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List of keyboard and lute compositions by Johann Sebastian Bach

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Lists of
Compositions by
Johann Sebastian Bach

Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition,[1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord. Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771). Also other compositions for keyboard, like compositions for lute-harpsichord and fortepiano were listed outside the "Klavierwerke" range by Schmieder. Lute works are in the range 995–1000, Chapter 9 in the BWV catalogue.[2]

Works for keyboard (BWV 772–994)

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See also: List of compositions by Johann Sebastian Bach § BWV Chapter 8

Inventions and Sinfonias (772–801)

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  • BWV 772 – Invention No. 1 in C major
  • BWV 772a – Invention No. 1 in C major (alternative version of BWV 772)
  • BWV 773 – Invention No. 2 in C minor
  • BWV 774 – Invention No. 3 in D major
  • BWV 775 – Invention No. 4 in D minor
  • BWV 776 – Invention No. 5 in E-flat major
  • BWV 777 – Invention No. 6 in E major
  • BWV 778 – Invention No. 7 in E minor
  • BWV 779 – Invention No. 8 in F major
  • BWV 780 – Invention No. 9 in F minor
  • BWV 781 – Invention No. 10 in G major
  • BWV 782 – Invention No. 11 in G minor
  • BWV 783 – Invention No. 12 in A major
  • BWV 784 – Invention No. 13 in A minor
  • BWV 785 – Invention No. 14 in B-flat major
  • BWV 786 – Invention No. 15 in B minor
  • BWV 787 – Sinfonia No. 1 in C major
  • BWV 788 – Sinfonia No. 2 in C minor
  • BWV 789 – Sinfonia No. 3 in D major
  • BWV 790 – Sinfonia No. 4 in D minor
  • BWV 791 – Sinfonia No. 5 in E-flat major
  • BWV 792 – Sinfonia No. 6 in E major
  • BWV 793 – Sinfonia No. 7 in E minor
  • BWV 794 – Sinfonia No. 8 in F major
  • BWV 795 – Sinfonia No. 9 in F minor
  • BWV 796 – Sinfonia No. 10 in G major
  • BWV 797 – Sinfonia No. 11 in G minor
  • BWV 798 – Sinfonia No. 12 in A major
  • BWV 799 – Sinfonia No. 13 in A minor
  • BWV 800 – Sinfonia No. 14 in B-flat major
  • BWV 801 – Sinfonia No. 15 in B minor

Four Duets from Clavier-Übung III (802–805)

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English Suites (806–811)

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  • BWV 806 – English Suite No. 1 in A major
  • BWV 807 – English Suite No. 2 in A minor
  • BWV 808 – English Suite No. 3 in G minor
  • BWV 809 – English Suite No. 4 in F major
  • BWV 810 – English Suite No. 5 in E minor
  • BWV 811 – English Suite No. 6 in D minor

French Suites (812–817)

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  • BWV 812 – French Suite No. 1 in D minor
  • BWV 813 – French Suite No. 2 in C minor
  • BWV 813a – French Suite No. 2 in C minor (alternative version of movement 5: Menuet)
  • BWV 814 – French Suite No. 3 in B minor
  • BWV 815 – French Suite No. 4 in E-flat major
  • BWV 815a – French Suite No. 4 in E-flat major (alternative versions of several movements)
  • BWV 816 – French Suite No. 5 in G major
  • BWV 817 – French Suite No. 6 in E major

Miscellaneous suites (818–824)

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  • BWV 818 – Suite in A minor
  • BWV 818a – Suite in A minor (alternative version of BWV 818)
  • BWV 819 – Suite in E-flat major
  • BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819)
  • BWV 820 – Overture (Suite) in F major
  • BWV 821 – Suite in B-flat major (doubtful)[3][4]
  • BWV 822 – Suite in G minor, play Gavotte in G Minor, simulating a violaⓘ
  • BWV 823 – Suite in F minor
  • BWV 824 – Suite in A major (spurious, composed by Georg Philipp Telemann, TWV 32:14)[5]

Clavier-Übung I: Partitas for keyboard (825–830)

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Clavier-Übung I, six Partitas for keyboard:

  1. BWV 825 – Partita in B-flat major
  2. BWV 826 – Partita in C minor
  3. BWV 827 – Partita in A minor
  4. BWV 828 – Partita in D major
  5. BWV 829 – Partita in G major
  6. BWV 830 – Partita in E minor

French Overture, from Clavier-Übung II (831)

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Suites and suite movements (832–845)

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  • BWV 832 – Suite in A major
  • BWV 833 – Prelude and Partita in F major
  • BWV 834 – Allemande in C minor (doubtful)[6][7]
  • BWV 835 – Allemande in A minor (spurious, possibly by Johann Philipp Kirnberger)[8][9]
  • BWV 836 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)[10]
  • BWV 837 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)[11]
  • BWV 838 – Allemande and Courante in A major (spurious, possibly by Christoph Graupner, GWV 849)[8][12]
  • BWV 839 – Sarabande in G minor (doubtful)[13]
  • BWV 840 – Courante in G major (spurious, after the 2nd movement of Telemann's Ouverture in G major, TWV 32:13)
  • BWV 841 – Minuet in G major (from the 1722 Notebook for Anna Magdalena Bach)
  • BWV 842 – Minuet in G minor
  • BWV 843 – Minuet in G major
  • BWV 844 – Scherzo in D minor (doubtful)[14]
  • BWV 844a – Scherzo in D minor (alternative version of BWV 844, doubtful)[14]
  • BWV 845 – Gigue in F minor (doubtful)[6]

The Well-Tempered Clavier (846–893)

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The Well-Tempered Clavier, Book I:

  1. BWV 846 – Prelude and Fugue in C major
    • BWV 846a – Prelude in C major (alternative version of BWV 846, only Prelude)
  2. BWV 847 – Prelude and Fugue in C minor
    • BWV 847a – Prelude in C minor (alternative version of BWV 847, only Prelude)
  3. BWV 848 – Prelude and Fugue in C-sharp major
  4. BWV 849 – Prelude and Fugue in C-sharp minor
  5. BWV 850 – Prelude and Fugue in D major
    • BWV 850a – Prelude in D major (alternative version of BWV 850, only Prelude)
  6. BWV 851 – Prelude and Fugue in D minor
    • BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude)
  7. BWV 852 – Prelude and Fugue in E-flat major
  8. BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor)
  9. BWV 854 – Prelude and Fugue in E major
  10. BWV 855 – Prelude and Fugue in E minor
    • BWV 855a – Prelude in E minor (early version of the prelude of BWV 855), and Fughetta[15]
  11. BWV 856 – Prelude and Fugue in F major
  12. BWV 857 – Prelude and Fugue in F minor
  13. BWV 858 – Prelude and Fugue in F-sharp major
  14. BWV 859 – Prelude and Fugue in F-sharp minor
  15. BWV 860 – Prelude and Fugue in G major
  16. BWV 861 – Prelude and Fugue in G minor
  17. BWV 862 – Prelude and Fugue in A-flat major
  18. BWV 863 – Prelude and Fugue in G-sharp minor
  19. BWV 864 – Prelude and Fugue in A major
  20. BWV 865 – Prelude and Fugue in A minor
  21. BWV 866 – Prelude and Fugue in B-flat major
  22. BWV 867 – Prelude and Fugue in B-flat minor
  23. BWV 868 – Prelude and Fugue in B major
  24. BWV 869 – Prelude and Fugue in B minor

The Well-Tempered Clavier, Book II:

