Portal:Record production

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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console

P:RECORD

This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.

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Dion in 2012

Céline Marie Claudette Dion (/seɪˌliːn diˈɒn/ say-LEEN dee-ON, French: [selin maʁi klodɛt djɔ̃]; born 30 March 1968) is a Canadian singer. Referred to as the "Queen of Power Ballads", she has powerful and technically skilled vocals. Her music has incorporated genres such as pop, rock, R&B, chanson, and classical music. Her recordings have been mainly in English and French, although she has also sung in several other languages including Japanese, Italian, German, Mandarin, Spanish and Neapolitan.

Born into a large family in Charlemagne, Quebec, Dion was discovered by her future manager and husband, René Angélil, and emerged as a teen star in her home country with a series of French-language albums during the 1980s. She gained international recognition by winning the 1988 Eurovision Song Contest, where she represented Switzerland with the song "Ne partez pas sans moi". Her debut English-language album, Unison (1990), established her as a viable pop artist primarily in North America and several English-speaking markets, while The Colour of My Love (1993) gave her global success. Dion continued her success throughout the 1990s with several of the best-selling albums in history, such as Falling into You (1996) and Let's Talk About Love (1997), which were both certified diamond in the U.S. She has accumulated a catalog of numerous high-charting tracks, including "Beauty and the Beast", "The Power of Love", "Think Twice", "To Love You More", "Because You Loved Me", "It's All Coming Back to Me Now", "All by Myself", "I'm Your Angel", "That's the Way It Is", "I'm Alive" and "My Heart Will Go On", the theme for the 1997 film Titanic. (Full article...)
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Sky Blue Sky is the sixth studio album by the American rock band Wilco, released on May 15, 2007 by Nonesuch Records. Originally announced on January 17, 2007 at a show in Nashville, Tennessee, it was the band's first studio album with guitarist Nels Cline and multi-instrumentalist Pat Sansone. Before its release, the band streamed the entire album on its official website and offered a free download of "What Light". (Full article...)
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Me and Juliet is a musical with music by Richard Rodgers, and lyrics and book by Oscar Hammerstein II. The sixth stage collaboration by Rodgers & Hammerstein, it tells a story of romance backstage at a long-running musical: assistant stage manager Larry woos chorus girl Jeanie behind the back of her electrician boyfriend, Bob. Me and Juliet premiered in 1953 and was considered a modest success — it ran for much of a year on Broadway and had a limited run in Chicago (altogether nearly 500 performances), and returned a small profit to its backers.

Rodgers had long wanted to write a musical comedy about the cast and crew backstage at a theatre. After Rodgers and Hammerstein had another hit with The King and I in 1951, Rodgers proposed the backstage project to his partner. Hammerstein was unenthusiastic, thinking the subject matter trivial, but agreed to do the project. The play required complex machinery, designed by Jo Mielziner, so that the audience could view action not only on the stage of the theatre where the show-within-the-show (also named Me and Juliet) takes place, but in the wings and on the light bridge (high above the stage, from which the lighting technicians train spotlights) as well. (Full article...)
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Side A of retail US single

"Like a Rolling Stone" is a song by the American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited as its opening track.

During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in ³
₄ time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff for which the track is known. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached No. 2 in the US Billboard charts (No. 1 in Cashbox) and became a worldwide hit. (Full article...)
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Melodifestivalen (Swedish pronunciation: [mɛlʊˈdîːfɛstɪˌvɑːlɛn]; lit. 'the Melody Festival') is an annual song competition organised by Swedish public broadcasters Sveriges Television (SVT) and Sveriges Radio (SR). It determines the country's representative for the Eurovision Song Contest, and has been staged almost every year since 1959. In the early 2000s, the competition was the most popular television program in Sweden; it is also broadcast on radio and the Internet. In 2012, the heats averaged 3.3 million viewers, and over an estimated four million people in Sweden watched the final, almost half of the Swedish population.

The festival has produced seven Eurovision winners and 26 top-five placings for Sweden in the contest. The winner of Melodifestivalen has been chosen by panels of jurors since its inception. Since 1999, the juries have been joined by a public telephone vote which has an equal influence over the outcome. The competition makes a considerable impact on the music charts in Sweden. (Full article...)
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Freak Out! is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was the second rock music double album ever released, following Bob Dylan's Blonde on Blonde just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.

The album was produced by Tom Wilson, who signed the Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the band to a record deal under the impression that they were a white blues band. The album features Zappa on vocals and guitar, along with lead vocalist/tambourine player Ray Collins, bass player/vocalist Roy Estrada, drummer/vocalist Jimmy Carl Black and guitar player Elliot Ingber (later of Captain Beefheart's Magic Band, performing there under the pseudonym "Winged Eel Fingerling"). (Full article...)
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Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 20, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject.

Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked Reign in Blood at #6. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time. (Full article...)
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By the Way is the eighth studio album by the American rock band Red Hot Chili Peppers, released July 9, 2002, on Warner Bros. Records. It sold more than 286,000 copies in its first week, and peaked at number two on the Billboard 200. Singles included "By the Way", "The Zephyr Song", "Can't Stop" and "Universally Speaking". Additionally, "Dosed" was released as a promotional single in the US and Canada. The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Red Hot Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics.

By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-metal fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. The album has come to be regarded by many as one of the band's most finest works. (Full article...)
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Alex Chilton (left) and Jody Stephens (right) performing in Hyde Park, London, England in 2009

Big Star was an American rock band formed in Memphis, Tennessee in 1971 by Alex Chilton (vocals, guitar), Chris Bell (vocals, guitar), Jody Stephens (drums), and Andy Hummel (bass). They have been described as the "quintessential American power pop band", and "one of the most mythic and influential cult acts in all of rock & roll". In its first era, the band's musical style drew influence from 1960s acts such as the Beatles and the Byrds, pioneering a style that foreshadowed the alternative rock of the 1980s and 1990s. Before they broke up, Big Star created a "seminal body of work that never stopped inspiring succeeding generations" according to Rolling Stone. Three of Big Star's studio albums are included in Rolling Stone's lists of the "500 Greatest Albums of All Time".

Big Star's debut album, 1972's #1 Record, was met with enthusiastic reviews, but ineffective marketing by Stax Records and limited distribution stunted its commercial success. Frustration took its toll on band relations: Bell left not long after the first record's commercial progress stalled, and Hummel left to finish his college education after a second album, Radio City, was completed in December 1973. Like #1 Record, Radio City received critical acclaim upon release, but label issues again thwarted sales—Columbia Records, which had assumed control of the Stax catalog, likewise effectively vetoed its distribution. (Full article...)
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Sasha performing in August 2006

Alexander Paul Coe (born 4 September 1969), known professionally as Sasha, is a Welsh DJ and record producer. He is best known for his live events and electronic music as a solo artist, as well as his collaborations with British DJ John Digweed as Sasha & John Digweed. He was voted as World No.⁠ ⁠1 DJ in 2000 in a poll conducted by DJ Magazine. He is a four-time International Dance Music Awards winner, four-time DJ Awards winner and Grammy Award nominee.

Sasha began his career playing acid house music in the late 1980s. He partnered with John Digweed in 1993, touring internationally and producing a series of mix albums (compilations of other artists' work played in a continuous fashion). (Full article...)
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Pyotr Ilyich Tchaikovsky (top left) and The Five (counter-clockwise from bottom left): Mily Balakirev, César Cui, Alexander Borodin, Modest Mussorgsky, and Nikolai Rimsky-Korsakov

In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.

As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
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Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests for the next three months. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian military band that formed the impetus of the Sgt. Pepper concept. For this project, they continued the technological experimentation marked by their previous album, Revolver (1966), this time without an absolute deadline for completion. Sessions began on 24 November at EMI Studios with compositions inspired by the Beatles' youth, but after pressure from EMI, the songs "Strawberry Fields Forever" and "Penny Lane" were released as a double A-side single in February 1967 and left off the LP. The album was then loosely conceptualised as a performance by the fictional Sgt. Pepper band, an idea that was conceived after recording the title track. (Full article...)

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... that when Divine's song "Lately" topped the Billboard Hot 100 in 1998, it became the first number-one single for the performers, the songwriters, the producers, and the record labels?
... that one critic interpreted a SZA song as being about her fears about the growing influence of AI in the music industry?
... that Light Vessel 95 is now a recording studio?
... that until the release of the documentary Predator: The Secret Scandal of J-Pop, sexual abuse claims involving record producer Johnny Kitagawa went widely unreported in Japanese media?
... that to promote the Buffalo Club, Rising Tide Records sent packages of plastic buffalo to music industry executives in Nashville?
... that according to Billboard magazine, Laufey created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?

Born this day

Birthdays in Music: January 7

Leona Williams, (born Leona Belle Helton) American bassist for Loretta Lynn (see also Helton Family Band), turns 82.
Mike McCartney, (born Peter Michael McCartney) Brit vocalist with The Scaffold, turns 81.
Dave Cousins, Brit frontman for Strawbs, turns 80.
Jann Wenner, American publisher of Rolling Stone magazine, turns 79.
Kenny Loggins, (born Kenneth Clark Loggins) American singer and songwriter, turns 77.
Marshall Chapman, American singer-songwriter, turns 76.
Kathy Valentine, American bassist with The Go-Go's, turns 66.
David Lee Murphy, American country music singer, turns 66.
Clint Mansell, Brit guitarist, Pop Will Eat Itself, turns 62.
Christine Tobin, Irish jazz singer, turns 62.
John Colianni, American jazz pianist, turns 62.
Five for Fighting, born Vladimir John Ondrasik III, American singer-songwriter, turns 60.
Jonna Tervomaa, Finnish pop music singer, turns 52.
John Rich, American bassist and vocalist of Lonestar, Big & Rich fame, turns 51.
Ivan Moody, American singer and songwriter with Five Finger Death Punch, turns 45.
Hardwell, (born Robbert van de Corput) Dutch EDM producer and DJ, turns 37.

