Talk:Arthur Rimbaud/Archive 1

Archive 1

Correction

"In July 1873, after a particularly violent quarrel in Brussels train station, Verlaine shot Rimbaud in the wrist. Fearing for his life, Rimbaud called for the police."

in "deposition de rimbaud devant le juge d'instruction" 12 july 1873 Rimbaud recounts the events. Verlaine shot him at his mother house after Rimbaud had decided on going to paris which Verline protested, after geting drunk he shot at rimbaud twice. the frist shot hit his left wrist and the second hit the floor. It was after the shooting when leaving for Paris Verlaine carried the gun within his pocket acting like a mad man which scared Rimbaund into calling for the police. so i'm going to edit this line.--Monty Cantsin 08:49, 20 December 2005 (UTC)

Charles Baudelaire

I cannot find a reason for Charles Baudelaire figuring in the Rimbaud template, neither here nor in that writer's article. Nameme 03:31, 1 March 2006 (UTC)

David Morrell has confirmed that Rambo was named after Rimbaud

David Morrell has confirmed that Rambo was named after Rimbaud.

JG Hitzert

I've seen an interview with John Milius where he claims that both the character Rambo and Kurtz in Conrad's Heart of Darkness were both based on Rimbaud. His fascination with the Heart of Darkness book also extends to his film Farewell to The King. --~~~~

needs citations for direct quotes

article needs citations for direct quotes

Addition of T. S. Eliot to "Influences."

Added with the following justifications: 1) Eliot studied and was condidered an expert in the French symbolist poets at Cambridge, and quoted Rimbaud in his work on such; 2) "Love Song of J. Alfred Prufrock," pretty much in its entirety, shows notable influence of Rimbaud in its juxtapostion of high poetic beauty with the commonplace or the unattractive.

Consider these lines from "Prufrock":

For I have known them all already, known them all --
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

And Rimbaud, from "The Drunken Boat":

I have come to know the skies splitting with lightnings, and the waterspouts
And the breakers and currents; I know the evening,
And Dawn rising up like a flock of doves,
And sometimes I have seen what men have imagined they saw!

One can also note that Rimbaud's echoes of "I have known", "I have dreamed", "I have followed" etc. becomes Eliot's repetion of "I have known" across three stanzas.

Also from "The Drunken Boat," the line "the bitter rednesses of love" certainly is on the same plane as Eliot's theme.

Influence also in other works throughout his life, including The Four Quartets. I realize this is arguable. Other views welcome!

Edwardpiercy 20:24, 18 February 2007 (UTC)

On the other hand, I can't think of two more dissimilar poets than Rimbaud (a homosexual anarchist) and Eliot (a deeply religious monarchist authoritarian). Since Eliot's entire body of work references snippets of just about everything within western civilization before him, I'm not sure I care whether he made a reference to Rimbaud or not ... --Kelt65 21:58, 29 October 2007 (UTC)

Rimbaud was still 18 when Verlaine shot him.

Because the shooting happened in July and Rimbaud was born in October. —The preceding unsigned comment was added by 74.128.196.43 (talk) 01:52, 19 December 2006 (UTC).

Rimbaud's final months: It is not true the information that Rimbaud never left the hospital after having his leg amputated. In fact, he left hospital for home, in Charleville. What happens is that, some months ahead, as passing again by Marseille in a desperate attempt to travel back to Aden/Harar, he did not make it, and was instead admitted once more in the hospital where he had his leg amputated, dying there, ironically as it coul possibly be, some days later. Please check: Arthur Rimbaud in Africa, by Charles NIcholl, for details on these final events of the french symbolist poet in reference.

Graffitti in Amenophis III Birthplace at Luxor: Arthur Rimbaud

Bold text A discussion has been installed about a grafitti at pharaoh Amenophis III Birth place in Luxor Temple,reading ARTHUR RIMBAUD,supposedly discovered by french novelist Jean Cocteau in 1949.

Is it a real Rimbaud handwriting specimen, or a faked autorship inscription?

I have investigated this question a little further, and I ended up by discovering that, when Rimbaud travelled to Cairo in august 1887, there enjoying a kind of "four-weeks leave", and even writing articles to the expatriate newspaper Bosphore Egyptien on August 25h and 27th, the Egyptian museum was under direction of egyptologist Georges Émile Jules Daressy, a young french scientist ten years younger than Rimbaud, and a one who afterwards acquired professional fame as the translator of the Akhmin Wooden Tablet, a sort of Arithmetical Woodplate of Ancient Egypt.

Curiously enough, Daressy was then just surveying Luxor Monuments Area, an unveiled part of which he started excavating the next year, with superb results.

Just supposing for a moment that the inscription is authentic, could we assume that Rimbaud and Daressy had been introduced (maybe by Octave Borelli, director of the Bosphore Egyptien and brother of Rimbaud's friend Jules Borelli), and the archaeologist invited him to see his Luxor excavations-in-prospect?

Or am I just going too far on speculation?

Thanks for any help.

Grading

Yann, I see that you've downgraded this article. I appreciate that there is a lot of work to be done and the justification for your downgrade could be useful. Please comment. --PaulGarner 17:26, 2 June 2007 (UTC)

Plenty of R's life, very little abt his poetry.PiCo 10:30, 25 June 2007 (UTC)

Was he actually a poet and not just the proto emo boy? H Bruthzoo 17:10, 5 August 2007 (UTC)

Hi-

I've made the article more objective regarding the alleged sexual relationship between Rimbaud and Verlaine, as there is no documented proof that they did indeed have homosexual sex. They may or may not have. A citation from a French book is not proof.

Czarnykon (talk) 12:04, 29 January 2008 (UTC)

!? I'm not sure that there's any serious doubt whatsoever about the nature of their relationship. They even wrote a joint sonnet, variously called Obscur et froncé ("Hidden and wrinkled") and the Sonnet du trou du cul ("Arsehole sonnet").

"Little doubt remain in a reasonable reader's mind that sodomy must indeed have been practised". (Starkie, Arthur Rimbaud, 1973:184).

"There is little doubt the two men became lovers" (Schmidt, Arthur Rimbaud Complete Works, 2000:343).

Novelist Alphonse Daudet reported that Rimbaud said to him "[Verlaine] can satisfy himself on me as as much as he likes. But now he wants me to practise on him. Not on your life! He's far too filthy." (Quoted in Robb, Rimbaud, 2000:142)

Poet Maurice Rollinat recounted how Rimbaud told him "X ... fucked me all night long and now I can't keep my shit in." (Quoted in Robb, Rimbaud, 2000:142)

--ROGER DAVIES ^talk 13:05, 29 January 2008 (UTC)

Subsequent Fame

At the time he gave up writing, he was practically unknown, and never did anymore towards helping his fame himself. I came here hoping to read about how his work nonetheless slowly managed to achieve fame and classic status - but there's nothing about it? Also I agree, it's odd there is ONLY biographical info here, it makes him seem like a second-rate poet, while the championship of everyone from Jim Morrison to Bob Dylan should imply otherwise. I'd have liked to have read about his poetry as well. Good bio, though ;) Cheers 62.107.24.213 (talk) 00:18, 11 April 2009 (UTC)

The introduction is so fucking lame, Shakespeare, Victor Hugo, where are the links ?