  1. BWV 870 – Prelude and Fugue in C major
    • BWV 870a – Prelude and Fugue in C major (alternative version of BWV 870)
    • BWV 870b – Prelude in C major (alternative version of BWV 870)
  2. BWV 871 – Prelude and Fugue in C minor
  3. BWV 872 – Prelude and Fugue in C-sharp major
    • BWV 872a – Prelude and Fugue in C-sharp major (alternative version of BWV 872)
  4. BWV 873 – Prelude and Fugue in C-sharp minor
  5. BWV 874 – Prelude and Fugue in D major
  6. BWV 875 – Prelude and Fugue in D minor
    • BWV 875a – Prelude in D minor (alternative version of BWV 875)
  7. BWV 876 – Prelude and Fugue in E-flat major
  8. BWV 877 – Prelude and Fugue in D-sharp minor
  9. BWV 878 – Prelude and Fugue in E major
  10. BWV 879 – Prelude and Fugue in E minor
  11. BWV 880 – Prelude and Fugue in F major
  12. BWV 881 – Prelude and Fugue in F minor
  13. BWV 882 – Prelude and Fugue in F-sharp major
  14. BWV 883 – Prelude and Fugue in F-sharp minor
  15. BWV 884 – Prelude and Fugue in G major
  16. BWV 885 – Prelude and Fugue in G minor
  17. BWV 886 – Prelude and Fugue in A-flat major
  18. BWV 887 – Prelude and Fugue in G-sharp minor
  19. BWV 888 – Prelude and Fugue in A major
  20. BWV 889 – Prelude and Fugue in A minor
  21. BWV 890 – Prelude and Fugue in B-flat major
  22. BWV 891 – Prelude and Fugue in B-flat minor
  23. BWV 892 – Prelude and Fugue in B major
  24. BWV 893 – Prelude and Fugue in B minor

Preludes and fugues, toccatas and fantasias (894–923)

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Praeludium in A minor, BWV 922
Performed by Sylvia Kind
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Nine Little Preludes from Wilhelm Friedemann Bach's Klavierbüchlein (924–932)

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See also: Klavierbüchlein für Wilhelm Friedemann Bach and Twelve Little Preludes § Pieces from Wilhelm Friedemann Bach's Klavierbüchlein

Indicated as "Neun kleine Präludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach" (nine little preludes from the keyboard-booklet for Wilhelm Friedemann Bach) in the Bach-Werke Verzeichnis:[27][28][29]

  1. BWV 924 – Prelude in C major (Klavierbüchlein No. 2: "Praeambulum")[30]
    BWV 924a – Prelude in C major (Klavierbüchlein No. 26: "Preludium ex c♮"; variant version of BWV 924 probably by W. F. Bach, BR‑WFB A 44)[31]
  2. BWV 925 – Prelude in D major (Klavierbüchlein No. 27: "Praeludium ex d♮"; possibly by W. F. Bach, BR‑WFB A 45)[32]
  3. BWV 926 – Prelude in D minor (Klavierbüchlein No. 4: "Praeludium")[33]
  4. BWV 927 – Prelude in F major (Klavierbüchlein No. 8: "Praeambulum")[34]
  5. BWV 928 – Prelude in F major (Klavierbüchlein No. 10: "Praeludium")[35]
  6. BWV 929 – Prelude in G minor (Klavierbüchlein No. 48e: Trio for a Minuet by Gottfried Heinrich Stölzel)[36]
  7. BWV 930 – Prelude in G minor (Klavierbüchlein No. 9: "Praeambulum")[37]
  8. BWV 931 – Prelude in A minor (Klavierbüchlein No. 29: "Praeludium"; possibly by W. F. Bach, BR‑WFB A 47)[38]
  9. BWV 932 – Prelude in E minor (incomplete; Klavierbüchlein No. 28: "Praeludium ex e♭"; possibly by W. F. Bach, BR‑WFB A 46)[39]

Six Little Preludes (933–938)

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Main article: Six Little Preludes (Bach)

An 18th-century set of short preludes by Johann Sebastian Bach:

  1. BWV 933 – Little Prelude in C major
  2. BWV 934 – Little Prelude in C minor
  3. BWV 935 – Little Prelude in D minor
  4. BWV 936 – Little Prelude in D major
  5. BWV 937 – Little Prelude in E major
  6. BWV 938 – Little Prelude in E minor

Five Little Preludes (939–943)

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See also: Twelve Little Preludes § From the Five Little Preludes

Five short preludes found in the manuscript P 804 (collection of Johann Peter Kellner):[40]

  1. BWV 939 – Prelude in C major[41]
  2. BWV 940 – Prelude in D minor[42]
  3. BWV 941 – Prelude in E minor[43]
  4. BWV 942 – Prelude in A minor[44]
  5. BWV 943 – Prelude in C major[45]

Fugues and fughettas (944–962)

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  • BWV 944 – Fantasia and Fugue in A minor
  • BWV 945 – Fugue in E minor (doubtful, possibly by Christoph Graupner)[46][47]
  • BWV 946 – Fugue in C major
  • BWV 947 – Fugue in A minor
  • BWV 948 – Fugue in D minor
  • BWV 949 – Fugue in A major
  • BWV 950 – Fugue in A major on a theme by Tomaso Albinoni
  • BWV 951 – Fugue in B minor on a theme by Tomaso Albinoni
  • BWV 951a – Fugue in B minor (alternative version of BWV 951)
  • BWV 952 – Fugue in C major
  • BWV 953 – Fugue in C major
  • BWV 954 – Fugue in B-flat major on a theme by Johann Adam Reincken
  • BWV 955 – Fugue in B-flat major
  • BWV 956 – Fugue in E minor (doubtful)[48]
  • BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major)
  • BWV 958 – Fugue in A minor (doubtful)[49]
  • BWV 959 – Fugue in A minor
  • BWV 960 – Fugue in E minor (incomplete and doubtful)[50][51]
  • BWV 961 – Fughetta in C minor
  • BWV 962 – Fughetta in E minor (spurious, composed by Johann Georg Albrechtsberger)[52]

Sonatas and sonata movements (963–970)

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  • BWV 963 – Sonata in D major
  • BWV 964 – Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003 – doubtful)[53]
  • BWV 965 – Sonata in A minor (after Johann Adam Reincken's Hortus Musicus, Nos. 1–5)
  • BWV 966 – Sonata in C major (after Johann Adam Reincken's Hortus Musicus, Nos. 11–15)
  • BWV 967 – Sonata in A minor (one movement only, arrangement of a chamber sonata by unknown composer)
  • BWV 968 – Adagio in G major (after movement 1 of Sonata No. 3 for solo violin, BWV 1005 – doubtful)[53]
  • BWV 969 – Andante in G minor (doubtful)[14][54]
  • BWV 970 – Presto in D minor (spurious, composed by Wilhelm Friedemann Bach)[55]

Italian Concerto, from Clavier-Übung II (971)

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Keyboard arrangements of concerti by other composers (972–987)

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Concerto in D major, BWV 972 – 2. Largo
Performed on a harpsichord by Gérard Janot
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  • BWV 972 – Concerto in D major (arrangement of Antonio Vivaldi's Concerto Op. 3/9, RV230)
  • BWV 973 – Concerto in G major (arrangement of Antonio Vivaldi's Concerto Op. 7/8, RV299)
  • BWV 974 – Concerto in D minor (arrangement of Alessandro Marcello's Oboe Concerto in D minor)
  • BWV 975 – Concerto in G minor (arrangement of Antonio Vivaldi's Concerto Op. 4/6, RV316a)
  • BWV 976 – Concerto in C major (arrangement of Antonio Vivaldi's Concerto Op. 3/12, RV265)
  • BWV 977 – Concerto in C major (source unknown, possibly a concerto by Benedetto Marcello)
  • BWV 978 – Concerto in F major (arrangement of Antonio Vivaldi's Concerto Op. 3/3, RV310)
  • BWV 979 – Concerto in B minor (recently identified as Vivaldi's Concerto RV Anh. 10, now RV 813)[56]
  • BWV 980 – Concerto in G major (arrangement of Antonio Vivaldi's Violin Concerto in B-flat Major, RV 381)
  • BWV 981 – Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2)
  • BWV 982 – Concerto in B-flat major (arrangement of Prince Johann Ernst of Saxe-Weimar's concerto Op. 1/1)
  • BWV 983 – Concerto in G minor (source unknown)
  • BWV 984 – Concerto in C major (arrangement of a Prince Johann Ernst concerto) (see BWV 595 for organ version)
  • BWV 985 – Concerto in G minor (arrangement of a Georg Philipp Telemann violin concerto)
  • BWV 986 – Concerto in G major (arrangement of a concerto attributed to Georg Philipp Telemann)
  • BWV 987 – Concerto in D minor (arrangement of Prince Johann Ernst's concerto Op. 1/4)

