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Scott Burgess (sound designer)

From Wikipedia, the free encyclopedia
Scott Burgess
NationalityAmerican
EducationUniversity of North Texas
Occupation(s)Composer, Sound Designer
SpouseMaia DeSanti

Scott Burgess is an American audio engineer, composer, musician, sound designer, voice over artist, and performer. In the category of Outstanding Sound Design, Resident Production, he is a ten-time nominee and a two-time winner of the Helen Hayes Award.[1]

Biography

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Burgess was born in Colorado, the son of a United States military man. As a result of his father's assignments, he spent his early childhood in Europe. After his father's retirement from the Army, the family moved to Texas where Burgess did the majority of his growing up. There he discovered music and recording at an early age. Both were introduced to him by his father, a guitar player and reel to reel tape enthusiast. While still in high school Burgess received his radio operators license and worked as a Disc Jockey/On Air Personality at the local radio station hosting the evening "Rock Show". The radio station gave him the opportunity to continue his self-study of recording and audio equipment. Creating commercials and promos there, he learned the basics of professional production audio and developed his instinct for sound effects and music beds. After hours, he recorded himself and his band at the facilities teaching himself tape-to-tape recording, mixing and simple mastering techniques. At this time, he also began his pursuit of learning live engineering and P.A. equipment.

After High School, Burgess eventually attended the University of North Texas from 1982 to 1985 in Denton, Texas. While an undergraduate student there, he studied jazz performance and musical composition as well as film and video production.[2] During this time, he also continued to record himself and bands using multi-track equipment in an early home "project studio" setting.

After college, Burgess played in several working bands performing in local clubs and festivals. In 1990 he moved to New York City where he continued to hone his composition and recording skills. There he began in true his professional composition and recording career having been commissioned to compose scores for dance companies and independent film makers. During this time he also played in several bands as a part of the original Off Wall Street Jam. While in New York he also met actress, future wife and life partner Maia DeSanti. In 1992 they decided to move to Washington D.C. where there was an established music scene and a strong and growing theater community.

In Washington DC, he found a home for his skills. He began working in local studios eventually landing a part-time job as an engineer and studio manager. Shortly after that he began working with local theater companies recording and producing original music and sound-scapes for theatrical productions.[2] His original scores and sound designs for theater used complex sequencing and sampling techniques he learned in the studios working with Rap and Hip Hop artists. The designs were often created to comment explicitly on the action of the play, such as risqué movie quotes from John Wayne or the double entendre of Cole Porter's Let's Do It (Let's Fall In Love) for a provocative play such as Psychopathia Sexualis.[3]

Burgess has been called The Music Man by The Washington Post because he composes sound designs and film scores based on a wide variety of instruments, influences and sampled sounds.[4] In 2004, Burgess composed a film score for the documentary Crucible of War, about a refugee from Yugoslavia haunted by his past who returns to his post-war homeland.[5][6]

Burgess continues to compose scores and create sound designs for theater, dance and film. He has also maintained his career as a live engineer and audio systems designer currently serving as head audio and video engineer for the Lang Performing Arts Center at Swarthmore College in the Greater Philadelphia Area. Burgess currently resides in Philadelphia however continues to work in Washington DC and in other regions ranging from Nantucket to Naples Florida.

Helen Hayes Awards

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1997 Outstanding Sound Design, Resident Production
Quills, Woolly Mammoth Theatre Company Nomination
1998 Outstanding Sound Design, Resident Production
Romeo and Juliet, Folger Shakespeare Library Award Recipient
1998 Outstanding Sound Design, Resident Production
Travels With My Aunt, Rep Stage Nomination
1999 Outstanding Sound Design, Resident Production
Seven Guitars, The Studio Theatre Nomination
2000 Outstanding Sound Design, Resident Production
The Adding Machine, Washington Jewish Theatre Nomination
2001 Outstanding Sound Design, Resident Production
The Mystery of Irma Vep (a penny dreadful), Rep Stage Nomination
2001 Outstanding Sound Design, Resident Production
The Tempest, Folger Theatre Award Recipient
2003 Outstanding Sound Design, Resident Production
Knoyugogh, Little Globe Theater Nomination
2003 Outstanding Sound Design, Resident Production
Othello, Folger Theatre Nomination
2004 Outstanding Sound Design, Resident Production
Elizabeth the Queen, Folger Theatre Nomination

References

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  1. ^ Helen Hayes Awards
  2. ^ a b Burgess, Scott (October 26, 2010). LinkedIn Page. Publisher: LinkedIn
  3. ^ Horwitz, Jane (September 23, 1997). [Backstage]. Page B.07. Publisher: The Washington Post
  4. ^ Swisher, Kara (April 8, 1995). [Backstage]. Page B.02. Publisher: The Washington Post
  5. ^ Scott Burgess, Composer. Publisher: Internet Movie Database
  6. ^ Crucible of War. Publisher: Internet Movie Database
  • Jones, Kenneth. "Judith Light, Side Show, The Dead Among D.C. Helen Hayes Winners" Publisher: "[1]" Playbill 8 May 2001.
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  • "Scott Burgess, Sound Designer, Official website". Retrieved 2010-10-30.