He gave up writing at twenty and was appreciated very early - not only by Verlaine but by other poets important at that time . In his time poets became famous by beeig recognized in a close circle of poets and afficiandos and appreciation by the wider public came later. Before he stopped writing he did quite a lot for becoming both famous and notorious - by socializing with bohemian poets and behaving scandalously. After reaching 21 he dissociated himself from literature so thouroughly that he despised poetry and read only practical and technical books. He was famous even during his lifetime but did not know it. --80.243.99.200 (talk) 12:07, 30 January 2010 (UTC)

Rimbaud père

Good progress, Maria! Small quibble: I think "Bourguignon" in this context means Burgundian. Robb however (page 7) reckons he was from "Dôle in the Juras" (link: Dole, Jura). --ROGER DAVIES ^talk 08:25, 23 March 2008 (UTC)

Oo, I haven't read Robb yet, so I'll take your word on it. I'm still trying to get my way around the French countryside. Starkie is oddly romantic and speculative, isn't she? María (habla conmigo) 12:50, 23 March 2008 (UTC)

I like them both very much in their own ways. If you like Judith Farr, you'll love Graham Robb. Incidentally, there's a very good description of Rimbaud padre by Rimbaud hijo in one of his letters. I'll see if I can find it and post it. --ROGER DAVIES ^talk 12:55, 23 March 2008 (UTC)

Wasn't he involved in the slave trade...

...or trying? I seem to recall a letter he wrote near the very end of his life, to that effect. It would seem a significant fact.Figureground (talk) 19:36, 6 June 2008 (UTC)

No, it's wrong. He was involved in arm traffic and asked for two slaves for his personal use (which he never got), but that's it. Lerichard (talk) 13:27, 6 November 2008 (UTC)

delahaye

Should some mention be made of his friend Delahaye? in the "complete works" Paul Schmidt says Delahaye is the source of most of what we know about his early life.Clockwrist (talk) 14:11, 16 June 2008 (UTC)

Paul Theroux on Arthur Rimbaud

In his book Dark Star Safari Paul Theroux writes about Rimbaud in Ethiopia quoting Rimbaud letters several times and anecdotes about him. —Preceding unsigned comment added by MrParsifal (talk • contribs) 09:56, 10 July 2008 (UTC)

Rimbaud's London girl

I've removed the following text:

while Rimbaud was in the underground, he had fallen in love with a girl, whom he did not dare speak to, but followed her home on numerous occasions.<ref>KEGSPOTTER 2002</ref>

The statement is not supported fully by the source, which says:

It is also said that at this time Rimbaud fell in love with a girl he saw on the Underground whom he used to follow home but dared not speak to KEGSPOTTER

KEGSPOTTER does not appear to be a reliable source. I do wonder what Rimbaud was doing on the Underground though as the British museum is only about 300 metres from their lodgings and Robb specfically says that he and Verlaine walked everywhere (to save money). --ROGER DAVIES ^talk 09:39, 21 October 2008 (UTC)

Good idea; I nearly reverted these edits myself. I didn't get too far in the research, so I can't ascertain if this is corroborated by the reading, but a reliable source for any addition would be preferable. I also prefer walking in London, however. :) María (habla conmigo) 12:33, 21 October 2008 (UTC)

Major rewrite

This article is thoroughly inadequate. I am thinking about giving it a major edit. I invite suggestions. Lexo (talk) 00:23, 9 November 2008 (UTC)

Well, Roger and I had grandiose plans for a complete rewrite, but after a short burst of work more than six months ago, we seemed to have moved on to other things. I've been hoping to pick it up again at some point, however, but personal life has taken over. So feel free to jump in. :) María (habla conmigo) 00:35, 9 November 2008 (UTC)

Rimbaud is of uttermost importance to poetry and literature in general in WP, and I think the article should be extended and improved. Unfortunately, my English isn't good enough for that, but I can help by providing references or answering questions here. Best, Lerichard (talk) 12:20, 10 November 2008 (UTC)

My 2 cents: I don't think that "anarchist" is a the word that best describe the poet, and I don't think it should be used in the first sentence. Rimbaud wasn't politically involved, except in brief periods, but this is far from clear. He was opposed to order and society, but that was more a literrary stance, than a political one. I'd point out, in the first sentence, that he had a tumultuous life (not a POV, there are multiple references), and to the fact that he stopped being a poet very early (this is, however, mentioned, but maybe it could be written in the same sentence). I wouldn't mention the "Decadent movement" in the introduction either. Lerichard (talk) 20:04, 10 November 2008 (UTC)

Heart Under a Cassock

Does anyone have information on what this is? I've read Schmidt's translation, though he didn't provide an explanation on what it was exactly. It sounds like a series of diary entries, though someone online mentioned it as a short story he wrote. Clockwrist (talk) 03:51, 13 December 2008 (UTC)

Rickword as a source

• Rickword, Edgell. 1971. Rimbaud: The Boy and the Poet. New York: Haskell House Publishers. ISBN 0838313094.

I'm not sure how reliable this is as a source. It was written in 1924 and there's been much groundbreaking research since. --ROGER DAVIES ^talk 12:30, 30 January 2009 (UTC)

It isn't the most academic of sources, no. I liked it because it was an easy read and not as daunting as Robb or Starkie. :) Only a few statements are sourced to him, however, so feel free to remove/replace/etc. María (habla conmigo) 13:11, 30 January 2009 (UTC)

There's nothing about Rimbaud's work!

This whole entry is biographical. There's nothing here about his work. We should definitely work hard to include something about his poetry!scotteaux (talk) 03:08, 11 March 2009 (UTC)

True enough. Also, read Milan Kundera's novel Immortality (1990?), for a lengthy treatment of why we're more interested in the lives of poets than their poetry.

As an additional grumpy aside, Wikipedia is a pretty damn good venue for reciting the known facts, so biography of well-known figures eventually approaches accuracy. But commenting about literature? That's inherently an interpretative discourse, and will instantly run into the quasi-Stalinist NPOV guidelines around here, and will either be deleted or -- at best -- chewed up into a zero-calorie, zero-nutrition paste of innocuous platitudes reminiscent of a half-page Reader's Digest article in the Nixon era.

Not that you are wrong, of course. StrangeAttractor (talk) 06:17, 17 March 2009 (UTC)

Hmm. For such an important author, one would think that there are ample secondary sources available which could be mined to provide interpretations of his poetry. The "no original research"/NPOV guidelines do hamper developing literature-related article, but try considering them more of a challenge -- like meter & rhyme in traditional poetry -- that frame of mind might help potential editors to get past those handicaps. -- llywrch (talk) 18:11, 6 April 2009 (UTC)

This article does need lit-crit/lit-reception/lit-themes sections. I don't think it will be a problem at all to write, there's mountains of analysis available. They just take an eternity to do.  Roger Davies ^talk 18:17, 6 April 2009 (UTC)

(removed by author) But I'd rather have something offered as 'one possible interpretation', rather than nothing at all, I didn't delete anything on the Season in Hell page.)

I'm on the Baudelaire page.33gsd (talk) 22:08, 25 August 2010 (UTC)33gsd

Adding info to articles in need is obviously awesome -- especially since this article in particular is missing some key points regarding Rimbaud's writing. However, your recent additions to the lead (aside from the readily apparent typos) are problematic in that they require reliable sources per WP:RS. It's not a matter of "oh, all the sources say this, so I don't need to cite it" -- how can that be verified by other users not familiar with the available sources? Besides, if this is indeed true, then finding a reliable source shouldn't be an issue. No info is better than uncited info that will surely cause contention. Keep this in mind for other articles. :) María (habla conmigo) 23:47, 25 August 2010 (UTC)

(removed by author)(...) 33gsd (talk) 00:23, 27 August 2010 (UTC)33gsd

I admit I'm not a fan of some of your additions, and do not see most of it belonging in the article; this is why I did not "fix it", as you imply on my talk page I should have done. Lead sections are meant to summarize articles per WP:LEAD, not introduce new material. That he is taught in "many university courses" is immaterial, and somewhat obvious, I should think. He's one of the most famous French poets known to the English-speaking world, after all. If anything, it is this fact that should be espoused in the lead and in the following Legacy section, not the number of books/articles published in the last decade or that his poetry is taught in IB classes. The former PM's admiration for Rimbaud is noteworthy, and probably worth a note in the Legacy section once it has been fleshed out with similar praise. María (habla conmigo) 12:51, 27 August 2010 (UTC)

