Jump to content

Talk:Interpretations of Fight Club/references

Page contents not supported in other languages.
From Wikipedia, the free encyclopedia

Books to use

[edit]

2001

[edit]
  • Giroux, Henry A. "Brutalized Bodies and Emasculated Politics: Fight Club, Consumerism and Masculine Violence". Breaking in to the Movies: Film and the Culture of Politics. Wiley–Blackwell. pp. 258–288. ISBN 978-0-631-22603-1.
  • Giroux, Henry A.; Szeman, Imre (2001). "Ikea Boy Fights Back: Fight Club, Consumerism, and the Political Limits of Nineties Cinema". The End Of Cinema As We Know It: American Film in the Nineties. NYU Press. pp. 95–104. ISBN 978-0-8147-5160-2.
  • Giroux, Henry A. "Private Satisfactions and Public Disorders: Fight Club, Patriarchy and the Politics of Masculine Violence". Public Spaces, Private Lives: Beyond the Culture of Cynicism. Culture and Politics Series. Rowman & Littlefield Publishers. ISBN 978-0-7425-1553-6.

2002

[edit]
  • Pisters, Patricia (2002). "Glamour and glycerine: Surplus and Residual of the Network Society: from Glamorama to Fight Club". In Pisters, Patricia (ed.). Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari. Film Culture in Transition. Amsterdam University Press. ISBN 978-90-5356-473-8.
  • Watson, Paul (2002). "American Cinema, Political Criticism and Pragmatism: A Therapeutic Reading of Fight Club and Magnolia". In Davies, Philip John; Wells, Paul (eds.). American Film and Politics from Reagan to Bush Jr. Manchester University Press. ISBN 978-0-7190-5865-3.

2003

[edit]
  • Natoli, Joseph P. (2003). "Fight Club". Memory's Orbit: Film and Culture, 1999–2000. SUNY Series in Postmodern Culture. State University of New York Press. ISBN 978-0-7914-5719-1.
  • Swallow, James (2003). "Hit Me". Dark Eye: The Films of David Fincher. Reynolds & Hearn. pp. 145–174. ISBN 978-1-903111-52-9.

2004

[edit]
  • Windrum, Ken (2004). "Fight Club and the political (im)potence of consumer revolt". In Schneider, Steven Jay (ed.). New Hollywood Violence. Manchester University Press. pp. 304–317. ISBN 978-0-7190-6723-5.
  • Stirling, Kirsten (2004). "Dr. Jekyll and Mr. Jackass: Fight Club as a Refraction of Hogg's Justified Sinner and Stevenson's Dr. Jekyll and Mr. Hyde". In Gutleben, Christian; Onega, Susana (eds.). Refracting the Canon in Contemporary British Literature and Film. Postmodern Studies 35. Rodopi. pp. 83–94. ISBN 978-90-420-1050-5.

2005

[edit]
  • Bauer, Nancy (2005). "Cogito ergo film: Plato, Descartes and Fight Club". In Read, Rupert; Goodenough, Jerry (eds.). Film as Philosophy: Essays on Cinema after Wittgenstein and Cavell. Palgrave Macmillan. ISBN 978-1-4039-4900-4.
  • Zavodny, John (2005). "I Am Jack's Wasted Life: Fight Club and Personal Identity". In Blessing, Kimberly A. (ed.). Movies and the Meaning of Life: Philosophers Take On Hollywood. Open Court. pp. 47–60. ISBN 978-0-8126-9575-5.

2006

[edit]
  • Giroux, Henry A. (2006). "Private Satisfactions and Public Disorders: Fight Club, Patriarchy and the Politics of Masculine Violence". America on the Edge: Henry Giroux on Politics, Culture, and Education. Palgrave Macmillan. pp. 205–228. ISBN 978-1-4039-7160-9.
    Giroux, Henry A. (2006). "Private Satisfactions and Public Disorders: Fight Club, Patriarchy and the Politics of Masculine Violence". In Weaver, C. Kay; Carter, Cynthia (eds.). Critical Readings: Violence and the Media. Issues in Cultural and Media Studies. Open University Press. ISBN 978-0-335-21806-6.
  • Hill, Geoffrey (2006). "Radical Realities: British Nineteenth-Century Positivism and Fictive Mental Constructions in the film Fight Club". In Renzi, Barbara Gabriella; Rainey, Stephen (eds.). From Plato's Cave to the Multiplex: Contemporary Philosophy and Film. Cambridge Scholars Publishing. pp. 1–9. ISBN 978-1-84718-013-1.

