbeats; Pitchfork's Mano Sundaresan compared the latter to the work of Dijon. He also said that the use of trap chants and air horns serve as a reminder of "her internet-rap roots". → Its production contains fuzzy guitars, synthesizer hooks, drums, and skittering breakbeats; Pitchfork's Mano Sundaresan compared the latter to the work of Dijon. He believed the use of trap chants and air horns serve as a reminder of "her internet-rap roots".
- For Paste, Leah Weinstein wrote that the song's synthesizers are reminiscent of Bladee. Tom Breihan from Stereogum said the song sounds like "a million things happening at once". → Paste's Leah Weinstein wrote the song's synthesizers are reminiscent of Bladee, while Tom Breihan from Stereogum described the song as "a million things happening at once".
- Juan Velasquez, for Them, wrote that the track "took her melancholy hyperpop shoegaze to a whole new level". He also called the track "confident", "flirty", and "danceable", and mentioned how it is reminiscent of Total Request Live-era love songs. → Juan Velasquez of Them wrote that the track "took her melancholy hyperpop shoegaze to a whole new level"; he also called the track "confident", "flirty", and "danceable", and mentioned how it is reminiscent of Total Request Live-era love songs.