James Bernard of Entertainment Weekly praised both Treach and Vinnie for their commanding presence throughout the track listing and felt the record was prime for summer replays, saying "Dominated by rollicking bass lines, chant-along choruses, and the catchy, tight rhyme schemes that are Naughty’s trademark, Poverty is tailor-made for low driving on the beach."[3]AllMusic's Stephen Thomas Erlewine said that "[F]or their third album, Naughty By Nature do little to truly change their style. Some of the beats are little slower and funkier, some of the rhymes are more dexterous, some of the rhythms are a little more complex -- yet nothing distinguishes Poverty's Paradise from the group's two previous, and superior, records."[9] Martin Johnson of the Chicago Tribune said about the album: "Yes, there are many radio-friendly anthemic numbers that could make a nifty summer soundtrack, but the real strength of this record is its consistency; there are no weak spots. Most tracks roll by with New Jersey-styled funk and rollicking rhymes from Treach and Kay Gee, whose lyrics depict the 'hood without romanticizing it."[1]Cheo H. Coker, writing for Rolling Stone, gave note of the record following the same formula as the group's previous efforts: "a few party-starting tracks ("Clap Yo Hands," "Craziest"), some social commentary ("Chain Remains," "Holding Fort") and a barrage of lyrical fury ("Klickcow, Klicow," "Respect Due")", but said that it retains their "sheer funkability" thanks to the "production stylistics" of Kay Gee's work, Vinnie's "improved rhyme skills," and Treach remaining consistent in his vocal conviction, saying "there's emotional substance behind the flashy verbal pyrotechnics."[6]
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