Variations and miscellaneous pieces for keyboard (988–994)

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Works for solo lute (BWV 995–1000)

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See also: List of compositions by Johann Sebastian Bach § BWV Chapter 9

Works for keyboard and lute in the eighth and ninth chapters of the Bach-Werke-Verzeichnis (1998)

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Legend to the table
column content
1 BWV Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows:
  • preceded by I: in Anh. I (lost works) of BWV1 (1950 first edition of the BWV)
  • preceded by II: in Anh. II (doubtful works) of BWV1
  • preceded by III: in Anh. III (spurious works) of BWV1
  • preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
2 2a Section in which the composition appears in BWV2a:
  • Chapters of the main catalogue indicated by Arabic numerals (1-13)
  • Anh. sections indicated by Roman numerals (I–III)
  • Reconstructions published in the NBE indicated by "R"
3 Date Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
4 Name Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
5 Key Key of the composition
6 Scoring See scoring table below for the abbreviations used in this column
7 BG Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[59]
8 NBE New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[60]
  1. Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia)
  2. Masses, Passions, Oratorios (12 volumes)
  3. Motets, Chorales, Lieder (4 volumes)
  4. Organ Works (11 volumes)
  5. Keyboard and Lute Works (14 volumes)
  6. Chamber Music (5 volumes)
  7. Orchestral Works (7 volumes)
  8. Canons, Musical Offering, Art of Fugue (3 volumes)
  9. Addenda (approximately 7 volumes)
9 Additional info may include:
  • "after" – indicating a model for the composition
  • "by" – indicating the composer of the composition (if different from Johann Sebastian Bach)
  • "in" – indicating the oldest known source for the composition
  • "pasticcio" – indicating a composition with parts of different origin
  • "see" – composition renumbered in a later edition of the BWV
  • "text" – by text author, or, in source

Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.