2007

[edit]
  • Diken, Bülent; Lausten, Carsten Bagge (2007). "Fight Club: Violence in Network Society". Sociology Through the Projector. International Library of Sociology. Routledge. pp. 71–89. ISBN 978-0-415-44598-6.
    Diken, Bülent; Lausten, Carsten Bagge (2007). "Enjoy Your Fight! – Fight Club as a Symptom of the Network Society". In Codell, Julie (ed.). Genre, Gender, Race, and World Cinema. Wiley–Blackwell. pp. 56–77. ISBN 978-1-4051-3232-9.
  • Gandal, Keith (2007). "The Cult Film Fight Club". Class Representation in Modern Fiction and Film. Palgrave Macmillan. pp. 155–168. ISBN 978-1-4039-7792-2.
  • Shuck, Glenn W.; Stroup, John M. (2007). "God's Unwanted: Fight Club and the Myth of 'Total Revolution'". Escape into the Future: Cultural Pessimism and its Religious Dimension in Contemporary American Popular Culture. Baylor University Press. pp. 87–114. ISBN 978-1-932792-52-2.
  • White, Cameron; Walker, Trenia (2007). "Fight Club and the Disneyfication of Manhood". Tooning In: Essays on Popular Culture and Education. Rowman & Littlefield Publishers. ISBN 978-0-7425-5969-1.

2008

[edit]
  • Fielding, Julien R. (2008). "Hybrid Films". Discovering World Religions at 24 Frames Per Second. ATLA Monograph Series. Scarecrow Press. pp. 473–487. ISBN 978-0-8108-5996-8.
  • Hall, Matthew (2008). "Fight Club". Teaching Men and Film. Teaching Film and Media Studies. British Film Institute. ISBN 978-1-84457-082-9.
  • King, Mike (2008). "Fight Club". The American Cinema of Excess: Extremes of the National Mind on Film. McFarland. pp. 171–174. ISBN 978-0-7864-3988-1.

2009

[edit]
  • Greven, David (2009). "Destroying Something Beautiful: Narcissism, Male Violence, and the Homosocial in Fight Club". Manhood in Hollywood from Bush to Bush. University of Texas Press. pp. 160–175. ISBN 978-0-292-71987-3.
  • Horsley, Jason (2009). "Where Is My Mind? Notes on Purity of Impulse in Fight Club". The Secret Life of Movies: Schizophrenic and Shamanic Journeys in American Cinema. McFarland. pp. 227–241. ISBN 978-0-7864-4423-6.
  • King, Geoff (2009). Indiewood, USA: Where Hollywood meets Independent Cinema. International Library of Cultural Studies. I. B. Tauris. ISBN 978-1-84511-825-9.
  • Rehling, Nicola (2009). Extra-Ordinary Men: White Heterosexual Masculinity and Contemporary Popular Cinema. Lexington Books. ISBN 978-0-7391-2482-6.
  • Vint, Sherryl; Bould, Mark (2009). "The Thin Men: Anorexic Subjectivity in Fight Club and The Machinist". In Bould, Mark; Glitre, Kathrina; Tuck, Greg (eds.). Neo-Noir. Wallflower Press. ISBN 978-1-906660-18-5.
  • Wegner, Philip E. (2009). "Where the Prospective Horizon is Omitted: Naturalism, Dystopia, and Politics in Fight Club and Ghost Dog". Life between Two Deaths, 1989-2001: U.S. Culture in the Long Nineties. Post-Contemporary Interventions. Duke University Press Books. pp. 117–136. ISBN 978-0-8223-4458-2.

2010

[edit]
  • Browning, Mark (2010). "It's Only a Game: The Game and Fight Club". David Fincher: Films That Scar. Praeger. ISBN 978-0-313-37772-3.
  • Constandinides, Costas (2010). "Adapting the Literature of the Double: Manifestations of Cinematic Forms in Fight Club and Enduring Love". From Film Adaptation to Post-Celluloid Adaptation: Rethinking the Transition of Popular Narratives and Characters across Old and New Media. Continuum. pp. 57–74. ISBN 978-1-4411-0380-2.
  • Lipschutz, Ronnie D (2010). Political Economy, Capitalism, and Popular Culture. Rowman & Littlefield Publishers. pp. 82–83. ISBN 978-0-7425-5650-8.
  • Nungesser, Verena–Susanna (2010). "Ways of Reclaiming Masculinity: Reactions to the 'crisis of the white man' in Paul Thomas Anderson's Magnolia, Sam Mendes' American Beauty and David Fincher's Fight Club". In Gymnich, Marion; Ruhl, Kathrin; Scheunermann, Klaus (eds.). Gendered (Re)Visions: Constructions of Gender in Audiovisual Media. Representations & Reflections. V&R unipress. ISBN 978-3-89971-662-7.