(deleted by author) (I deleted my previous comment suggesting a separate entry dedicated only to a literary perspective on his work). (talk) 18:03, 27 August 2010 (UTC)33gsd

A new article is not necessary. Rather, add worthy and encyclopedic material—with reliable sources, of course—where appropriate. I've made a start of it here, with a new section entitled "Poetry". As for you disagreeing with my comment about the "key points", I don't see how that can be so; it's fairly obvious that I'm agreeing that the article needs to be expanded -- just not with details on how Rimbaud is currently taught in IB classes. ;) María (habla conmigo) 19:24, 27 August 2010 (UTC)

removed by author33gsd (talk) 19:29, 27 August 2010 (UTC)33gsd

You're comparing a Featured Article to one that is barely a B-Class. Besides, not only is that information correctly and reliably sourced, but it isn't located in the article's lead. Each article is different, and one shouldn't be held up to another's yardstick. Anyway, I've been bold and created a section where Rimbaud's poetry and poetic legacy can be expanded over time, so that's a start. María (habla conmigo) 19:53, 27 August 2010 (UTC)

(deleted by author)33gsd (talk) 20:34, 27 August 2010 (UTC)33gsd

As I stated above, this quickly added section is merely a beginning; of course it doesn't offer any "comment or evaluation of much value" etc., etc. It took me twenty minutes to find a new source and throw a few facts together. Easy peasy. People have been complaining for ages that the article does not address Rimbaud's poetry, not taking it upon themselves to fix it. The article now addresses this very subject directly, and I hope that there will be more added by other interested editors over time. I may add more myself. The article, like most others, is not finished, and probably never will be, although I had hopes in the past that it would become Featured. I get that you are new to Wikipedia, but understand that your previous edits were uncited and badly worded, all while introducing new material which goes against WP:LEAD. Your additions also did not contribute what the above users presumably wanted: literary criticism. This new poetry section section does just that, albeit briefly. Add more if you wish. I won't revert, although I cannot promise that I won't "clean-up". (Oh, and comparing this article to Emily Dickinson is really not getting us anywhere. Apples and oranges.) María (habla conmigo) 21:09, 27 August 2010 (UTC)

Please understand this politely - has no-one ever corrected you on your use of the verb 'espouse?' Perhaps you confuse it with expound. And feel welcome to delete this.33gsd (talk) 20:42, 27 August 2010 (UTC)33gsd

Expound works in this context as well, but I believe I meant "espoused" in this context: "to take up and support as a cause; become attached to". Thank you. María (habla conmigo) 21:09, 27 August 2010 (UTC)

I'm not an authority but there are some things I should know, and that stood out to me straight away as an error. A letter cannot espouse, Rimbaud can espouse in a letter. About 117 google hits for letter espoused, about 3270 for "letter expounded," about 1130 for letter advocated. I wouldn't expect the object of 'espouse' to be something new, a cause or theory not already existing. And <<If anything, it is this fact that should be espoused in the lead and in the following Legacy section,>> espouse is not related to exposition, expose etc, its root is marry. Please delete these comments when you're through with this33gsd (talk) 21:56, 27 August 2010 (UTC)33gsd

Wow, we're fairly off topic now, aren't we? ;) Espouse or expound, whichever word works for me. BTW, you did not need to revert your change; I'm not so petty as to fight over one little word. Although you are of course free to remove your own comments, I don't plan on deleting anything that wasn't written by myself per WP:TALK. María (habla conmigo) 23:43, 27 August 2010 (UTC)

I've deleted some comments of mine. 33gsd (talk) 15:00, 28 August 2010 (UTC)33gsd

Rimbaud, The Dirty Little Hypocrite

Current article contains the line

then an ardent Catholic like his mother, he was called "sale petit cagot", a dirty little hypocrite, by his fellow schoolboys

As a fella with some fair amount of literary and historical knowledge, but new to Rimbaud's biography, I'm stymied. Did they call him a hypocrite because he professed to be something other than a Catholic, or was this a standard slur for Catholics in his region/class etc.? Needs a brief line of explanation to put it in context. StrangeAttractor (talk) 06:17, 17 March 2009 (UTC)

They believed that his intellectual nature conflicted with his (at the time) strong defense of Catholicism. I've tried to make this clearer. María (habla conmigo) 12:11, 17 March 2009 (UTC)

Restless soul?

"Rimbaud was known to have been a French Libertine and a restless soul..." This is the last sentence in the opening paragraph of the article, and doesn't ring as very encyclopedic, IMO. Anyone else agree? --24.6.249.113 (talk) 08:09, 21 May 2009 (UTC)

Yes, I do agree. Why not take a shot at revising it? ~ Alcmaeonid (talk) 14:40, 21 May 2009 (UTC)

He was French and arguably a libertine, but stating that he was a "French Libertine" smells of parochialism to me. Dropping the French may help. Dropping the whole sentence would help even more. Then again, this is English Wikipedia and consensus is built also on silly stereotypes.

New photo discovered!

A new photo was discovered of adult Rimbaud, in which his facial features are more clear. Its been confirmed by a Rimbaud scholar. http://www.telegraph.co.uk/news/worldnews/europe/france/7594130/French-booksellers-discover-first-adult-Rimbaud-picture.html —Preceding unsigned comment added by Clockwrist (talk • contribs) 19:33, 19 April 2010 (UTC)

Influence on Paul Verlaine

I noticed someone removed Paul Verlaine from the "Influenced"-section. I think Verlaine should be noticed there, for influencing both Rimbaud and being influenced by Rimbaud during their relationship. Anyone agree with this? If not, why? —Preceding unsigned comment added by Slowgaze (talk • contribs) 17:52, 21 August 2010 (UTC)

Poetry

Some suggestions for this section, I look forward to comments, the one source I cite is the Walter Fowlie translation, 1966, Chigago UP,

Rimbaud is a major poet, (space dedicated to him in major anthologies, inclusion in courses) His reputation rests on a relatively small output; besides marginal works (Stupra, Album called Zutique, Vieux coppees, poems in letters to Delahaye that are not included in editions of his works, the satirical short story 'A heart under a cassock' and the prose poems 'deserts of love') he wrote x mature verse poems(I count 63 in my Fowlie, should quote the most popular (livre du poche) or the most authoritative (pleiade)), the prose work A Season in Hell, and the (I count 42) prose poems of the Illuminations.

These folk have translated his poetry into English: tba.

'Rimbaud's art is a poetic language of exceptional freshness' (p5) Early on he had shown a mastery of the traditional tools/techniques of French verse. Later, in his poem 'What is said to the poet' adressed to Theodore de Banville he calls on poets to reject cliches in favour of unconventional new images. He broke with the rigid rules of metre and rhyme in poems such as 1872 'Festivals of Patience' and was, in this regard, a pioneer, going further than Verlaine. SUBJECT MATTER is highly varied, from being deloused by his aunts in 'The seekers of Lice' to drunken boats, customs men, and people sitting in a library. THEMES OF HIS WORK Revolt is a theme of his work, as is childhood.

Fowlie writes ...childhood is defined by Rimbaud as certainty, as a treasure, as something pure and exempt from doubt and falsehood.He recognises the noblest efforts of man, and names them: love, ambition,poetry, science, religion - but he designates them as vain, as masks copncealing a void.

A Season in Hell has no precedent. It is a prose work in which the poet looks at himself and his work, much of it written in a bitter, cynical tone.

In the first section the speaker laments a lost paradise and regrets the path he chose, in which he removed the possibilty of joy and chose madness.

