Talk:Lucrecia Martel

Wiki Education Foundation-supported course assignment

This article is or was the subject of a Wiki Education Foundation-supported course assignment. Further details are available on the course page. Student editor(s): EmoryStudentSuperstar.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 02:56, 17 January 2022 (UTC)

Fair use rationale for Image:Martelphoto117.jpg

Image:Martelphoto117.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Wikipedia:Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

—BetacommandBot 08:54, 7 November 2007 (UTC)

La mujer sin cabeza (2008) vs. Una mujer sin cabeza (1947)

EXISTE UNA CONFUSIÓN ENTRE LAS PELÍCULAS "LA MUJER SIN CABEZA" (2008) (de Lucrecia Martel) Y "UNA MUJER SIN CABEZA" (1947) (de Luis César Amadori).

AL PULSAR EN EL LINK DE "LA MUJER SIN CABEZA" NOS VAMOS A LA PÁGINA DE WIKIPEDIA DE "UNA MUJER SIN CABEZA", QUE NO ES LA PELÍCULA DIRIGIDA POR LUCRECIA MARTEL A LA QUE SE HACE REFERENCIA

EL AUTOR DEBERÍA CORREGIR ESTE PEQUEÑO ERROR

SALUDOS

—Preceding unsigned comment added by 81.198.39.32 (talk) 14:51, 21 March 2010 (UTC)

Translated into English:

THERE IS A CONFUSION BETWEEN THE MOVIES "THE WOMAN WITHOUT A HEAD" (2008) (by Lucrecia Martel) AND "A WOMAN WITHOUT A HEAD" (1947) (by Luis César Amadori).

BY CLICKING ON THE LINK OF "THE WOMAN WITHOUT A HEAD" WE WILL GO TO THE WIKIPEDIA PAGE OF "A WOMAN WITHOUT A HEAD", WHICH IS NOT THE MOVIE DIRECTED BY LUCRECIA MARTEL TO WHICH IT IS REFERENCED

THE AUTHOR SHOULD CORRECT THIS SMALL ERROR

REGARDS

—EmoryStudentSuperstar (talk) 02:25, 6 May 2018 (UTC)

Wiki Education Foundation-supported course assignment

Hey everyone, my name is Steven and I'm taking a class called "Women Filmmakers" this semester at Emory University. I've chosen Lucrecia Martel as my filmmaker for the Wikipedia class project that we're doing, so I'll be contributing all my good relevant research here. The legendary film scholar Michele Schreiber (my teacher) will be overseeing my work periodically. Please email me at steven.kotenai@emory.edu if you have any urgent concerns! I'll be as clear and detailed as possible in my edit summaries, etc. Thanks!

Bibliography

• Bahiana, Ana Maria. "Female Filmmakers in Latin America: Unsung Pioneers, Fierce Explorers." Celluloid Ceiling: Women Directors Breaking Through. Ed. Gabrielle Kelly and Cheryl Robson. London: Supernova, 2014. 77-91. Print.
• Gutiérrez-Albilla, Julián Daniel. "Filming in the Feminine: Subjective Realism, Social Disintegration and Bodily Affection in Lucrecia Martel's La Ciénaga (2001)." Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference. Ed. Parvati Nair and Julián Daniel Gutiérrez-Albilla. Manchester: Manchester U, 2015. 215-28. Print.
• Martin, Deborah, and Deborah Shaw. "Introduction." Introduction. Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 11-23. Print.
• Martin, Deborah. "La Ciénaga: Distanciation and Embodiment." The Cinema of Lucrecia Martel. By Deborah Martin. Manchester: Manchester UP, 2016. 30-53. Print.
• Martin, Deborah. "Planeta Ciénaga: Lucrecia Martel and Contemporary Argentine Women's Filmmaking." Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 241-62. Print.
• Monteagudo, Luciano. "Lucrecia Martel: Whispers at Siesta Time." New Argentine Cinema: Themes, Auteurs and Trends of Innovation. Ed. Horacio Bernades, Diego Lerer, and Sergio Wolf. Buenos Aires: Ediciones Tatanka, 2002. 69-78. Print.
• Schroeder, Paul A. "The Rise of the Woman Director: Lucrecia Martel's Salta Trilogy (2001-8)." Latin American Cinema: A Comparative History. Oakland, CA: U of California, 2016. 266-81. Print.
• Shaw, Deborah. "Intimacy and Distance - Domestic Servants in Latin American Women's Cinema: La mujer sin cabeza and El niño pez/The Fish Child." Latin American Women Filmmakers: Production, Politics, Poetics. Ed. Deborah *Martin and Deborah Shaw. London ; New York: I.B. Tauris, 2017. 123-48. Print.
• Smith, Paul Julian. "Transnational Co-productions and Female Filmmakers: The Cases of Lucrecia Martel and Isabel Coixet." Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference. Ed. Parvati Nair and Julián Daniel Gutiérrez-Albilla. Manchester: Manchester U, 2015. 12-24. Print.

—EmoryStudentSuperstar (talk) 11:12, 5 May 2018 (UTC)