2011

[edit]
  • Doron, Meir; Gelman, Joseph (2011). "Fight Club". Confidential: The Life of Secret Agent Turned Hollywood Tycoon Arnon Milchan. Gefen Books. pp. 174–189. ISBN 978-0-615-43381-3.
  • Wartenberg, Thomas E. (2011). Fight Club. Philosophers on Film. Routledge. ISBN 978-0-415-78189-3.

Journals to use

[edit]

2002

[edit]
  • Brookey, Robert Alan (2002). "Hiding homoeroticism in plain view: the Fight Club DVD as digital closet". Critical Studies in Media Communication. 19 (1): 21–43. doi:10.1080/07393180216555. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)*
  • Carver, Terrell (2002). "Fight Club: Dramma Giocosa". International Feminist Journal of Politics. 4 (1): 129–131. doi:10.1080/146167402320079459. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Clark, J. Michael (2002). "Faludi, Fight Club, and Phallic Masculinity: Exploring the Emasculating Economics of Patriarchy". The Journal of Men's Studies. 11 (1): 65–76. doi:10.3149/jms.1101.65. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Diken, Bülent (2002). "Enjoy Your Fight! - Fight Club as a Symptom of the Network Society". Journal for Cultural Research. 6 (4): 349–367. doi:10.1080/1362517022000047307. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)*
  • Deacy, Christopher (2002). "Integration and Rebirth through Confrontation: Fight Club and American Beauty as Contemporary Religious Parables". Journal of Contemporary Religion. 17 (1): 61–73. doi:10.1080/13537900120098165. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Jordan, Matt (2002). "Marxism, Not Manhood: Accommodation and Impasse in Seamus Heaney's Beowulf and Chuck Palahniuk's Fight Club". Men and Masculinities. 4 (4): 368–379. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Kusz, Kyle W. (2002). "Audio-Visual Review: Fight Club and the Art/Politics of White Male Victimization and Reflexive Sadomasochism". International Review for the Sociology of Sport. 37 (3–4): 465–470. doi:10.1177/1012690202037004030.*
  • Lee, Terry (2002). "Virtual Violence in Fight Club: This Is What Transformation of Masculine Ego Feels Like". The Journal of American Culture. 25 (3–4): 418–423. doi:10.1111/1542-734X.00059. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Trifonova, Temenuga (2002). "Time and point of view in contemporary cinema". CineAction: 11–21. {{cite journal}}: Unknown parameter |month= ignored (help)*

2003

[edit]
  • Ashcraft, Karen Lee (2003). ""Slaves With White Collars": Persistent Performances of Masculinity in Crisis". Text & Performance Quarterly. 23 (1): 1–29. doi:10.1080/10462930310001602020. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)*
  • Friday, Krister (2003). ""A Generation of Men Without History": Fight Club, Masculinity, and the Historical Symptom". Postmodern Culture. 13 (3). {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Gronstad, Asbjorn (2003). "One-Dimensional Men: "Fight Club" and the Poetics of the Body". Film Criticism. 28 (1): 1–23. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Hunter, Latham (2003). "The Celluloid Cubicle: Regressive Constructions of Masculinity in 1990s Office Movies". Journal of American & Comparative Cultures. 26 (1): 71–86. doi:10.1111/1542-734X.00075. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Palladino, P. (2003). "Fight Club and the World Trade Center: On Metaphor, Scale, and the Spatio-temporal (Dis)location of Violence". Journal for Cultural Research. 7 (2): 195–218. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)*