In 'Bad Blood' the speaker clames he has the vices of the ancient Gauls, including stupidity, laziness, and deceit. He describes his childhood admiration for the convict, and says he should not be judged by society's standards because he has never accepted them. He later discusses religion and a (false) conversion. 'Delirium part 1' contains a bitter and comic dramatisation of his life with Verlaine and part 2 contains several of Rimbaud's verse poems accompanied by comments on his (mad) poetic project.

His Illuminations, believed to be his final work, mark a significant development in the genre of prose poety. They are far more elliptical, mysterious and abstract than the prose poems of Baudelaire.

LEGACY

Despite its complexity, the poetry of Rimbaud exercises great appeal, particularly for younger readers. Fowlie writes 'The ultimate lesson, which the art of Rimbaud teaches, states that poetry is one means, among other means, by which life may be changed and renewed. Poetry is one possible stage in a life process.'(p5) --“A SINGLE VERSE by Rimbaud,” writes Dominique de Villepin, (former) French Prime Minister, “shines like a powder trail on a day’s horizon. It sets it ablaze all at once, explodes all limits, draws the eyes to other heavens--

Alcohol, absinthe (potential hallucinogenic) and other drugs may have played a role in Rimbaud's life and the creation of his works, but the suggestion that much of the apparent 'strangeness' of Rimbaud's work can be explained by drug use is not espoused by anyone competent.

For an esoteric C19 French writer, Rimbaud has an uncommonly high profile in popular culture. The fame of Rimbaud the person over the author Rimbaud began long before his espousal by 1950's /1960's US counter culture. In the early twentieth century some avant-garde painters (such as Paris-based Modigliani, certain German expressionists(?)and the Austrian Egon Schiele) were more attracted to Rimbaud as an outsider and artistic revolutionary than to his works. Picasso was interested in Rimbaud, producing a lithograph of the poet. Composer Benjamin Britten set some of the Illuminations.

Popular artists who have cited Rimbaud as inspiration include Patti Smith and Jim Morrison.

EVALUATIONS OF RIMBAUD

Fowlie, p6 : There was nothing unnusual about his life, save that the major events, transpiring while he was a practicing poet, were swift (...) Revolt, in some form or another, is everywhere manifest in these five years of Rimbaud's life, and yet nothing completely or satisfactorily explains this revolt.' 33gsd (talk) 16:48, 28 August 2010 (UTC)33gsd

English translations

I am not fluent in French and am rather new to much of Rimbaud's poetry. What I am reading so far (Fowlie et al) leaves me with that irritated, impatient feeling that pedantic translation always gives; the feeling that something alive and brilliant has been smothered to death in some library, somewhere. Does anyone know of any really living, even if over-free, English translations? Rumiton (talk) 10:14, 12 October 2010 (UTC)

Archive 1

Sale petit cagot

The phrase "(a despised and shunned minority generally found in southwestern France and northern Spain)" is inappropriate. Whatever the origin of the term in mediaeval south-west France, the proper context here is the 19th Century Ardennes, in the north-east of the country. Today the word is mostly just a scatological term of abuse. Flaubert and Moliere used the word to designate the prissily or ostentatiously pious; we might say a prig. VEBott (talk) 10:31, 10 February 2011 (UTC)

Thanks for that. Makes much better sense. I've made the change. Rumiton (talk) 10:39, 10 February 2011 (UTC)

Influenced

Hey, under Influenced there are glaring omissions, in fact it is funny for me to see that Patti Smith and Jim Morrison and Dylan Thomas are mentioned, but the ones that really should be mentioned because they are his direct descendants in French literature are not mentioned: the Surrealists Paul Eluard (later he shed surrealism and continued as a different kind of poet), Andre Breton, etc. Also artists/painters such as Max Ernst, who explicitly quoted Rimbaud and cited him as an influence, should also be mentioned. I would do it myself but the article seems to be semi-protected. 76.208.171.69 (talk) 06:10, 22 January 2011 (UTC)

Can you give some sources for this? Rumiton (talk) 10:40, 10 February 2011 (UTC)

Death

I just read this article in Slate Magazine, which touches on his life in Harar and death:

http://www.slate.com/id/2277531/

The writer states that his cause of death was gangrene, not cancer. Quick googling reveals agreement with this diagnosis. To me, this stands to reason -- who gets cancer on a leg? Skin cancer certainly happens, but that's normally on the forehead, neck, or shoulders due to over-exposure to sunlight. Plus in that day and age, men wore long pants all the time.

Somebody might want to check into this, but I don't have a dog in the fight, so I'm "just saying" as it were. IvyGold (talk) 06:35, 18 December 2010 (UTC)

Bone cancer can affect a leg or arm. One of Senator Edward Kennedy's sons lost a leg to the diesase. 13.13.137.1 (talk) 22:38, 22 March 2011 (UTC)

Indeed. Bone cancer apparently. Just before he died, he had a huge new tumour growing on his right (?) hip. Robb is the man for this.  Roger Davies ^talk 16:07, 12 May 2011 (UTC)

Unique translations on a blog

I wrote translations of two Rimbaud poems, and put an EL on this site a while back. It was removed a day ago, on the grounds he link led to a blog -- I undid the deletion -- but today the person who deleted it deleted it again. Rather than get in a battle with her over it, I'd like to hear some third party opinions. I think the translations are a unique feature, and that it was a benefit to readers to be able to go and read them. Obviously, the other person thinks the link does not belong. Anyone else have an opinion? George Dance (talk) 04:53, 12 May 2011 (UTC)

Yes, I do. It's kind of you to offer your material but Maria is right about self-published sources not really being suitable. In this case, two authoritative scholarly translations exist of Rimbaud's works, one by Wallace Fowlie (tending towards tight translation) and the other by Enid Starkie (more free form).  Roger Davies ^talk 06:45, 12 May 2011 (UTC)

What Roger said. I'd also like to point out this is second article I've removed George Dance's personal blog links from; after a similar link was added to Stephen Crane, I explained my reasoning for the link's removal on his talk page. This links are highly inappropriate, no matter the quality of the article and/or subject matter. Anytime an edit summary reads adding/restoring "link to my...", it's a red flag. María (habla conmigo) 12:21, 12 May 2011 (UTC)

Thank you for the opinion, Roger. I do have to agree that my translations may not be as "scholarly" and "academic" as some. On the other hand, I've never considered Rimbeau to be the scholarly and academic type, so I wonder if that's a relevant consideration in this case. George Dance (talk) 17:33, 12 May 2011 (UTC)

Excuse me, Maria: I realize you were talking to Roger, not me (just about me), but I do have to comment on one thing you said: "I explained my reasoning for the link's removal on his talk page." As I read it, your reasons were (1)WP:EL advises against adding blogs, (2) the links were to information that is "readily available" information; (3) the Crane article "is Featured, which means that it must strive to retain its high quality." While the last two points are convincing, neither of them apply in the case of this article. George Dance (talk) 17:43, 12 May 2011 (UTC)

The first point (no personal blogs as ELs per Wiki guidelines) is what relates here. I must point out, however, that you didn't even mention my name in your original post, so I'm not sure why you're offended that I did not reply to you directly? Either way, no offense intended, as I state below. María (habla conmigo) 17:59, 12 May 2011 (UTC)

BTW, Roger: I see from the article that Rimbaud self-published. Perhaps that makes him "unacceptable" as well, which means you'll be removing this article from Wikipedia. If so, let me know, and I'll send you a list of other poets who've self-published, for you to remove as well. George Dance (talk) 20:39, 14 May 2011 (UTC)

Translation

Speaking of unique translations, am I correct in assuming these recent additions include an original French to English translation of Rimbaud's letter? The website it cites is entirely in French, so I can't be sure. If it's so, however, it should be changed to a more reliable translation, from a reliable source. Robb quotes the same letter (pp. 79-80) as such:

I'm now making myself as scummy as I can. Why? I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault.