10 BD Bach Digital Work page
Legend for abbreviations in "Scoring" column
Voices (see also SATB)
a A b B s S t T v V
alto (solo part) alto (choir part) bass (solo part) bass (choir part) soprano (solo part) soprano (choir part) tenor (solo part) tenor (choir part) voice (includes parts for unspecified voices or instruments as in some canons) vocal music for unspecified voice type
Winds and battery (bold = soloist)
Bas Bel Cnt Fl Hn Ob Oba Odc Tai Tbn Tdt Tmp Tr
bassoon (can be part of Bc, see below) bell(s) (musical bells) cornett, cornettino flute (traverso, flauto dolce, piccolo, flauto basso) natural horn, corno da caccia, corno da tirarsi, lituo oboe oboe d'amore oboe da caccia taille trombone tromba da tirarsi timpani tromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
Bc Hc Kb Lu Lw Org Str Va Vc Vdg Vl Vne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu harpsichord keyboard (Hc, Lw, Org or clavichord) lute, theorbo Lautenwerck (lute-harpsichord) organ (/man. = manualiter, without pedals) strings: Vl I, Vl II and Va viola(s), viola d'amore, violetta violoncello, violoncello piccolo viola da gamba violin(s), violino piccolo violone, violone grosso
Background colours
Colour Meaning
green extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member
Keyboard and lute works in Chapters 8 and 9 of BWV2a
BWV 2a Date Name Key Scoring BG NBE Additional info BD
8. Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) Up ↑
772 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 C maj. Keyboard 3: 1
451: 221 		V/5: 48
V/3: 2 		→ BWV 772a[61] 00902
772a 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 1a – Invention No. 1a C maj. Keyboard 3: 342 V/3: 4 after BWV 772[62] 00903
773 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 C min. Keyboard 3: 2
451: 223 		V/5: 76
V/3: 6 		[61] 00904
774 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 D maj. Keyboard 3: 3
451: 223 		V/5: 74
V/3: 8 		[61] 00905
775 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 D min. Keyboard 3: 4
451: 221 		V/5: 50
V/3: 10 		[61] 00906
776 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 E♭ maj. Keyboard 3: 6
451: 222 		V/5: 72
V/3: 12 		[61] 00907
777 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 E maj. Keyboard 3: 7
451: 222 		V/5: 70
V/3: 14 		[61] 00908
778 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 E min. Keyboard 3: 9
451: 221 		V/5: 52
V/3: 16 		[61] 00909
779 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 F maj. Keyboard 3: 10
451: 221 		V/5: 54
V/3: 18 		[61] 00910
780 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 F min. Keyboard 3: 11
451: 222 		V/5: 68
V/3: 20 		[61] 00911
781 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 G maj. Keyboard 3: 12
451: 221 		V/5: 56
V/3: 22 		[61] 00912
782 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 G min. Keyboard 3: 13
451: 222 		V/5: 66
V/3: 24 		[61] 00913
783 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 A maj. Keyboard 3: 14
451: 222 		V/5: 64
V/3: 26 		[61] 00914
784 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 A min. Keyboard 3: 15
451: 221 		V/5: 58
V/3: 28 		[61] 00915
785 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 B♭ maj. Keyboard 3: 16
451: 222 		V/5: 62
V/3: 30 		[61] 00916
786 8. 1720-01-22
1725-01-22 		Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 B min. Keyboard 3: 18
451: 222 		V/5: 60
V/3: 32 		[61] 00917
787 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 C maj. Keyboard 3: 19
451: 227 		V/5: 90
V/3: 34 		[61] 00918
788 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15 C min. Keyboard 3: 20
451: 231 		V/5: 118
V/3: 36 		[61] 00919
789 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14 D maj. Keyboard 3: 22
451: 230 		V/5: 116
V/3: 38 		[61] 00920
790 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 D min. Keyboard 3: 23
451: 227 		V/5: 92
V/3: 40 		[61] 00921
791 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13 E♭ maj. Keyboard 3: 24
451: 230 		V/5: 114
V/3: 42 		→ BWV 791a[61] 00922
791a 8. 1723 Sinfonias and Inventions No. 20a – Sinfonia No. 5a E♭ maj. Keyboard V/3: 44, 80 after BWV 791[63] 00923
792 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12 E maj. Keyboard 3: 26
451: 229 		V/5: 112
V/3: 46 		[61] 00924
793 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 E min. Keyboard 3: 28
451: 227 		V/5: 94
V/3: 48 		[61] 00925
794 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 F maj. Keyboard 3: 29
451: 227 		V/5: 96
V/3: 50 		[61] 00926
795 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11 F min. Keyboard 3: 30
451: 229 		V/5: 110
V/3: 52 		[61] 00927
796 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 G maj. Keyboard 3: 32
451: 228 		V/5: 98
V/3: 54 		[61] 00928
797 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10 G min. Keyboard 3: 34
451: 229 		V/5: 108
V/3: 56 		[61] 00929
798 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 A maj. Keyboard 3: 36
451: 229 		V/5: 106
V/3: 58 		[61] 00930
799 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 A min. Keyboard 3: 38
451: 228 		V/5: 100
V/3: 60 		[61] 00931
800 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 B♭ maj. Keyboard 3: 40
451: 228 		V/5: 104
V/3: 62 		[61] 00932
801 8. 1720-01-22
1725-01-22 		Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 B min. Keyboard 3: 41
451: 228 		V/5: 102
V/3: 64 		[61] 00933
802 8. 1739 Duet No. 1 from Clavier-Übung III E min. Organ 3: 242 IV/4: 92 00934
803 8. 1739 Duet No. 2 from Clavier-Übung III F maj. Organ 3: 245 IV/4: 96 00935
804 8. 1739 Duet No. 3 from Clavier-Übung III G maj. Organ 3: 248 IV/4: 99 00936
805 8. 1739 Duet No. 4 from Clavier-Übung III A min. Organ 3: 251 IV/4: 102 00937
806 8. 1714–1723 English Suites, No. 1 A maj. Keyboard 451: 3
132: 3 		V/7: 2 00938
806a 8. 1714–1717 English Suites, No. 1a A maj. Keyboard V/7: 116 00939
807 8. 1725 or earlier English Suites, No. 2 A min. Keyboard 451: 16
132: 16 		V/7: 20 00940
808 8. 1725 or earlier English Suites, No. 3 G min. Keyboard 451: 30
132: 30 		V/7: 38 00941
809 8. 1725 or earlier English Suites, No. 4 F maj. Keyboard 451: 41
132: 41 		V/7: 54 00942
810 8. 1725 or earlier English Suites, No. 5 E min. Keyboard 451: 53
132: 53 		V/7: 70 00943
811 8. 1725 or earlier English Suites, No. 6 D min. Keyboard 451: 68
132: 68 		V/7: 90 00944
812 8. 1722 or earlier Notebook A. M. Bach (1722) No. 1 – French Suites, No. 1 D min. Keyboard 432: VI V/4: 3 00945
Notebook A. M. Bach (1725) No. 30 – French Suites, No. 1 432: 40 V/4: 109
French Suites, No. 1 – Version A (Altnickol) 451: 89
132: 89 		V/8: 2
French Suites, No. 1 – Version B (early version) V/8: 64
813 8. c. 1722–1725 Notebook A. M. Bach (1722) No. 2 – French Suites, No. 2 C min. Keyboard 432: VI V/4: 10, 42 00946
Notebook A. M. Bach (1725) No. 31 – French Suites, No. 2 432: 44 V/4: 116
French Suites, No. 2 – Version A (Altnickol) 451: 94
132: 94 		V/8: 10
French Suites, No. 2 – Version B (early version) V/8: 72
36: 236
814 8. c. 1722–1725 Notebook A. M. Bach (1722) No. 3 – French Suites, No. 3 B min. Keyboard 432: VII V/4: 16, 43 → BWV 814a 00948
French Suites, No. 3 – Version A (Altnickol) 451: 100
132: 100 		V/8: 20
French Suites, No. 3 – Version B (early version) V/8: 82
814a 8. c. 1720–1739 French Suites, No. 3 – Variant B min. Keyboard 451: 100
36: 237
132: 100 		V/8: 166 after BWV 814/1–/5, 929, 814/7 00949
815 8. c. 1722–1725 Notebook A. M. Bach (1722) No. 4 French Suites, No. 4 E♭ maj. Keyboard 432: VII V/4: 23 → BWV 815a 00950
French Suites, No. 4 – Version A (Altnickol) 451: 106
132: 106 		V/8: 30
French Suites, No. 4 – Version B (early version) V/8: 92
36: 236
