Talk:Dichterliebe

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Classical music: Compositions

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merged all the articles for individual songs into the one article. no point having multiple stubs all over the place. Kenkoo1987 14:25, 11 May 2007 (UTC)[reply]

Why isn't Fritz Wunderlichs recording with Giesen listed among the important recordings of Dichterliebe?

I would agree that the Wunderlich recording is one of the most well known recordings of the cycle (at least here in the US) Captbaritone (talk) 04:51, 21 February 2008 (UTC)[reply]

So where do the four cut songs go in the original order?

Some prominent critics (e.g. Charles Rosen) have advocated restoring them, after all, so this seems like an important enough question to answer in the article. Double sharp (talk) 07:20, 5 March 2017 (UTC)[reply]

From hints from the Hyperion booklet it seems that the order might have had Dein Angesicht and then Lehn' deine Wang between No. 7 and No. 8, and then Es leuchtet meine Liebe and Mein Wagen rollet langsam between No. 12 and No. 13. But these are, frustratingly, only hints. Double sharp (talk) 07:28, 5 March 2017 (UTC)[reply]

OK, I found this info here. The order is:

I. In wunderschönen Monat Mai

II. Aus meinen Tränen sprießen

III. Die Rose, die Lilie

IV. Wenn ich deine Augen seh'

V. Dein Angesicht

VI. Lehn' deine Wang'

VII. Ich will meine Seele tauchen

VIII. Im Rhein, im heiligen Strome

IX. Ich grolle nicht

X. Und wüßten's die Blumen, die kleinen

XI. Das ist ein Flöten und Geigen

XII. Hör' ich das Liedchen klingen

XIII. Ein Jüngling liebt ein Mädchen

XIV. Am leuchtenden Sommermorgen

XV. Es leuchtet meine Liebe

XVI. Mein Wagen rollet langsam

XVII. Ich hab' in Traum geweinet

XVIII. Allnächtlich im Traume

XIX. Aus alten Märchen winkt es

XX. Die alten, bösen Lieder

Double sharp (talk) 13:12, 5 February 2018 (UTC)[reply]

It seems to be the case that in the first twenty years of Dichterliebe's existence it was never once publicly performed as a single unbroken sequence of songs in a concert or recital programme, and even after that, often in sections interspersed with other vocal or instrumental pieces. Once you know this, you can understand the article's reference to Plunket Greene. Did Schumann see himself as composing for publication rather than performance?Delahays (talk) 23:42, 4 July 2021 (UTC)[reply]