I don't speak French, but I trust Robb. Unless the currently quoted source is equally as reliable, I suggest we swap out the translation. María (habla conmigo) 17:11, 12 May 2011 (UTC)

Oh, hello, Maria. Are you talking to me this time? If so: no, of course you aren't correct: Earlier I was speaking of my translations of Rimbaud's poems, that you removed from the EL section, not of any letters. Of course I translated that paragraph of the letter as well. That's why I included the French: anyone can read for themselves what Rimbaud actually wrote, and compare the translation with what Rimbaud wrote to see how "reliable" it is. If you think it's more "reliable" to use a translation that the reader cannot check for himself (like the quotation that is already there), or for that matter just take out all the information on the first letter like you had earlier, I certainly can't stop you. But I would urge you to not do so: I would not consider a translation that you substitute that include the original, and a link to verify that those words had not been tampered with, to be more "reliable" than what I wrote in that section. George Dance (talk) 17:30, 12 May 2011 (UTC)

I'm sorry if I offended you, George. You did not address me personally in your post here, so I did not feel a direct reply was necessary. As for this particular subject, I should have perhaps created a new subsection for my concerns about the translated portion of the letter you added today; I've done so now, so as to clarify that I'm referring to a separate, yet related topic regarding your edits. You've confirmed your additions boil down to personal translation. Now, while using non-English sources happens to be acceptable per WP:NOENG, I see issues with translating a direct quote and presenting it as an authoritative English version in an article's text. As above, the main argument for this is the fact that you're not an expert and therefore your work is not reliable. Again, this is not meant to be offensive in any way, shape or form; I speak Spanish and yet I wouldn't dare to include my translations of Pablo Neruda's letters on his article! We should always strive to offer the most reliable information, backed by the most reliable sources. I'm not contesting the addition of the letter itself -- in fact, I think it's a great addition. However, a far more reliable translation, from a reliable source, is needed. Robb's book is one I had on hand, so that's the first I looked into, but of course another (which may also include the original French?) would suffice. Any suggestions? María (habla conmigo) 17:55, 12 May 2011 (UTC)

You didn't offend me. Plain speaking doesn't offend me. I certainly think we have a disagreement over 'reliability' - you think it comes from the reputation of the translator, while I think it comes from being able to check it for oneself - but it's possible to meet halfway here. I don't have any problems with using Robb's version, so I'll put that in -- including the sentence about 'lousing' himself up -- to match your criterion of reliability. In addition, I'm going to add Rimbaud's words and the EL to th other quotation as well (to match my criterion). — Preceding unsigned comment added by George Dance (talk • contribs) 18:26, May 12, 2011

That's a great compromise. I agree that having links to both the original French, as well as published English translations, will serve readers best. Thanks for your help, María (habla conmigo) 19:00, 12 May 2011 (UTC)

That's great. But now there's another problem. I won't gloat, because I think you're in a better position to fix it than I. The problem is that the second quote, by Payne, does not match the original French. Either he or (more likely) whoever posted the quote in the first place cut text in that paragraph, and added some from later, without ellipses or any other indication. The versions read essentially the same up to the sentence ending in English with 'quintessences'; then Rimbaud continues: "Torture too great for words where he needs Ineffable torture where he needs all the faith and superhuman strength, where he becomes among all the great patient, the great criminal, the great accursed - and the supreme Savant! - For he reaches the unknown! Since he cultivates his already rich soul no longer! He reaches the unknown and when, panic stricken, he has lost the understanding of his visions, then he has seen them!..." There is much more in a similar vein -- then Rimbaud interjects a poem -- only after that does he come in with "Then the poet is truly a thief of fire. He is responsible for humanity" etc., and the balance is essentially the same as in the French.

So what to do? The French could be cut back to match the English, and the English just have an ellipse inserted to show the omission, but I think that's a second-best option. To me the best would be to check English quotes to find one that comes closer to the original. And the place to start with would be Robb, since 1) he's used in the other quote, so the vocabulary is consistent, and 2) you have Robb's book right there, so you can look up what he says and compare. Whatever English text you come up with, I can then cut the French back to match. George Dance (talk) 16:59, 13 May 2011 (UTC)

Robb doesn't quote this portion of the letter, so I've added the translation from a new source that includes the letter in its entirety. Hopefully it matches better now. María (habla conmigo) 17:39, 13 May 2011 (UTC)

That's perfect; As a bonus, I like how Kwasny uses "seer" for "voyant', which matches Robb's terminology. I trimmed the Rimbaud quote to match. The only thing I think still might need attention is that the quotes are very long. I'd like to trim them both back; possibly to end with "At least he has seen them!" (or to cut out even more if you think so). Most articles I edit alone, so this is a new experience to me: working on an article that others are working on as well; which is why I'm asking rather than just cutting. George Dance (talk) 16:58, 14 May 2011 (UTC)

Sure, cutting down should help reign that section in a bit. Feel free to crop as you see fit. If you need me to take a look at Robb and/or Kwasny again, to verify wording or what-have-you, let me know. María (habla conmigo) 18:47, 14 May 2011 (UTC)

It's been a couple weeks, so I've been WP:BOLD and removed the French text, but kept the references; that way the original text is still presented, but it isn't bloating this English article. If there are any concerns about this decision, let me know. María (habla conmigo) 15:26, 1 June 2011 (UTC)

Assuming that the reader expects Catholicism and intellect to be mutually exclusive

I'm sure this is generalizing a bunch of people. From what I remember last time I tried to help this website, you guys fling menial shit 24/7 so I'm not even going to touch the edit button. You do it.

"despite his intellectual and individualistic nature, he was an ardent Catholic like his mother." — Preceding unsigned comment added by 174.59.112.188 (talk • contribs) 06:05, 11 April 2013‎

I'm not even going to touch the edit button either. I'm too busy flinging menial shit. - SummerPhD (talk) 18:10, 11 April 2013 (UTC)

I think I understand what was intended, and it wasn't quite as you took it. Nonetheless, the wording was unfortunate and I have changed it. Rivertorch (talk) 19:05, 11 April 2013 (UTC)

Le cœur volé

In the light of modern psychological understanding, (Stockholm Syndrome?), the statement that this poem should not be taken as describing a rape by the communards because of his later support for them seems prissy and disingenuous. Apart from that, there is really no other sensible way that poem can be interpreted. Can we talk about changing that? Rumiton (talk) 11:53, 29 May 2013 (UTC)

See WP:V and WP:OR. Toccata quarta (talk) 12:20, 29 May 2013 (UTC)

I support Toccata on this. We'd need solid secondary sources to back the idea. I don't know the poem or the crit on it, but I would underline that poems and their sentiments operate in the fictional-imaginative world, even seemingly autobiographical ones. Poems (and novels) should not be used as supposed sources for events or sentiments in the actual world. Nor should we give any shift to hack biographers who indulge in such lazy suppositions. Span (talk) 13:21, 29 May 2013 (UTC)

I accept and agree that poets do not necessarily intend their works to be taken literally, but I still feel we can do better than what we currently have, without straying into V or OR territory. What does the source say about this subject? Rumiton (talk) 13:45, 29 May 2013 (UTC)

Imaginative worlds, certainly. Fictional-imaginative worlds, not necessarily. It depends on the poet and the poem, but poetry is generally not regarded to be fiction. Rivertorch (talk) 16:48, 29 May 2013 (UTC)

I mean 'fictional' in the sense of 'not literal' - re-invented worlds, people and events. Span (talk) 17:52, 29 May 2013 (UTC)

Sure. It's just that poetry sometimes gets mischaracterized as fiction, and I thought it was as well to clarify. I do get your meaning, and in general I agree with your premise. Rivertorch (talk) 18:36, 29 May 2013 (UTC)

