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Sigurður Gylfi Magnússon

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Sigurður Gylfi Magnússon
Sigurður Gylfi Magnússon

Sigurður Gylfi Magnússon (born August 29, 1957) is an Icelandic historian specialising in microhistory. He was an independent scholar from when he finished his doctoral dissertation in 1993 until 2010. He established the Center for Microhistorical Research at the Reykjavík Academy) in 2003. He got a research position at the National Museum of Iceland named after Dr. Kristján Eldjárn, the former president of Iceland and an archaeologist, in 2010 and until 2013. After that, he became a Professor of Cultural History at the Department of History at the University of Iceland.

The following text is mainly based on his book "The History War: Essays and Narrative on Ideology" (Reykjavik, The Center for Microhistorical Research, 2007) (http://sgm.hi.is), which is autobiographical and deals with historiographical issues such as the development of ideas which are part of the microhistorical agenda. Magnússon is the author of 26 books (http://sgm.hi.is) and has been involved in the publication of fifty more through two book series which he has co-edited with few of his fellow historians; the first one is called Anthology of Icelandic Popular Culture, or in Icelandic, Sýnibók íslenskrar alþýðumenningar, and the second one is called Microhistories published by Routledge. His co-editor is Dr. István M. Szijártó, a Hungarian microhistorian and a long-time friend.

His latest books in English are • Disability Studies Meets Microhistory (New York: Routledge, 2025), Co-author with Dr Guðrún Valgerður Stefánsdóttir and Dr Sólveig Ólafsdóttir • Autobiographical Traditions in Egodocuments. Icelandic Literacy Practices (London: Bloomsbury, 2023). 272 pages. Archive, Slow Ideology and Egodocuments as Microhistorical Autobiography: Potential History (London: Routledge 2021); Emotional Experience and Microhistory. A Life Story of a Destitute Pauper Poet in the 19th Century (London: Routledge, 2020); Minor Knowledge and Microhistory. Manuscript Culture in the Nineteenth Century. Co-author Dr Davíð Ólafsson (London: Routledge 2017); What is Microhistory? Theory and Practice (London: Routledge, 2013). Co-author Dr. István M. Szijártó; Wasteland with WordsSocial Historytory of Iceland was published in 2010 by Reaktion Books in England.

He is married to Dr Tinna Laufey Ásgeirsdóttir, a Professor of Economics at the University of Iceland, and they have one son, Peter Bjarni, who is Sigurður Gylfi stepson.

Biography

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Sigurður Gylfi Magnússon was born in the West End of Reykjavik. He completed his B.A. in history and philosophy in 1984 from University of Iceland. His thesis was published a year later in a book called "The Mode of Living in Iceland, 1930–1940", by the Institute of History at the University of Iceland (http://sgm.hi.is). That same year, he started his doctoral studies in Pittsburgh, USA, at Carnegie Mellon University in history, where he received a M.A.egree in 1988 and a doctoral degree (PhD) in 1993. His dissertation dealt with popular culture and is titled "The Continuity of Everyday Life: Popular Culture in Iceland 1850–1940" Magnússon taught part-time at the University of Iceland and in other academic settings in Iceland from 1994 when he returned from the USA. He taught at his former university, Carnegie Mellon, and in the spring of ase, he was a Fulbright Scholar for six months. In 1998, he became the first chair of an independent research institute called [http://akademia.is/ The Reykjavik Academwas founded by independent scholars who received their education in Iceland, Scandinavia, Europe and the USA. colourfulrful saga of the Reykjavík Academy attracted considerable outside attention, from its humble beginnings as a forum for ten independent scholars to its eventually housing 80 researchers from all areas of the humanities and social sciences.

When Magnússon left the Reykjavík Academy in 2010, around 600 hundred scholars had been part of that community for longer or shorter time. In 2003, Magnússon founded and chaired the Center for Microhistorical Research, which, among other things, runs the internet web page microhistory.org and publishes books on microhistorical issues. He is the editor of the web journal The Journal of Microhistory with his co-worker d, a long-time fr, Dr Davið Ólafsson. Magnússon is the founder and one of the book series editors Anthology of Icelandic Popular Cultu, rue, which has already published more than 30 books in cooperation with the University of Iceland Press. The other editors are Dr Davíð Ólafsson, Assistant Professor in Cultural Studies at the University of Iceland, Dr Sólveig Ólafsdóttir a postdoctoral scholar and Dr Bragi Þorgrímur Ólafsson, the Head of the Manuscript Department at the National and University Library.

It could be argued that the primary objective of many of Magnússon's work has been to present a view of how history, and in particular social and cultural history, has developed in the last 15–20 years, at a time of significant reassessment within the academic world manifested in the radical ideas grouped under the banner of postmodernism and poststructuralism. The History War is based on his former research published in recent years on first-hand sources, microhistory and everyday life. That includes the following books: Dreams of Things Past: Life Writing in Iceland (2004) (http://sgm.hi.is); Metastories: Memory, Recollection, and History (2005) (http://sgm.hi.is); Academic Liturgy. Humanities and the Society of Scholars (2007) (http://sgm.hi.is), and finally, he co-ed a book called From Re-evaluation to Disintegration. Two Final Theses, One Introduction, Three Interviews, Seven Articles, Five Photographs, One Afterword and A Few Obituaries from the Field of Humanities (2006) (http://sgm.hi.is).

