Séverin Cafferra
Appearance
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/62/Severin_as_Pierrot%2C_c._1896.jpg/170px-Severin_as_Pierrot%2C_c._1896.jpg)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/67/Poster_by_Happichy_of_Severin_in_Chand_d%27habits%21%2C_1896.jpg/170px-Poster_by_Happichy_of_Severin_in_Chand_d%27habits%21%2C_1896.jpg)
Séverin Cafferra, known as Séverin or mime Séverin[1] (1863-1930), was one of the best-known French Pierrots or mime artists around the turn of the twentieth century.
Life[edit]
Caffera was born in Ajaccio, Corsica. He studied under the Marseille mime Louis Rouffe (1849-1885), who in turn had studied under Charles Deburau. He worked at Marseilles, then at the Théatre des Funambules in Paris.[2] In his 1929 book, L'Homme Blanc : souvenirs d'un Pierrot, Caffera describes Rouffe as having created a complete language of gesture.[3]
References[edit]
- ^ "Mime Severin costumed as Pierrot, 1922". University of Washington Libraries. 1922. Retrieved 16 May 2014.
- ^ "Séverin Cafferra, dit Séverin". Larousse. Retrieved 16 May 2014.
- ^ Tångeberg-Grischin, Maya (2011). "The Techniques of Gesture Language". The Theatre Academy Helsinki (doctoral thesis). Retrieved 16 May 2014.
Bibliography[edit]
- Caffera, Séverin (named simply Séverin as author). L'Homme Blanc : souvenirs d'un Pierrot ("The Man in White: Memories of a Clown"). Introduction and notes by Gustave Fréjaville, Paris, Plon, 1929.