The point I am trying to make is that much of what we accept about Rimbaud's life-his joining the Paris commune, his same-sex relationship with Verlaine-seems to be gleaned from his poetry. On what basis (apart from the contradiction apparently posed by his support for the Communards) does the source reject the factuality of the experience he writes about in this poem? Rumiton (talk) 20:11, 29 May 2013 (UTC)

I assume biographer Charles Nicholl is an acceptable source? In a review of his book Somebody Else - Arthur Rimbaud in Africa here the reviewer says “the evidence [for his having been raped by soldiers] is indirect, but - as Charles Nicholl says, and most biographers agree with him - it is persuasive.” Rumiton (talk) 14:57, 1 June 2013 (UTC)

In the light of this cite, I would like to go ahead and change the sentence to reflect the above. Does anyone have any objection? Rumiton (talk) 15:46, 5 June 2013 (UTC)

I think the current "unlikely" wording could do with a bit of balancing. It might be a good idea for the article to note that various biographers disagree. Rivertorch (talk) 19:34, 5 June 2013 (UTC)

It does seem to be a sensitive issue, in my view a pivotal one. I will try to do it justice. Rumiton (talk) 08:28, 6 June 2013 (UTC)

OK, I tried. If my wording is accepted, could someone please add the ref to the Secondary Sources list? Thanks. Rumiton (talk) 09:36, 6 June 2013 (UTC)

The jury is firmly out on this one as there's no direct evidence, even from Rimbaud himself. So was he raped?

• The idea of actual rape received wide currency in Starkie (1973: 279-82), relying on speculation primarily by Simon ("Colonel") Godchot (1936).
• Nicholl (1999: 33-35) finds it both "persuasive" and questions it ("Did something happen to him?").
• Robb (2000: 81-83 & 100-01) considers it an allegory for the death of Romanticism.
• Lefrère (2001: 247-55 & 2007: 64) refers heavily to Godchot's material but treats it as hypothesis. Lefrère writes the "the author [AR] seems to evoke a personal experience" ("l'auteur semble evoquer une expérience personnelle") and "Interpreted as an autobiographical account, [it] describes a 'sodomite rape' " ("Interpreté comme un récit autobiographe, Le Coeur supplicié décrirait un « viol sodomite »").
• White (2008: 44-49) is dismissive.

So?  Roger Davies ^talk 14:26, 6 June 2013 (UTC)

OK, I understand there is some disagreement, but is it fair to label taking something literally that was written by the subject and seems highly personal, and is very explicit, "speculation"? Would it not be fairer to consider that Robb's interpretation of it as an "allegory for the death of Romanticism" might be speculative? Rumiton (talk) 14:53, 6 June 2013 (UTC)

It's a poem not a letter and it's not explicit at all. Rimbaud wrote about a drunken boat without seeing one, and about the sea without seeing it. Why should he not be able to write this poem out of his (vivid) imagination?  Roger Davies ^talk 15:16, 6 June 2013 (UTC)

I agree. Using an imaginative work, especially a poem, as basis for biographical detail is shaky ground at best. ~ Alcmaeonid (talk) 16:04, 6 June 2013 (UTC)

It would be if Wikipedia editors were doing it, but Nicholl is a very rigorous researcher, with a wealth of sources, not just one poem. Still this poem is key, and I must disagree that it is not explicit. It has been rather bowdlerised in translation (this is original research, of course) but "Mon triste coeur bave à la poupe," is anatomical, not allegorical. This is a precise and sickening description of the aftermath of homosexual gang rape. Incidentally, after just checking Amazon "Look Inside" I must disagree that Nicholl is ambivalent on this subject. He judges the totality of evidence for the rape "persuasive", then goes on to compare the younger, light-hearted Rimbaud with the suddenly jaded cynic, then asks whether he had been "altered in some way. And was the rough trade of the Babylone barracks the cause of the alteration?" He seems to accept the fact of the rape, and questions only whether Rimbaud was permanently changed by it. Rumiton (talk) 16:18, 6 June 2013 (UTC)

Uh, I assume you're aware that coeur means "heart". Unless you know something about "homosexual gang rape" that I don't, the phrase is indeed allegorical. (Hard for it to be any other kind of gang rape, given the gender of troops in the day.) Rivertorch (talk) 17:00, 6 June 2013 (UTC)

I've removed the following from the article:

It was rumoured that he briefly joined the Paris Commune of 1871, which he portrayed in his poem L'orgie parisienne (ou : Paris se repeuple), ("The Parisian Orgy" or "Paris Repopulates"). In his poem, Le cœur volé ("The Stolen Heart"), Rimbaud describes being mockingly raped by drunken Communard soldiers. Most biographers consider this event to have actually taken place, despite his continuing support for the Communards afterwards.

It's contradictory and needs discussion.  Roger Davies ^talk 18:46, 6 June 2013 (UTC)

Seems to me, most of the paragraph you removed had been stable for at least 5 years, and the short addition I made was reflective of sources (see above). I also cannot see it as contradictory, but let's continue. What would you like to discuss? Rumiton (talk) 12:54, 7 June 2013 (UTC)

References

Age of Consent

Still looking forward to discussing the above, but in the meantime the legal situation at the time of Verlain's arrest is interesting. According to Merrick and Ragan's "Homosexuality in Modern France", homosexuality had been decriminalised in France since 1791, and in 1863 the Penal Code was amended to set the age of consent for both sexes at 13. So it seems their relationship, while no doubt considered scandalous, was not illegal. The sentence he got must have been from the shooting only. Comments? Rumiton (talk) 10:36, 11 June 2013 (UTC)

Brussels is in Belgium.  Roger Davies ^talk 10:48, 11 June 2013 (UTC)

Belgium? Sorry I don't understand. Rumiton (talk) 11:00, 11 June 2013 (UTC)

OK, now I do. Sorry. They were French citizens but he was sentenced under Belgian law. I will look further. Thanks for the advice. Rumiton (talk) 11:06, 11 June 2013 (UTC)

As it turns out, it didn't make any difference. According to the Law of Belgium, the Napoleonic Code was adopted by many countries that were occupied by the French during the Napoleonic Wars, including Belgium. And according to Encyclopedia Britannica (a tertiary source, but no doubt secondaries exist), [1] his two-year sentence at Mons was for wounding Rimbaud with a revolver during an emotional storm in Brussels. It seems to me we should remove any suggestion that he was jailed for sexual offenses. Rumiton (talk) 15:22, 11 June 2013 (UTC)

In the introduction to "Paul Verlaine, Selected Poems", Oxford University Press, the translator and author Martin Sorrell confirms that the sentence was for the shooting of Rimbaud. Rumiton (talk) 15:34, 11 June 2013 (UTC)

Has that ever been in dispute? To put it beyond doubt, I've added "for the shooting" to the last line of that paragraph.  Roger Davies ^talk 15:41, 11 June 2013 (UTC)

I think it was unclear; "interrogated about his correspondence with Rimbaud and the nature of their relationship" definitely suggested that pederasty played a part, at least. Perhaps it should be made even clearer that their relationship was not illegal in Belgium and France at that time. Rumiton (talk) 01:57, 12 June 2013 (UTC)

it did play a part, which is why the sources mention it. The judge knew they had a double bed in their hotel room; had seized documents (poems - including the "Arsehole sonnet" - and various highly compromising letters); had received allegations from Verlaine's wife alleging "immoral relations", etc. This is why he ordered a "corporal examination" of Verlaine's penis and anus, to look for physical evidence of pederasty (which the doctors found) and was, according to various highly reliable sources, the reason why Verlaine received the maximum possible sentence, despite Rimbaud withdrawing his complaint. This has nothing to do with the age of consent.  Roger Davies ^talk 04:39, 12 June 2013 (UTC)