815a 8. c. 1722–1725 or later French Suites, No. 4 – Variant E♭ maj. Keyboard 36: 234
451: 106
132: 108 		V/8: 176 after BWV 815/1–/5 00951
816 8. c. 1724–1725 Notebook A. M. Bach (1722) No. 5 French Suites, No. 5 G maj. Keyboard 432: VII V/4: 30 00952
French Suites, No. 5 – Version A (Altnickol) 451: 112
132: 112 		V/8: 40
French Suites, No. 5 – Version B (early version) V/8: 102
817 8. c.1725 or later French Suites, No. 6 – Version A (Altnickol) E maj. Keyboard 451: 120
132: 120 		V/8: 52 00953
French Suites, No. 6 – Version B (early version) V/8: 114
818 8. 1720–1722 Suite for keyboard (early version) A min. Keyboard 36: 3 V/8: 129 00954
818a 8. after 1721 Suite for keyboard (later version) A min. Keyboard 36: 213 V/8: 146 00955
819 8. before 1726 Suite for keyboard (early version) E♭ maj. Keyboard 36: 8 V/8: 136 00956
819a 8. 1725–1728 Suite for keyboard (later version) E♭ maj. Keyboard 36: 217 V/8: 156 00957
820 8. 1705–1713 Suite (Ouverture) for keyboard F maj. Keyboard 36: 14 V/10: 43 00958
822 8. Suite for keyboard G min. Keyboard V/10: 68 after unknown model? 00960
823 8. before 1727 Suite for keyboard F min. Keyboard 36: 229 V/10: 50 00961
825 8. 1725–1726 Partita No. 1 from Clavier-Übung I B♭ maj. Keyboard 3: 46 V/1: 2 00963
826 8. 1725–1727 Partita No. 2 from Clavier-Übung I C min. Keyboard 3: 56 V/1: 15 00964
827 8. 1725–1727 Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I A min. Keyboard 3: 70 V/1: 35
V/4: 47 		00964
828 8. 1725–1728 Partita No. 4 from Clavier-Übung I D maj. Keyboard 3: 82 V/1: 50 00966
829 8. 1725–1730 Partita No. 5 from Clavier-Übung I G maj. Keyboard 3: 102 V/1: 72 00967
830 8. 1725–1730 Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I E min. Keyboard 3: 116 V/1: 90
V/4: 60 		after BWV 1019a/3 /5 00968
831 8. 1733–1735 Overture in the French style (Clavier-Übung II No. 2) B min. Harpsichord 3: 154 V/2: 20 after BWV 831a 00969
831a 8. 1727–1733 Overture in the French style (early version) C min. Keyboard V/2: 43 → BWV 831 00970
832 8. before 1707 Suite for keyboard A maj. Keyboard 42: 255 V/10: 54 in Möllersche Handschrift 00971
833 8. before 1707 Prelude and partita for keyboard F maj. Keyboard V/10: 60 in Möllersche Handschrift 00972
836 8. 1720–1721 Allemande, Klavierbüchlein WFB No. 6 G min. Keyboard 451: 214 V/5: 8 by Bach, W. F. & J. S.? 00975
837 8. 1720–1721 Allemande, Klavierbüchlein WFB No. 7 (incomplete) G min. Keyboard 451: 215 V/5: 10 by Bach, W. F. & J. S.? 00976
841 8. 1720–1721 Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 G maj. Keyboard 36: 209
451: 215 		V/5: 16 V/4: 44 by Bach, W. F. & J. S.? 00980
842 8. 1720–1721 Klavierbüchlein WFB No. 12: Menuet 2 G min. Keyboard 36: 209
451: 216 		V/5: 17 by Bach, W. F. (BR A43) & J. S.? 00981
843 8. 1720–1721 Klavierbüchlein WFB No. 13: Menuet 3 G maj. Keyboard 36: 210
451: 216 		V/5: 18 00982
846 8. 1722 Well-Tempered Clavier I, P. & F. No. 1 C maj. Keyboard 14: 3 V/6.1: 2 after BWV 846a 00986
846/1 8. 1725 (AMB) Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) C maj. Keyboard V/4: 107 00986
846a 8. 1720 Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) C maj. Keyboard 451: 216 V/5: 19
V/6.1: 127 		→ BWV 846/1 00987
847 8. 1722 Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) C min. Keyboard 14: 6
451: 216 		V/5: 20
V/6.1: 2 		after BWV 847a 00988
847a 8. Prelude and Fughetta (early WTC I No. 2) C min. Keyboard V/6.1: 130 → BWV 847 00989
848 8. 1722 Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) C♯ maj. Keyboard 14: 10
451: 218 		V/5: 30
V/6.1: 2 		after BWV 848a 00990
848a 8. Prelude and Fughetta (early WTC I No. 3) C♯ maj. Keyboard V/6.1: 134 → BWV 848 00991
849 8. 1722 Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9]) C♯ min. Keyboard 14: 14
451: 218 		V/5: 32
V/6.1: 2 		after BWV 849a 00992
849a 8. Prelude and Fughetta (early WTC I No. 4) C♯ min. Keyboard V/6.1: 140 → BWV 849 00993
850 8. 1722 Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) D maj. Keyboard 14: 18
451: 217 		V/5: 23
V/6.1: 2 		after BWV 850a 00994
850a 8. Prelude and Fughetta (early WTC I No. 5) D maj. Keyboard V/6.1: 146 → BWV 850 00995
851 8. 1722 Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) D min. Keyboard 14: 22
451: 217 		V/5: 22
V/6.1: 2 		after BWV 851a 00996
851a 8. Prelude and Fughetta (early WTC I No. 6) D min. Keyboard V/6.1: 150 → BWV 851 00997
852 8. 1722 Well-Tempered Clavier I, P. & F. No. 7 E♭ maj. Keyboard 14: 26 V/6.1: 32 after BWV 852a 00998
852a 8. Prelude and Fughetta (early WTC I No. 7) E♭ maj. Keyboard V/6.1: 154 → BWV 852 00999
853 8. 1722 Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) E♭ min.
D♯ min. 		Keyboard 14: 32
451: 218 		V/5: 34
V/6.1: 38 		after BWV 853a; → K. 404a/1 01000
853a 8. Prelude and Fughetta (early WTC I No. 8) E♭ min.
D♯ min. 		Keyboard V/6.1: 160 → BWV 853 01001
854 8. 1722 Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) E maj. Keyboard 14: 36
451: 218 		V/5: 26
V/6.1: 44 		after BWV 854a 01002
854a 8. Prelude and Fughetta (early WTC I No. 9) E maj. Keyboard V/6.1: 166 → BWV 854 01003
855 8. 1722 Well-Tempered Clavier I, P. & F. No. 10 E min. Keyboard 14: 38 V/6.1: 48 after BWV 855a 01004
855a 8. c.1720 Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5) E min. Keyboard 451: 217 V/5: 24
V/6.1: 170 		→ BWV 855 01005
856 8. 1722 Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) F maj. Keyboard 14: 42
451: 218 		V/5: 28
V/6.1: 54 		after BWV 856a 01006
856a 8. Prelude and Fughetta (early WTC I No. 11) F maj. Keyboard V/6.1: 174 → BWV 856 01007
857 8. 1722 Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) F min. Keyboard 14: 44
451: 218 		V/5: 36
V/6.1: 58 		after BWV 857a 01008
857a 8. Prelude and Fughetta (early WTC I No. 12) F min. Keyboard V/6.1: 178 → BWV 857 01009
858 8. 1722 Well-Tempered Clavier I, P. & F. No. 13 F♯ maj. Keyboard 14: 48 V/6.1: 64 after BWV 858a 01010
858a 8. Prelude and Fughetta (early WTC I No. 13) F♯ maj. Keyboard V/6.1: 184 → BWV 858 01011
859 8. 1722 Well-Tempered Clavier I, P. & F. No. 14 F♯ min. Keyboard 14: 50 V/6.1: 64 after BWV 859a 01012
859a 8. Prelude and Fughetta (early WTC I No. 14) F♯ min. Keyboard V/6.1: 188 → BWV 859 01013
860 8. 1722 Well-Tempered Clavier I, P. & F. No. 15 G maj. Keyboard 14: 52 V/6.1: 72 after BWV 860a 01014
860a 8. Prelude and Fughetta (early WTC I No. 15) G maj. Keyboard V/6.1: 192 → BWV 860 01015
861 8. 1722 Well-Tempered Clavier I, P. & F. No. 16 G min. Keyboard 14: 57 V/6.1: 78 after BWV 861a 01016
861a 8. Prelude and Fughetta (early WTC I No. 16) G min. Keyboard V/6.1: 198 → BWV 861 01017
862 8. 1722 Well-Tempered Clavier I, P. & F. No. 17 A♭ maj. Keyboard 14: 60 V/6.1: 82 after BWV 862a 01018
862a 8. Prelude and Fughetta (early WTC I No. 17) A♭ maj. Keyboard V/6.1: 202 → BWV 862 01019
863 8. 1722 Well-Tempered Clavier I, P. & F. No. 18 G♯ min. Keyboard 14: 64 V/6.1: 86 after BWV 863a 01020
863a 8. Prelude and Fughetta (early WTC I No. 18) G♯ min. Keyboard V/6.1: 206 → BWV 863 01021
864 8. 1722 Well-Tempered Clavier I, P. & F. No. 19 A maj. Keyboard 14: 66 V/6.1: 90 after BWV 864a 01022
864a 8. Prelude and Fughetta (early WTC I No. 19) A maj. Keyboard V/6.1: 210 → BWV 864 01023
865 8. 1722 Well-Tempered Clavier I, P. & F. No. 20 A min. Keyboard 14: 70 V/6.1: 96 after BWV 865a 01024
865a 8. Prelude and Fughetta (early WTC I No. 20) A min. Keyboard V/6.1: 216 → BWV 865 01025
866 8. 1722 Well-Tempered Clavier I, P. & F. No. 21 B♭ maj. Keyboard 14: 74 V/6.1: 104 after BWV 866a 01026
866a 8. Prelude and Fughetta (early WTC I No. 21) B♭ maj. Keyboard V/6.1: 224 → BWV 866 01027
867 8. 1722 Well-Tempered Clavier I, P. & F. No. 22 B♭ min. Keyboard 14: 78 V/6.1: 108 after BWV 867a; → Hess 38 [commons] 01028