After mostly dealing with the methods of microhistory for over ten years, Magnússon turned back to his empirical research in 2007 with a focus on material culture and everyday life, like in his book Wasteland with Words. A Social History of Iceland (2010) Archived 2013-01-28 at the Wayback Machine, was published by Reaktion books in England (see criticism in The Economist: http://economist.com/culture/displaystory.cfm?story_id=16213940&fsrc=rss). The book is written as an attempt to explain how the culture of Iceland was formed through a long process of literary practice from the beginning of the settlement in the ninth century up to modern times. It is also an analysis of an island culture, which successfully stepped into the twentieth century without losing its cultural identity. That success ended with the meltdown of the banking, economic, and political system in 2008. The book focuses on the people of Iceland and how they managed to survive in a relatively hostile environment through the centuries and become one of the world's wealthiest countries for a while. A precedent sequence of events in 20. Century is explained in light of the historical development of Iceland. This is an experiment in social- and microhistorical studies, in which he strives to deal with a long period using the methods of microhistory.

After Magnússon became a professor at the University of Iceland he has been successful in terms of funding large research projects like the one that is called My Favourite Things: Material Culture Archives, Cultural Heritage and Meaning which got a Grant of Excellence from the Icelandic Research Forum. He is the PI of the project. It is a collaboration between researchers from History and Material Culture Studies (Anthropology and Archaeology and Museum and Archival Studies. The focus of the research is twofold: Firstly, emphasis is put on exploring the phenomenon of "archive"; how an image of the past is preserved and how people and their material environment are documented in historical sources. Second, the focus will be on how the "archive" as a phenomenon and analytical concept has been employed in humanities and social sciences research. Here, we will emphasise how material culture has been archived, what things people owned according to different archives, and how they were used. How did people relate to things, and what were their ideological values and everyday significance? Other archives of material culture will be counter-posed, thus revealing opportunities to scrutinise the various ideas about the past from a new perspective, simultaneously providing a new foundation for reviewing academics and scholarship. A fundamental notion behind this approach is the material culture, and an insight into the materiality of the every day enables a different and more nuanced perspective on how people structured their lives and identities and how their material surroundings contributed to that structuring.

This project is situaatdthen an intersectofwmaterial culture studiesdihistorytory, museumseum archive studiesdies. Its main scholarly aim is twofold: a) to investigate the material world of the Icelandic population in the late Modern Era as this is represented in archives of written and material form, and the different relations and interactions between people and things implied in these archives with both macro- and micro-methods; b) to explore the tensions between these different archives, asking how they reflect the material past, and how the possible discrepancies between them may be dealt with. The approach is multidisciplinary, and the archiveareremployeded to indicate this.

Sigurður Gylfi has several vidperformancesnce in recent years both on the importance of microhistory for international scholarship as well of some of his recent publications See also a detailed podcast about his scholarship taken by Petr Jandacek, a microhistorian from the Czech Republic, in November 2021 called #deeptalk.

Recent articles in English

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  • "Pen, Paper and Peasants: The Rise of Vernacular Literacy PracticeNineteenth-Centuryntury Iceland." Co-author Davíð Ólafsson. In Common Writer in Modern History. Edited by Martyn Loyon (Manchester: Manchester University Press, 2023), pp. 121–139.
  • "Microhistory." Routledge Handbook of Research Methods in the Study of Religion. Second Edition. Micheal Stausberg and Steven Engler eds. (London: Routledge, 2021).
  • "In the Name of Barefoot Historians: In-Between Spaces within the Icelandic Educational System. "Co-author Davíð Ólafsson. Education Beyond Europe – Models and Traditions before Modernities. Cristiano Casalini, Edward Choi, and Ayenachew Woldegiyorgis eds. (Leiden: Brill, 2021).
  • "The Icelandic Biography and Egodocuments in Historical Writing. "Different Lives. Global Perspectives on Biography in Public Cultures and Societies. Biography Studies. Hans Renders and David Veltman eds., in collaboration with Madelon Nanninga-Franssen (Leiden: Brill, 2020), pp. 165–181.

References

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  1. Sigurður Gylfi Magnússon, https://www.hi.is/starfsfolk/sgm
  2. Sigurður Gylfi Magnússon, http://www.sgm.hi.is
  3. Sýnisbók íslenskrar alþýðumenningar, http://www.sia.hi.is
  4. https://essaydocs.org/sigurur-gylfi-magnsson.html
  5. https://english.hi.is/faculty_of_economics/conciv
  6. https://www.youtube.com/watch?v=OBSvBWJcWxI&t=226s)
  7. https://www.youtube.com/watch?v=bWp1-g0iGzs&t=33s).
  8. https://steppinintoasia.podbean.com/e/deeptalk-03-sigurdur-gylfi-magnusson/
  9. Sigurður Gylfi Magnússon, Wasteland with words, http://www.reaktionbooks.co.uk/book.html?id=412
  10. Sigurður Gylfi Magnússon, "The Singularization of History : Social History and Microhistory within the Postmodern State of Knowledge."
  11. Sigurður Gylfi Magnússon (Co-author Kristján Mímisson), "Singularising the past: The history and archaeology of the small and ordinary."
  12. Sigurður Gylfi Magnússon (Co-author Dr. István M. Szijártó.) What is Microhistory? Theory and Practice (London: Routledge, 2013).
  13. Sigurður Gylfi Magnússon,(Co-author Davíð Ólafsson) "Minor knowledge. Microhistory, scribal communities and the importance of institutional structures",
  14. Sigurður Gylfi Magnússon, "Far-reaching microhistory: the use of microhistorical perspective in a globalised world."
  15. Sigurður Gylfi Magnússon, "Views into the Fragments: An Approach from a Microhistorical Perspective."
  16. Sigurður Gylfi Magnússon, "Tales of the Unexpected: The 'Textual Environment', Ego-Documents and a Nineteenth-Century Icelandic Love Story – An Approach in Microhistory."
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