Sayed Ali Asghar Kurdistani

Sayed Ali Asghar Kurdistani (Persian: سید علی‌اصغر کردستانی‎; 1882–1936) was a Kurdish singer and musician. He is one of the first Kurdish singers that his voice was recorded. Most of the Kurds and Iranians, especially the Kurdish regions, know him with his unique voice as one of the unforgettable singers in the history of Kurdish and Persian music. People knew him for his voice, the strength of his voice and the specific writings of his musical style. One of the memorable works is "Xamgin W Dl Pashewm". This song was recorded almost a hundred years ago. He was living in the Kurdistan region of Iran, his remaining family known as Babashahabi. His eldest grandson was Seyyed Ibrahim Babashahabi in Sanandaj.

Life

Sayed Ali-Asghar Kurdistani was born in a famous religious family in 1881 in Salavat-Abad (Selwat awa), a village belonging to Sanandaj (Sine). The father of Sayed Ali-Asghar, who was a famous religious man, brought him to the class of Sheikh Abd ol-Mo'men, so that he would be able to read and sing the Quran correctly. Kurdistani spent several years learning to sing the Quran by Sheikh Abd ol-Mo'men and became an unprecedented Quran singer, so that his reputation reached over the borders resulting in his being invited to Egypt. Before 1905, he was married to Mahsharaf Khanum and the fruit of this marriage was three sons named Seyyed Abdulahed, Seyed Masih and Seyed Ali Ashraf and two daughters named Zahra and Sharaft. Kurdistani was just over 40 years old when he was invited by one of his admirers, Mirza Ebrahim Khan, who requested him to come to Tehran. Khan brought him to a ceremony where one of the singers present was Qamar-ol-Moluk Vaziri, who was the most outstanding female singer of her time.

After Qamar finished her singing, Kurdistani was introduced by Mirza Ebrahim Khan to the attendees and was requested to sing. The accompanists put their instruments aside, as they did not know him. Kurdistani sang one note higher than the pitch of Qamar's voice, much to the surprise of all the attendees, especially the present musicians, since such a pitch from a male singer seemed unimaginable. After the end of the ceremony some of the attendees and present musicians insisted on Kurdistani staying in Tehran. Through Khan's financial support, Kurdistani remained one month in Tehran and recorded nearly 30 songs for the Polyphon recording company. After that he returned to Sanandaj. It is not known who accompanied Kurdistani on these records, but the style of tar and violin playing is very near to Morteza Khan's and his brother Musa Khan's style. The records were not protected carefully; therefore only 13 records survived. Kurdistani devised his own style of Kurdish music.

Works

A few songs remain from Kurdistani that were likely recorded in Tehran or Sanandaj. They are either based on folklore Kurdish or classic Kurdish Iranian music. He used the poems of well-known Kurdish poets such as Tahir Bag and Wafayi. These few songs have been recreated and sung by many well-known Kurdish musicians including The Kamkars.