867a 8. Prelude and Fughetta (early WTC I No. 22) B♭ min. Keyboard V/6.1: 228 → BWV 867 01029
868 8. 1722 Well-Tempered Clavier I, P. & F. No. 23 B maj. Keyboard 14: 82 V/6.1: 112 after BWV 868a 01030
868a 8. Prelude and Fughetta (early WTC I No. 23) B maj. Keyboard V/6.1: 232 → BWV 868 01031
869 8. 1722 Well-Tempered Clavier I, P. & F. No. 24 B min. Keyboard 14: 84 V/6.1: 116 after BWV 869a 01032
869a 8. Prelude and Fughetta (early WTC I No. 24) B min. Keyboard V/6.1: 236 → BWV 869 01033
870b
870/2 		8. 1739–1742 Well-Tempered Clavier II, P. & F. No. 1 (version A) C maj. Keyboard 451: 243
14: 94 		V/6.2: 2,
6, 342 		01036
871 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 2 C min. Keyboard 14: 96 V/6.2: 8,
160 		→ K. 405/1 01037
872 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 3 C♯ maj. Keyboard 14: 100 V/6.2: 12,
164, 352 		after BWV 872a 01038
872a/1 8. 1739–1740 Prelude (early WTC II, P. & F. No. 3/1) C maj. Keyboard 14: 243 V/6.2: 344 → BWV 872/1 01039
872a/2 8. 1738 Fughetta (early WTC II, P. & F. No. 3/2) C maj. Keyboard 36: 224 V/6.2: 358 → BWV 872/2 01039
873 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 4 C♯ maj. Keyboard 14: 104 V/6.2: 16,
168 		01040
874 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 5 D maj. Keyboard 14: 108 V/6.2: 24,
176 		→ K. 405/5 01041
875 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 6 D min. Keyboard 14: 112 V/6.2: 30
182, 348,
356 		after BWV 875a 01042
875a 8. 1739–1740 Preambulum (early WTC II, P. & F. No. 6/1) D min. Keyboard 36: 224 V/6.2: 346 → BWV 875/1 01043
876 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 7 E♭ maj. Keyboard 14: 116 V/6.2: 36,
188, 354 		→ K. 405/2 01044
877 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 8 D♯ min. Keyboard 14: 120 V/6.2: 42,
194 		→ K. 405/4 01045
878 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 9 E maj. Keyboard 14: 124 V/6.2: 48,
200 		→ K. 405/3 01046
879 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 10 E min. Keyboard 14: 128 V/6.2: 54,
206 		01047
880 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 11 F maj. Keyboard 14: 134 V/6.2: 62,
215 		01048
881 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 12 F min. Keyboard 14: 138 V/6.2: 69,
221 		01049
882 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 13 F♯ maj. Keyboard 14: 142 V/6.2: 76,
228 		→ K. 404a/3 01050
883 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 14 F♯ min. Keyboard 14: 146 V/6.2: 84,
236 		→ K. 404a/2 01051
884 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 15 G maj. Keyboard 14: 150 V/6.2: 90,
242, 350 		after BWV 902/2 01052
885 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 16 G min. Keyboard 14: 154 V/6.2: 94,
246 		01053
886 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 17 A♭ maj. Keyboard 14: 160 V/6.2: 100,
108, 252 		after BWV 901/2 01054
887 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 18 G♯ min. Keyboard 14: 166 V/6.2: 112,
260 		01055
888 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 19 A maj. Keyboard 14: 172 V/6.2: 120,
268 		01056
889 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 20 A min. Keyboard 14: 176 V/6.2: 124,
272 		01057
890 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 21 B♭ maj. Keyboard 14: 180 V/6.2: 128,
276 		01058
891 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 22 B♭ min. Keyboard 14: 186 V/6.2: 134,
282 		01059
892 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 23 B maj. Keyboard 14: 192 V/6.2: 142,
290 		01060
893 8. 1739–1742
1744 		Well-Tempered Clavier II, P. & F. No. 24 B min. Keyboard 14: 198 V/6.2: 150,
298 		01061
870 8. 1744 Well-Tempered Clavier II, P. & F. No. 1 (version B) C maj. Keyboard 14: 91 V/6.2: 156 after BWV 870a 01034
894 8. 1710–1717 (JTK) Prelude and Fugue A min. Keyboard 36: 91 V/9.2: 40 → BWV 1044/1, /3; in SBB P 801, P 804 01062
895 8. 1709 (JCB) Prelude and Fugue A min. Keyboard 36: 104 V/9.2: 69 in Yale LM 4982 01063
896 8. 1704–1707 Prelude and Fugue A maj. Keyboard 36: 157 V/9.2: 72 in Möllersche Handschrift 01064
870a 8. before 1727 Prelude and Fughetta C maj. Keyboard 36: 224 V/6.2: 307,
310 		→ BWV 870; in SBB P 804, P 1089 01035
899 8. before 1727 Prelude and Fughetta D min. Keyboard 36: 106 V/6.2: 314
V/12: 24 		in SBB P 804, P 1089 01068
900 8. before 1727 Prelude and Fughetta E min. Keyboard 36: 108 V/6.2
V/12 		in SBB P 804, P 1089 01069
901 8. before 1727 Prelude and Fughetta F maj. Keyboard 36: 112 V/6.2: 324 → BWV 886/2; in SBB P 1089 01070
902 8. c.1729 Prelude and Fughetta G maj. Keyboard 36: 114 V/6.2: 328 → BWV 884/2; in SBB P 804, P 1089 01071
902/1a 8. before 1727 Prelude (previous Prelude to BWV 902/2) G maj. Keyboard 36: 220 V/6.2: 334,
338 		→ BWV 884/2; in SBB P 804 01072
903 8. Chromatic Fantasia and Fugue D min. Keyboard 36: 71 V/9.2: 76 after BWV 903a; in SBB P 803, P 651 01073
903a 8. Fantasia (early BWV 903/1) D min. Keyboard 36: 219 V/9.2: 90 → BWV 903/1; in D-DS Mus. ms. 69 01074
904 8. before 1727 Fantasia and Fugue A min. Keyboard 36: 81 V/9.2 in SBB P 804 01075
906 8. before 1729
c.1738 		Fantasia and Fugue (Fugue incomplete) C min. Keyboard 36: 145, 238 V/9.2: 110 in US-BETbc, D-Dl Mus.2405-T-52 01077
910 8. 1707–1713 Toccata F♯ min. Kb (or) Org 3: 311 V/9.1: 1 in Andreas-Bach-Buch 01081
911 8. 1707–1713 Toccata C min. Kb (or) Org 3: 322 V/9.1: 13 in Andreas-Bach-Buch 01082
912 8. 1707–1713 Toccata D maj. Kb (or) Org 36: 26 V/9.1: 38 after BWV 912a; ↔ BWV 532/1 01083
912a 8. 1704–1707 Toccata D maj. Kb (or) Org 36: 218 V/9.1: 26 → BWV 912; in Möllersche Handschrift 01084
913 8. 1707–1709 Toccata D min. Kb (or) Org 36: 36 V/9.1: 50, 63 after BWV 913a 01085
913a 8. Toccata D min. Kb (or) Org V/9.1: 52 → BWV 913; publ. 1801 01086
914 8. 1707–1709 Toccata E min. Kb (or) Org 36: 47 V/9.1: 78 01087
915 8. 1707–1709 Toccata G min. Kb (or) Org 36: 54 V/9.1: 87 01088
916 8. 1707–1713 Toccata G maj. Kb (or) Org 36: 63 V/9.1: 100 in Andreas-Bach-Buch 01089
917 8. 1704–1707 Fantasia G min. Keyboard 36: 143 V/9.1: 14, 16 in Möllersche Handschrift 01090
918 8. Fantasia on a Rondo C min. Keyboard 36: 148 V/9.1: 14, 18 01091
921 8. 1707–1713 Prelude C min. Keyboard 36: 136 V/9.1: 24 in Andreas-Bach-Buch 01094
922 8. 1710–1714 (JTK) Prelude (Fantasia) A min. Keyboard 36: 138 V/9.2: 27, 34 in SBB P 803 01095
923 8. c.1723? Prelude B min. Keyboard 42: 211 V/9.2: 116 by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 01096
924 8. c.1720 Twelve Little Preludes No. 1: Preambulum (WFB No. 2) C maj. Keyboard 36: 118
451: 214 		V/5: 4 → BWV 924a 01098
924a 8. 1720–1726 Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) C maj. Keyboard 36: 221
451: 220 		V/5: 41 after BWV 924; BR A44 F(add) 206 01099
925 8. 1720–1726 Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) D maj. Keyboard 36: 121
451: 220 		V/5: 42 BR A45 F(add) 206 01100
926 8. c.1720 Twelve Little Preludes No. 5: Preludium (WFB No. 4) D min. Keyboard 36: 122
451: 214 		V/5: 6 01101
927 8. 1720–1726 Twelve Little Preludes No. 8: Preambulum (WFB No. 8) F maj. Keyboard 36: 124
451: 215 		V/5: 10 01102
928 8. 1720–1726 Twelve Little Preludes No. 9: Preludium (WFB No. 10) F maj. Keyboard 36: 124
451: 215 		V/5: 14 01103
929 8. 1720–1726 Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e) G min. Keyboard 36: 126
451: 226 		V/5: 89 → BWV 814a 01104
930 8. 1720–1726 Twelve Little Preludes No. 11: Preambulum (WFB No. 9) G min. Keyboard 36: 126
451: 215 		V/5: 12 01105
931 8. 1720–1726 Preludium, Klavierbüchlein WFB No. 29 A min. Keyboard 36: 237
451: 220 		V/5: 45 BR A47 F(add) 206 01106
932 8. 1720–1726 Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) E min. Keyboard 36: 237