Hhmm, OK, that's interesting too. If rel sources tell us that there appears to have been some judicial prejudice, maybe that should be clarified. The source I quoted above, Merrick, implies that the sexuality laws came ahead of the minds of the people, including the judges. It is definitely an intriguing aspect of the subject. Rumiton (talk) 05:18, 12 June 2013 (UTC)

What is missing, and what I intend adding, is that PV was originally charged with attempted murder along with but it was dropped in favour of the "wounding with a firearm" and "aggravated wounding with a firearm". Also, Mathilde Verlaine's motive in contacting the judge seems to have been mostly to have stuff to use in her divorce fight (and custody battle). I'm not sure how much of this needs to go into the article because there's a huge amount of mainstream stuff that is simply not covered at all at the moment and I'd rather flesh out the basics than bloat with peripheral detail.  Roger Davies ^talk 07:54, 12 June 2013 (UTC)

Agreed. But the subject matter here, the life and work of a famous poet, makes us want to know as much as we can about his frame of mind, and how he stood in relation to the society around him. I think Mathilde's hostility is a given and needs no elaboration, but the attitudes of the court, particularly the tension between the laws and the mores of society, is relevant and interesting. I'll think about it some more, then make a suggestion here. Rumiton (talk) 09:37, 12 June 2013 (UTC)

I didn't think it's particularly relevant and, more to the point, we're probably veering off into original research. The attitudes of one investigating magistrate are not necessarily reflective of the society as a whole. Certainly, the conclusions from the medical examination were ridiculous but they did reflect prevailing medical opinions of the period. And, in any case, it is difficult to lay a charge of homophobia at t'Serstephens' door, especially when no source I've come across (not even Ivry, who seems to think he got off lightly) does so. Lefrère hints that t'Serstephens was annoyed with Verlaine and Rimbaud for treating him as a naïf; in the light of that, the medical examination may simply have been pay back or a flexing of judicial muscle.  Roger Davies ^talk 12:26, 12 June 2013 (UTC)

The line between intelligent editing and original research can be a thin one (or broad and fuzzy, depending on how one sees one's metaphores.) I need now to take a couple of days off Wiki. Cheers. Rumiton (talk) 14:36, 12 June 2013 (UTC)

Prunage

I've been bold and pruned the following paragraph from the "Family and childhood (1854–1861)". It basically alludes to episodes in the precocious infancies of two fictional characters, Pantagruel and Merlin. Without detailed explanations, it doesn't make much sense as it currently stands and the explanations will probably take up much more space to explain than they're worth.

Even as a baby, Arthur Rimbaud was considered precocious; it was said that soon after his birth he rolled onto the floor from a cushion where his nurse had put him, and began crawling toward the door. In a more realistic retelling of his childhood, Mme Rimbaud recalled that once, after putting her second son in the care of a nurse and supplying clean linen and a cradle for him, she returned to find the nurse's child sitting in the crib wearing the clothes meant for Arthur. Meanwhile, the dirty and naked child that was her own was happily playing in an old salt chest.

It may well have a place in a future "influences" section.  Roger Davies ^talk 07:16, 15 June 2013 (UTC)

I don't think the article suffers from its absense. Rumiton (talk) 07:36, 15 June 2013 (UTC)

References

Name of judge?

Théodore t'Serstevens seems to be the more common spelling, though there are other variations as well. Rumiton (talk) 15:06, 16 June 2013 (UTC)

Ah, that's a typo on my part. Roger Davies ^talk 19:54, 16 June 2013 (UTC)

...begged a police officer/asked a police officer

A couple of editors reverted my change without discussion, but maybe I should have invited comments here first. The original words of Rimbaud are "C'est alors que j'ai prié un agent de police de l'arrêter." "Prié", since about 1900, has correctly been translated as "asked". The older form, "begged" remains only in specific, sometimes rather outdated expressions like "I beg your pardon" or "I beg to differ". To use it when all is meant is "ask" is, in 2013, plainly wrong. No doubt this is exactly what the translator wrote, but I think there is a way out. We can, in fact should, paraphrase his/her writing. My suggestion is to replace ...Verlaine "behaved as if he were insane", causing Rimbaud to "fear that he might give himself over to new excesses [...] It was then I begged a police officer to arrest him." with something like ...Verlaine "behaved as if he were insane", causing Rimbaud to "fear that he might give himself over to new excesses." Rimbaud asked a policeman to arrest him. Rumiton (talk) 13:14, 22 June 2013 (UTC)

I'll go ahead and make the change. Rumiton (talk) 09:59, 25 June 2013 (UTC)

Comments

I've just run through the article quickly, performing a few trivial edits. I must say, this culturally important piece has capable editors on the job—well done. My knowledge of this area is distinctly rusty, but could I ask a few questions, particularly concerning one of the more colourful instances in his life, which I hope doesn't introduce undue detail given the summary style and the length of the article.

• The singular "charge"—is this correct? Does anyone have reliable sources? (It's plural earlier in the paragraph: "He did not immediately file charges, ...".)
• I see a debate about "begged" versus "asked" above. I'd have thought "begged" were more consistent with the context, even as described in few words here. The translation is reffed, so what does the translator use? Do you just go up to a police officer and "ask" for seomeone to be arrested (as though over a cup of tea)?
• Nowadays I'd have thought less of a song and dance about homosexuality would be in order, given the need to avoid POV. A pet peeve of mine is the linking of that item (makes me feel like some exotic creature, and it's a glaring asymmetry that "straight" is rarely linked. The grammar of "Verlaine had probably engaged in prior homosexual experiences" is a little prurient. There's a logic problem too: "homosexual experiences" is contrasted with "relationship"—these are two different things. After tinkering with this cluster of explicitly uncertain claims, I simply got rid of the whole statement. It's too woolly, in my view.
• I didn't remove it, but I wonder why "in the Kingdom of Württemberg" is relevant in the scheme of things. Stuttgart is better known.

Please let me know if I've mangled anything. Tony (talk) 14:05, 25 June 2013 (UTC)

• • Thanks for the compliment. I certainly don't think you have "mangled" anything, all good edits. I find sometimes I look at a sentence for quite a while, knowing something is wrong with it, changing it around, tweaking some words, no improvement, then it finally dawns (or doesn't)...it shouldn't be there at all. So thanks. Regarding prurience, I think it isn't so much homosexuality that is the question today as pederasty, as it was then. Same sex relations had been legal in France and Belgium since 1791, and the age of consent was 13, so R and V weren't breaking any laws (though modern readers might be surprised to learn that.) Yet their relationship attracted some sniffy attention, viz the rectal examination ordered by the judge. I think this is important background when we try to understand their position in society. Regarding "begged", the word Rimbaud used was "prié" and it really does just mean asked. And remember, he had a wounded hand with the bullet still in it to support his request; he didn't need to beg. Late Victorian translators would have rendered it as "begged" but that was consistent with the over-blown style of the times. Perhaps we can use a synonym like "requested" but personally, I can't see a need for it. Rumiton (talk) 15:59, 25 June 2013 (UTC)
  • The plural in "pressed charges" is not pertinent; there was only one charge in the end: "assault leading to temporary incapacity of the victim."
  • Agree about Württemberg. It's excessive detail. Rumiton (talk) 12:40, 26 June 2013 (UTC)

Rumiton, thanks. But do you have reliable sources for the singular–plural "charges" issue?

Prié: I believe Harding and Sturrock are at the top of their profession as translators—I'd be very surprised if they got it wrong. Do you have another reliable source that contradicts their choice? (ref 52)

At the time, I'm pretty sure it was asking for trouble in the judicial system to differ at all from perceived "norms". Why is the age of consent relevant?

Above all, can we all put our cards on the table as far which reliable sources we're using? Cheers. Tony (talk) 06:09, 27 June 2013 (UTC)

Sources seem to agree: "Despite Rimbaud's refusal to press charges, Verlaine was sentenced to two years' hard labour for criminal assault." Charles Nicholl, reviewing Rimbaud: The Double Life of a Rebel by Edmund White.