2004

[edit]
  • Craine, James (2004). "Street fighting: Placing the crisis of masculinity in David Fincher's Fight Club". GeoJournal. 59 (4): 289–296. doi:10.1023/B:GEJO.0000026702.99315.b5. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)*
  • Smith, Kathy (2004). "The emptiness of zero: representations of loss, absence, anxiety and desire in the late twentieth century". Critical Inquiry. 46 (1): 40–59. doi:10.1111/j.0011-1562.2004.00547.x. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Thompson, Stacy (2004). "Punk Cinema". Cinema Journal. 43 (2): 47–66. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Westerfelhaus, Robert (2004). "At the unlikely confluence of conservative religion and popular culture: Fight Club as heteronormative ritual". Text and Performance Quarterly. 24 (3–4): 302–326. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |month= ignored (help)*
  • Whitehouse, Glenn (2004). "Unimaginable Variations: Christian Responsibility in the Cinema of Broken Identity". Literature and Theology. 18 (3): 321–350. doi:10.1093/litthe/18.3.321. {{cite journal}}: Unknown parameter |month= ignored (help)*

2005

[edit]

2006

[edit]
  • Dussere, Erik (2006). "Out of the Past, Into the Supermarket CONSUMING FILM NOIR". Film Quarterly. 60 (1): 16–27. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Eder, Jens (2006). "Ways of Being Close to Characters". Film Studies. 8 (0): 68–80. ISSN 1469-0314. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Hewitt, Andrew (2006). "Masochism and Terror: Fight Club and the Violence of Neo-fascist Ressentiment". TELOS (136): 104–131. {{cite journal}}: Unknown parameter |month= ignored (help)
  • Ta, Lynn M (2006). "Hurt So Good: Fight Club, Masculine Violence, and the Crisis of Capitalism". The Journal of American Culture. 29 (3): 265–277. doi:10.1111/j.1542-734X.2006.00370.x. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Wilson, George (2006). "Transparency and Twist in Narrative Fiction Film". Journal of Aesthetics & Art Criticism. 64 (1): 81–95. doi:10.1111/j.0021-8529.2006.00231.x. {{cite journal}}: Unknown parameter |month= ignored (help)*

2007

[edit]

2008

[edit]
  • Barker, Jennifer (2008). "'A Hero Will Rise': The Myth of the Fascist Man in Fight Club and Gladiator". Literature Film Quarterly. 36 (3): 171–187.*
  • Hamming, Jeanne (2008). "The Feminine 'Nature' of Masculine Desire in the Age of Cinematic Techno-Transcendence". Journal of Popular Film & Television. 35 (4): 154–163. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Smith, William E. (2008). "The Use Value of Fight Club in Teaching Theories of Religion". Teaching Theology and Religion. 11 (2): 87–91. {{cite journal}}: Unknown parameter |month= ignored (help)*

2009

[edit]
  • Constandinides, Costas (2009). "Adapting the Literature of the Double: manifestations of cinematic forms in Fight Club and Enduring Love". Journal of Adaptation in Film & Performance. 2 (1): 95–107. doi:10.1386/jafp.2.2.95_1. ISSN 1753-6421. {{cite journal}}: Unknown parameter |month= ignored (help)
  • King, Claire Sisco (2009). "It Cuts Both Ways: Fight Club, Masculinity, and Abject Hegemony". Communication & Critical/Cultural Studies. 6 (4): 366–385. doi:10.1080/14791420903335135. ISSN 1479-1420. {{cite journal}}: Unknown parameter |month= ignored (help)*

2010

[edit]
  • Anderson, Emily R. (2010). "Telling Stories: Unreliable Discourse, Fight Club, and the Cinematic Narrator". Journal of Narrative Theory. 40 (1): 80–107. doi:10.1353/jnt.0.0042. ISSN 1549-0815. {{cite journal}}: Unknown parameter |month= ignored (help)*
  • Gassert, Doris (2010). "'You met me at a very strange time in my life.' Fight Club and the Moving Image on the Verge of 'Going Digital'". Mashup Cultures: 49–64. doi:10.1007/978-3-7091-0096-7_4. {{cite journal}}: Cite has empty unknown parameter: |month= (help)*
  • Gunn, Joshua; Frentz, Thomas (2010). "Fighting for Father: Fight Club as Cinematic Psychosis". Western Journal of Communication. 74 (3): 269–291. doi:10.1080/10570311003767191. ISSN 1057-0314. {{cite journal}}: Unknown parameter |month= ignored (help)*

2011

[edit]
Retrieved from "https://wiki.riteme.site/w/index.php?title=Talk:Interpretations_of_Fight_Club/references&oldid=643775412"