451: 220 		V/5: 44 BR A46 F(add) 206 01107
933 8. 1717–1723? Six Little Preludes No. 1 C maj. Keyboard 36: 128 V/9.2: 3 in SBB P 542, P 885 01108
934 8. 1717–1723? Six Little Preludes No. 2 C min. Keyboard 36: 128 V/9.2: 4 in SBB P 542, P 885 01109
935 8. 1717–1723? Six Little Preludes No. 3 D min. Keyboard 36: 130 V/9.2: 5 in SBB P 542, P 885 01110
936 8. 1717–1723? Six Little Preludes No. 4 D maj. Keyboard 36: 131 V/9.2: 6 in SBB P 542, P 885 01111
937 8. 1717–1723? Six Little Preludes No. 5 E maj. Keyboard 36: 132 V/9.2: 8 in SBB P 542, P 885 01112
938 8. 1717–1723? Six Little Preludes No. 6 E min. Keyboard 36: 133 V/9.2: 10 in SBB P 542, P 885 01113
939 8. 1726–1727 Five Little Preludes No. 1 (=12 L. P. No. 2) C maj. Keyboard 36: 119 V/12: 50 by Bach?; in SBB P 804 01114
940 8. 1726–1727 Five Little Preludes No. 2 (=12 L. P. No. 6) D min. Keyboard 36: 123 V/12: 50 by Bach?; in SBB P 804 01115
941 8. 1726–1727 Five Little Preludes No. 3 (=12 L. P. No. 7) E min. Keyboard 36: 123 V/12: 51 by Bach?; in SBB P 804 01116
942 8. 1726–1727 Five Little Preludes No. 4 (=12 L. P. No. 12) A min. Keyboard 36: 127 V/12: 52 by Bach?; in SBB P 804 01117
943 8. 1725–1727 Five Little Preludes No. 5 C maj. Org (Kb?) 36: 134 V/12: 53 in SBB P 804 01118
944 8. 1707–1713 Fantasia and Fugue A min. Keyboard 3: 334 V/9.2: 133 in Andreas-Bach-Buch 01119
946 8. early work? Fugue on a theme by Albinoni C maj. Keyboard 36: 159 V/9.2: 153 after Albinoni, Op. 1, No. 12/4 (theme) 01121
947 8. early work? Fugue A min. Keyboard 36: 161 V/12: 55 by Bach? 01122
948 8. early work? Fugue D min. Keyboard 36: 164 V/9.2: 156 in D-B N. Mus. ms. 10580 01123
949 8. 1707–1713 Fugue A maj. Keyboard 36: 169 V/9.2: 163 after Albinoni (theme)?; in Andreas-Bach-Buch 01124
950 8. before 1725 Fugue on a theme by Albinoni A maj.
G maj. 		Keyboard 36: 173 V/9.2: 168 after Albinoni (theme); in SBB P 804 01125
951 8. 1714–1717 Fugue on a theme by Albinoni B min. Keyboard 36: 178 V/9.2: 118 after BWV 951a; in SBB P 801 01126
951a 8. 1714–1717 Fugue on a theme by Albinoni (early version) B min. Keyboard 36: 221 V/9.2: 127 after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 01127
952 8. Fugue C maj. Keyboard 36: 184 V/9.2: 176 01128
953 8. 1720–1726 Fugue a 3, Klavierbüchlein WFB No. 31 C maj. Keyboard 36: 186
451: 220 		V/5: 46 01129
954 8. early work? Fugue on a theme by Reincken B♭ maj. Keyboard 42: 50 V/11: 200 after Reincken, Hortus Musicus No. 2/2 (theme)[64] 01130
955 8. early work Fugue B♭ maj. Keyboard 42: 55 V/12: 60 after BWV 955a; in SBB P 425, P 804 01131
955a 8. early work Fugue B♭ maj. Organ 42: 298 V/12: 65 by Erselius?; → BWV 955; in SBB P 247, P 595 01132
959 8. Fugue A min. Keyboard 42: 208 V/9.2: 178 by Bach? 01136
961 8. ? Fughetta C min. Keyboard 36: 154 V/9.2: 182 in SBB P 823 01138
963 8. early work Sonata for keyboard D maj. Keyboard 36: 19 V/10: 32 in SBB P 804 01140
965 8. c.1714–1717
or earlier 		Sonata for keyboard after Reincken A min. Keyboard 42: 29 V/11: 173 after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 01142
966 8. c.1714–1717
or earlier 		Sonata for keyboard after Reincken A min. Keyboard 42: 42 V/11: 188 after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 01143
967 8. 1704–1707 Sonata transcription, 1st movement A min. Keyboard 451: 168 V/9.2: 184 in SBB P 804 01144
971 8. 1733–1735 Italian Concerto (Clavier-Übung II No. 1) F maj. Harpsichord 3: 139 V/2: 2 01148
972 8. July 1713–
July 1714 		Concerto for solo keyboard (1/16) D maj. Keyboard 42: 59 V/11: 3 after Vivaldi, Op. 3 No. 9 01149
972a 8. July 1713–
July 1714 		Concerto for solo keyboard (1/16), early version D maj. Keyboard V/11: 161 after Vivaldi, Op. 3 No. 9 01150
973 8. July 1713–
July 1714 		Concerto for solo keyboard (2/16) G maj. Keyboard 42: 59 V/11: 12 after Vivaldi, Op. 7 No. 8 01151
974 8. July 1713–
July 1714 		Concerto for solo keyboard (3/16) D min. Keyboard 42: 59 V/11: 20 after Marcello, A., Oboe Concerto 01152
975 8. July 1713–
July 1714 		Concerto for solo keyboard (4/16) G min. Keyboard 42: 59 V/11: 30 after Vivaldi, Op. 4 No. 6 01153
976 8. July 1713–
July 1714 		Concerto for solo keyboard (5/16) C maj. Keyboard 42: 59 V/11: 39 after Vivaldi, Op. 3 No. 12 01154
977 8. July 1713–
July 1714 		Concerto for solo keyboard (6/16) C maj. Keyboard 42: 59 V/11: 50 after unknown model 01155
978 8. July 1713–
July 1714 		Concerto for solo keyboard (7/16) F maj. Keyboard 42: 59 V/11: 56 after Vivaldi, Op. 3 No. 3 (RV 310) 01156
979 8. July 1713–
July 1714 		Concerto for solo keyboard (8/16) B min. Keyboard 42: 59 V/11: 64 after Vivaldi, RV 813 (previously: Torelli)[65] 01157
980 8. July 1713–
July 1714 		Concerto for solo keyboard (9/16) G maj. Keyboard 42: 59 V/11: 79 after Vivaldi, Op. 4 No. 1 (RV 381) 01158
981 8. July 1713–
July 1714 		Concerto for solo keyboard (10/16) C min. Keyboard 42: 59 V/11: 90 after Marcello, B., Op. 1 No. 2 01159
982 8. July 1713–
July 1714 		Concerto for solo keyboard (11/16) B♭ maj. Keyboard 42: 59 V/11: 100 after J. E. of Saxe-Weimar, Op. 1 No. 1 01160
983 8. July 1713–
July 1714 		Concerto for solo keyboard (12/16) G min. Keyboard 42: 59 V/11: 110 after unknown model 01161
984 8. July 1713–
July 1714 		Concerto for solo keyboard (13/16) C maj. Keyboard 42: 59 V/11: 118 after J. E. of Saxe-Weimar, lost Concerto; → BWV 595 01162
985 8. July 1713–
July 1714 		Concerto for solo keyboard (14/16) G min. Keyboard 42: 59 V/11: 128 after Telemann, TWV 51:g1[66] 01163
986 8. July 1713–
July 1714 		Concerto for solo keyboard (15/16) G min. Keyboard 42: 59 V/11: 137 after unknown model 01164
987 8. July 1713–
July 1714 		Concerto for solo keyboard (16/16) D min. Keyboard 42: 59 V/11: 142 after J. E. of Saxe-Weimar, Op. 1 No. 4 01165
988 8. 1741–1742 Goldberg Variations (Clavier-Übung IV) G maj. Harpsichord 3: 263 V/2: 69 → BWV 1087 01166
988/1 8. c.1740? (AMB) Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations G maj. Harpsichord 3: 263 V/4: 103 → BWV 1087 01166
989 8. 1707–1713 Aria variata A min. Keyboard 36: 203 V/10: 21 in Andreas-Bach-Buch 01167
991 8. 1722 Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) C min. Keyboard 432: 4 V/4: 40 01169
992 8. 1704–1707 Capriccio on the departure of a beloved brother B♭ maj. Keyboard 36: 190 V/10: 3 in Möllersche Handschrift 01170
993 8. c.1705 Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis [scores] E maj. Keyboard 36: 197 V/10: 12 in SBB P 804 01171
994 8. 1720 Klavierbüchlein WFB No. 1: Applicatio C maj. Keyboard 36: 237
451:214 		V/5: 4 01172
9. Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) Up ↑
995 9. Fall 1727 – Winter 1731 Suite for lute G min. Lu V/10: 81 after BWV 1011[67][68][69]
[70][71][72][73][74][75]
[76][77][78][79][80][81] 		01173
996 9. 1710–1717 (JGW) Suite for lute E min. Lu (Lw?) 451: 149 V/10: 94 in SBB P 801, pp. 385–395[82][83]
[73][75][76][84][85][86] 		01174
997.1 9. 1720–1739 Suite (1st version) C min. Lw 451: 156 V/10: 102 in SBB P 650; → BWV 997.2[70][73][87]
[75][76][80][81][84][85] 		01175
997.2 9. 1720–1739 Suite (2nd version) C min. Lu 451: 156 V/10: 102 in D LEm III 11.5; after BWV 997.1[70][73][87]
[75][76][80][81][84][85] 		11576
998 9. 1735–1745 Prelude, Fugue and Allegro E♭ maj. Lu (or) Hc 451: 141 V/10: 114 [73][88][89]
[74][75][76][81][85][90] 		01176
999 9. 1717–1723 Prelude for lute (Twelve Little Preludes No. 3) C min. Lu 36: 119 V/10: 122 in SBB P 804, pp. 101–103[91][73][75][92][93] 01177
1000 9. after 1720 Fugue G min. Lu V/10: 124 after BWV 1001/2; → 539/2; in MB Lpz III.11.4[70][87]
[73][75][80][81][84][94] 		01178
1006.2 9. c.1736–1737 Suite E maj. Lu? 42: 16 V/10: 134 after BWV 1006.1[68][73][95]
[75][81][90][96][97][98] 		01185