"Verlaine was being held on a charge of attempted murder." Delirium: An Interpretation of Arthur Rimbaud by Jeremy Reed.

After Rimbaud withdrew his complaint: “The charge against him was ‘assault leading to temporary incapacity of the victim.’” Paul Verlaine by Harold Nicolson, p9

It seems to me that today most people would assume Verlaine was at least partly jailed for sexual crimes, and the mentioning of the medico-legal examination finding evidence of pederasty strengthens this impression. I think the legal background and the nature of the charge should be made clear.

Regarding prié, “begged” is certainly a paraphrasing option, but in context, and in 2013, is it the best one? As I said, Rimbaud is standing in front of a policeman, a fresh, untreated wound in his wrist, in fear of Verlaine’s state of mind; there is no begging involved, not in the modern sense. OTOH, this is Rimbaud really begging: O come back, every hour I’m crying again. Tell me to meet you, I will come, tell it to me, send me a telegram, I must leave on Monday evening, where are you going? What do you want to do? (Letter to Verlaine, 4 July 1873.) Rumiton (talk) 15:33, 27 June 2013 (UTC)

Charges: Verlaine was arrested for attempted murder, had a charge of wounding with a firearm added, and was ultimately convicted of wounding with a firearm AND inflicting grave injuries on the person of Rimbaud resulting in an incapacity to work under articles 398 & 399 Belgian Penal Code (Bousmanne 2006, pp 1167-118; Lefrère 2001, pp 633-635). So, charges it is.

Prié: First, Rimbaud's wound has been treated at the St Jean hospital that afternoon. Next, According to the police statement, Rimbaud was frightened and "took refuge" (se réfugier) besides a policeman, Auguste Michel, where he "begged for help" (réclamé le secours). In the circumstances, "asked" is a risible understatement. Prier is a broad spectrum verb and your insistance that two professional translators (Sturrock and Harding) have mistranslated it is bewildering.  Roger Davies ^talk 16:52, 27 June 2013 (UTC)

This looks good to me, Roger Davies. Tony (talk) 17:00, 27 June 2013 (UTC)

Ditto Roger D. ~ Alcmaeonid (talk) 22:13, 27 June 2013 (UTC)

I have been away with a busted computer for a week, so sorry to have started a discussion then apparently abandoned it. I am happy with the above. Though the two charges amounted to the same thing, it seems they were technically levelled separately. The only source I have for this subject is the Penguin Classic "Arthur Rimbaud: Collected Poems" plus what I can find on the net, so thanks for those extra sources. Also, adding that he "ran away" and "begged for help" makes the situation entirely comprehensible. To be less "bewildering" I should try to explain that I work partly as a translator (German-English) and have done a lot of work on the First World War/Edwardian period, books, soldiers' letters etc. Contemporary translations are often marked by a peculiar stiffness, and also a kind of obnoxious prudery. In Remarque's "All Quiet on the Western Front" which I retranslated for myself, every racy piece of dialogue or joke is originally either ignored or translated word-for-word so as to make no sense. When Remarque writes unambiguously of sexual relationships occurring between prisoners, the translator renders it as "fights." In extreme cases, Du (or tu) is rendered as "thou", and yes, no one "asks" for something, they always "beg", or in extreme cases, "crave". That is what I thought might be happening here, and I am happy to be wrong. It is entirely understandable that the young Rimbaud, in fear for his life, begged a policeman for help. Thank you for your patience. Rumiton (talk) 12:10, 4 July 2013 (UTC)

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Cyber-applications

• In 1991 (year of celebration of the death of the poet), the ARThur software (developed on the Amiga platform by Claude Douay & Michel Fages © Rimage Ed.) made possible to better perceive the relevance of visionary poem Voyelles using such "a routine" (an algorithm) on individual computer. The user had only to enter text in ASCII (.txt whatever), or simply type a word on the keyboard (some name, motto, a poem, an invoice ...) to quickly obtain a colors pallet, incremented by the presence of vowels iterated for the occasion, and commissioning works in abstract graphics (from fractal mode) with a genesis immediately noticeable on the screen. This was the first graphical-office-equipment ("certified rigorously useless").

Mnudelman (talk) 21:09, 24 September 2015 (UTC)

References

Ambiguity

"He was mostly creative in his teens (17–20)."—But didn't indulge much in non-creative activities during this time? Tony (talk) 02:26, 18 February 2016 (UTC)

Question re quote

I recall reading that when interviewed during his Africa period, Rimbaud said something like: I only made two mistakes in my life. One was writing poetry and the other was looking for love. Does anyone have the exact quote? I think it would make a great ending for the article. Rumiton (talk) 23:46, 5 July 2013 (UTC)

No one? I guess it must be apocryphal. Rumiton (talk) 00:15, 15 July 2013 (UTC)

Rimbaud also seems to have said at some point, "L'Art est merde." (Art is shit.)Must have been after he became disenchanted with poetry. Younggoldchip (talk) 16:27, 7 June 2016 (UTC)

Rimbaud was a Bisexual

Given Rimbaud's life history, he seems to have been a bisexual who preferred women. It's interesting that no Commenter saw fit to address this fact, although most biographers have. Even during Rimbaud's relationship with Verlaine he visited female prostitutes. In later years, as a trader, he had a native wife and several children. The endless discussion about whether Rimbaud was or was not sodomized by drunken Communards in his youth is simply strange, since it can never be resolved. A poem is not evidence, no matter how rigorously its metaphors are scoured by a later generation. Younggoldchip (talk) 16:24, 7 June 2016 (UTC)

Dear fellow editor,

Thank you for your comment, above. What would you like to do, in order to improve the article on this specific topic? If you have sources you can cite in references, then just do it. I'd be happy to participate, if you wish; just let me know.

With kind regards;

Patrick. ツ Pdebee.^{(talk)(guestbook)} 16:58, 7 June 2016 (UTC)

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Confirmation Date

There is disagreement between the main body of the text (which states that Rimbaud was 11 at the time of his first communion) and the subtitle to one of the photographs (which states that he was 12 at the time of his first communion.) I do not know which is correct. Foxi tails (talk) 07:29, 9 March 2012 (UTC)

Eleven or twelve cannot be the date of his First Holy Communion, as any Catholic would know because the Church has long held age 7 to be the onset of the use of reason, the ability to tell right from wrong, and therefore the appropriate age of First Confession and Holy Communion. On the other hand, the end of primary school and the beginning of adolescence is usually when a child has Confirmation. These are two distinct sacraments in the Catholic Church.OrodesIII (talk) 06:48, 17 February 2019 (UTC)

"Long held" has been since 1910. That's when the Pope issued Quam singulari, declaring 7 an appropriate age for First Communion, where many had previously held that the communion recipient must already have received suitable indoctrination to be eligible. Rimbaud was born in 1854. Largoplazo (talk) 07:48, 17 February 2019 (UTC)

Removed cyber-applications

I removed the following section. Apart from the atrocious grammar which makes it nearly indecipherable, it doesn't have anything to do with Arthur Rimbaud, as far as I can tell.

Bohemian ≈ Alcoholic??? Semicolon use.

The use of a semicolon in the sentence “She came from a ‘solidly established Ardennais family’,[15] but one with its share of bohemians; two of her brothers were alcoholics.[15]”suggest that either being from an established Ardennais family or being bohemian is *strongly* associated with alcoholism. This seems both unsupported and prejudiced. Am I missing something here? Not a frequent Wikipedia editor, so not sure how much discussion is necessary before removing seemingly prejudiced language. Thanks for any info you can give. 2601:154:C080:40D0:D9F8:CC25:961C:14F8 (talk) 16:44, 15 September 2022 (UTC)