Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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Léal Souvenir, oil on oak, 33.3 cm × 18.9 cm. National Gallery, London

Léal Souvenir (also known as Timotheus or Portrait of a Man) is a small oil-on-oak panel portrait by the Early Netherlandish painter Jan van Eyck, dated 1432. The sitter has not been identified, but his highly individual features suggest a historical person rather than the hypothetical ideal usual at the time in northern Renaissance portraiture; his slight and unassuming torso is contrasted with a sophisticated facial expression. His features have been described as "plain and rustic", yet thoughtful and inward-looking. A number of art historians, including Erwin Panofsky, have detected mournfulness in his expression. The sitter was apparently significant enough a member of the Burgundian duke Philip the Good's circle that his court painter portrayed him.

The man sits before an imitation parapet with three sets of painted inscriptions, each rendered to look as if chiselled or scratched into stone. Van Eyck did not have full command of either classical Greek or Latin and made errors, so readings by modern scholars vary. The first inscription is in Greek and seems to spell "TYΜ.ωΘΕΟϹ", which has not been satisfactorily interpreted but has led some to title the work Timotheus. The middle reads in French "Leal Souvenir" ("Loyal Memory") and indicates that the portrait is a posthumous commemoration. The third records van Eyck's signature and the date of execution. The 19th-century art historian Hippolyte Fierens-Gevaert identified the lettering "TYΜ.ωΘΕΟC" with the Greek musician Timotheus of Miletus. Panofsky drew the same conclusion, eliminating other Greeks bearing the name Timothy; they were of religious or military background, professions that do not match the civilian dress of the sitter. Panofsky believed the man was probably a highly placed musician in Philip's court, possibly Gilles Binchois. (Full article...)
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Twilight in the Wilderness by Frederic Edwin Church
Twilight in the Wilderness by Frederic Edwin Church
Twilight in the Wilderness by Frederic Edwin Church
Credit: Artchive
Frederic Edwin Church, whose Twilight in the Wilderness is shown here, was a central figure in the Hudson River School of American landscape painters.

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When I've painted a woman's behind so that I want to touch it, then it's finished!
Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646.


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Self-portrait, circa 1845

Paul Kane (September 3, 1810 – February 20, 1871) was an Irish-born Canadian painter whose paintings and especially field sketches were known as one of the first visual documents of Western indigenous life.

A largely self-educated artist, Paul Kane grew up in York, Upper Canada (now Toronto) and trained himself by copying European masters on a "Grand Tour" study trip through Europe. He undertook two voyages through the Canadian northwest in 1845 and from 1846 to 1848. The first trip took him from Toronto to Sault Ste. Marie and back. Having secured the support of the Hudson's Bay Company, he set out on a second, much longer voyage from Toronto across the Rocky Mountains to Fort Vancouver (present-day Vancouver, Washington) and Fort Victoria (present day Victoria, British Columbia). (Full article...)
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