Other keyboard and lute compositions

[edit]

Canons (BWV 1072–1078)

[edit]
Further information: List of compositions by Johann Sebastian Bach § Canons (1072–1078)

Late contrapuntal works (BWV 1079–1080)

[edit]
See also: List of compositions by Johann Sebastian Bach § Late contrapuntal works (1079–1080)

Spurious and doubtful works in Anna Magdalena's Notebooks (BWV Anh. 113–132)

[edit]
Further information: Notebook for Anna Magdalena Bach

Piano transcriptions

[edit]
Further information: List of transcriptions of compositions by Johann Sebastian Bach

References

[edit]
  1. ^ Series V: Keyboard and Lute Works at the Bärenreiter website
  2. ^ Dürr & Kobayashi 1998.
  3. ^ Eichberg 1976, pp. 47–49.
  4. ^ "Work 959". Bach Digital. Leipzig: Bach Archive; et al.
  5. ^ "Work 962". Bach Digital. Leipzig: Bach Archive; et al.
  6. ^ a b Eichberg 1976, pp. 8–11.
  7. ^ "Work 973". Bach Digital. Leipzig: Bach Archive; et al.
  8. ^ a b Eichberg 1976, p. 12.
  9. ^ "Work 974". Bach Digital. Leipzig: Bach Archive; et al.
  10. ^ "Work 975". Bach Digital. Leipzig: Bach Archive; et al.
  11. ^ "Work 976". Bach Digital. Leipzig: Bach Archive; et al.
  12. ^ "Work 977". Bach Digital. Leipzig: Bach Archive; et al.
  13. ^ Eichberg 1976, pp. 18–19.
  14. ^ a b c Eichberg 1976, pp. 20–29.
  15. ^ "Work 1005". Bach Digital. Leipzig: Bach Archive; et al.
  16. ^ "Work 1065". Bach Digital. Leipzig: Bach Archive; et al.
  17. ^ "Work 1066". Bach Digital. Leipzig: Bach Archive; et al.
  18. ^ "Work 1067". Bach Digital. Leipzig: Bach Archive; et al.
  19. ^ a b Eichberg 1976, p. 45.
  20. ^ "Work 1078". Bach Digital. Leipzig: Bach Archive; et al.
  21. ^ "Work 1079". Bach Digital. Leipzig: Bach Archive; et al.
  22. ^ "Work 1080". Bach Digital. Leipzig: Bach Archive; et al.
  23. ^ "Work 1092". Bach Digital. Leipzig: Bach Archive; et al.
  24. ^ "Work 1096". Bach Digital. Leipzig: Bach Archive; et al.
  25. ^ Eichberg 1976, pp. 8–25.
  26. ^ "Work 1097". Bach Digital. Leipzig: Bach Archive; et al.
  27. ^ BWV2a (1998) P. 391
  28. ^ Alfred Dörffel, editor. BGA Vol. 451 (1897), pp. 213–231
  29. ^ Wolfgang Plath, editor. New Bach Edition, Series V: Keyboard and Lute Works, Volume 5: Klavierbüchlein für Wilhelm Friedemann. Bärenreiter (1962, 21973, 31981).
  30. ^ "Work 1098". Bach Digital. Leipzig: Bach Archive; et al.
  31. ^ "Work 1099". Bach Digital. Leipzig: Bach Archive; et al.
  32. ^ "Work 1100". Bach Digital. Leipzig: Bach Archive; et al.
  33. ^ "Work 1101". Bach Digital. Leipzig: Bach Archive; et al.
  34. ^ "Work 1102". Bach Digital. Leipzig: Bach Archive; et al.
  35. ^ "Work 1103". Bach Digital. Leipzig: Bach Archive; et al.
  36. ^ "Work 1104". Bach Digital. Leipzig: Bach Archive; et al.
  37. ^ "Work 1105". Bach Digital. Leipzig: Bach Archive; et al.
  38. ^ "Work 1106". Bach Digital. Leipzig: Bach Archive; et al.
  39. ^ "Work 1107". Bach Digital. Leipzig: Bach Archive; et al.
  40. ^ Ernst Naumann. "Vorwort" (Preface) in BGA Vol. 36 (1890), p. LX
  41. ^ "Work 1114". Bach Digital. Leipzig: Bach Archive; et al.
  42. ^ "Work 1115". Bach Digital. Leipzig: Bach Archive; et al.
  43. ^ "Work 1116". Bach Digital. Leipzig: Bach Archive; et al.
  44. ^ "Work 1117". Bach Digital. Leipzig: Bach Archive; et al.
  45. ^ "Work 1118". Bach Digital. Leipzig: Bach Archive; et al.
  46. ^ Eichberg 1976, pp. 7–17.
  47. ^ "Work 1120". Bach Digital. Leipzig: Bach Archive; et al.
  48. ^ "Work 1133". Bach Digital. Leipzig: Bach Archive; et al.
  49. ^ "Work 1135". Bach Digital. Leipzig: Bach Archive; et al.
  50. ^ Eichberg 1976, pp. 17–19.
  51. ^ "Work 1137". Bach Digital. Leipzig: Bach Archive; et al.
  52. ^ "Work 1139". Bach Digital. Leipzig: Bach Archive; et al.
  53. ^ a b Eichberg 1976, pp. 29–42.
  54. ^ "Work 1146". Bach Digital. Leipzig: Bach Archive; et al.
  55. ^ "Work 11148". Bach Digital. Leipzig: Bach Archive; et al.
  56. ^ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
  57. ^ Eichberg 1976, pp. 42–47.
  58. ^ Ripin, Edwin M. & Wraight, Denzil (2001). "Lute-harpsichord". In Sadie, Stanley & Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.‎
  59. ^ Bach-Gesellschaft Ausgabe, .../Prefaces, .../Thematic Catalogue: documentation and facsimiles at the International Music Score Library Project
  60. ^ Neue Bach-Ausgabe: documentation at the International Music Score Library Project
  61. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach) at Bach Digital.
  62. ^ RISM 467300920
  63. ^ RISM 467300939
  64. ^ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f
  65. ^ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
  66. ^ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www.crescendo-music.com
  67. ^ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)
  68. ^ a b Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)
  69. ^ MB Lpz III. 11. 3
  70. ^ a b c d Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)
  71. ^ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff
  72. ^ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244
  73. ^ a b c d e f g h Henning 1987.
  74. ^ a b Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg
  75. ^ a b c d e f g h Radke. Fs Engel, pp. 271ff
  76. ^ a b c d e Schulze, Dok III
  77. ^ Schulze. Mf 1968, pp. 203f
  78. ^ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff
  79. ^ Schulze. St
  80. ^ a b c d Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff
  81. ^ a b c d e f Siegele Diss
  82. ^ Beißwenger, Acht Präl: 27
  83. ^ Dömling/Kohlhase, AcM 1971: 108f
  84. ^ a b c d Schulze St
  85. ^ a b c d Spitta I: 768; II: 646
  86. ^ Wiemer, BJ 1987: 29ff
  87. ^ a b c Dreyfus Cont Gr
  88. ^ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff
  89. ^ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff
  90. ^ a b Kobayashi Chr
  91. ^ Neemann 1931.
  92. ^ Badura-Skoda
  93. ^ Spitta I: 663
  94. ^ Kilian, Mf 1961: 323 (regarding BWV 539)
  95. ^ Dadelsen TBSt 4/5
  96. ^ Hofmann, Fs Scheide: 14~154
  97. ^ Spitta I: 707
  98. ^ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff

Sources

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