Earl Lindo (Record production, 1953 –September 04, 2017), Jamaican keyboardist with Bob Marley and The Wailers, would have turned 72 this year.
Juan Gabriel (Record production, 1950–August 28, 2016), Mexican singer and songwriter, would have turned 75 this year.
Danny Williams (Record production, 1942 –December 06, 2005), South African singer, would have turned 83 this year.
Iona Brown (Record production, 1941 –June 05, 2004), Brit conductor and violinist, would have turned 84 this year.
Rory Storm (Record production, 1938 –February 02, 1972), (born Alan Caldwell) British singer, would have turned 87 this year.
Paul Revere (Record production, 1937–October 04, 2014), (born Paul Revere Dick) American keyboardist of Paul Revere & the Raiders fame, would have turned 88 this year.
Eldee Young (Record production, 1936 –February 12, 2007), American bass player, would have turned 89 this year.
Kenny Davern (Record production, 1935 –December 12, 2006), American clarinetist, would have turned 90 this year.
Tommy Johnson (Record production, 1935 –October 16, 2006), American session musician (tuba), would have turned 90 this year.
Don Payne (Record production, 1933–February 25, 2017), American bass player, would have turned 92 this year.
Jack Greene (Record production, 1930–March 14, 2013), American country music singer, would have turned 95 this year.
Dave Schildkraut (Record production, 1925 –January 01, 1998), American alto saxophonist, would have turned 100 this year.
Sam Woodyard (Record production, 1925 –September 20, 1988), American drummer, would have turned 100 this year.
Jean-Pierre Rampal (Record production, 1922 –May 20, 2000), French flautist, would have turned 103 this year.
Keg Purnell (Record production, 1915 –June 25, 1965), American sideman (drummer), would have turned 110 this year.
Chano Pozo (Record production, 1915 –February 12, 1948), (born Luciano Gonzales) Cuban percussionist, would have turned 110 this year.
Red Allen (Record production, 1908 –April 17, 1967), (born Henry Allen) American trumpeter, would have turned 117 this year.
Herb Magidson (Record production, 1906 –January 02, 1986), American lyricist, would have turned 119 this year.
Francis Poulenc (Record production, 1899 –January 30, 1963), French composer with Les Six, would have turned 126 this year.
Al Bowlly (Record production, 1898 –April 17, 1941), Mozambique-born vocalist, would have turned 127 this year.
Emanuil Manolov (Record production, 1860 –February 02, 1902), Bulgarian composer, would have turned 165 this year.

List of musical events • Anniversaries • More birthdays...

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.

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Invincible is the tenth and final studio album by the American singer Michael Jackson, released on October 30, 2001, by Epic Records. It was Jackson's last album before his death in 2009. It features appearances from Carlos Santana, the Notorious B.I.G., Fats, and Slash. It incorporates R&B, pop and soul, and similarly to Jackson's previous material, the album explores themes such as love, romance, isolation, media criticism, and social issues. Sales of Invincible are estimated at 8 and 10 million copies, according to different sources.

The album's creation was expensive and laborious, featuring the work of ten record producers and over 100 musicians. Jackson started the multi-genre production in 1997 and did not finish until eight weeks before the album's release. It was reported that it cost $30 million to record; as of July 2024, it remains the most expensive album ever made. Jackson refused to tour to support it, adding to the growing rift between him and Sony Music Entertainment. In July 2002, following Sony's decision to abruptly end promotion for the album, Jackson alleged that the CEO of Sony Music, Tommy Mottola, was a "devil" and a racist who used his African American artists only for personal gain. (Full article...)
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Beautiful Eyes is the second extended play (EP) by the American singer-songwriter Taylor Swift. It was released as a Walmart exclusive on July 16, 2008, by Big Machine Records. In later years, after the MP3 service got closed down, Walmart transferred the rights to Amazon for their Amazon MP3 service, where it remains exclusively available.

Beautiful Eyes has a primarily country pop sound. It consists of alternate versions of tracks from Swift's 2006 debut album Taylor Swift and two original tracks—"Beautiful Eyes" and "I Heart ?"—which Swift had composed as early as 2006. The physical edition of the EP also features a DVD including music videos of singles from Swift's 2006 album. (Full article...)
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Not Your Kind of People is the fifth studio album by American rock band Garbage. It was released on May 11, 2012, through the band's own record label, Stunvolume. The album marks the return of the band after a seven-year hiatus that started with previous album Bleed Like Me. Guitarist Duke Erikson said at the launch of the record that "working with Garbage again was very instinctual. Like getting on a bicycle...with three other people." The band emphasized that they did not want to reinvent themselves, but embrace their sonic identity, reflecting their classic sound whilst updating it for 2012. Although Shirley Manson's morose dispositions have a presence on the record, many of the songs share a more optimistic outlook on life, influenced by some of Manson's personal experiences during their hiatus.

Recorded mostly at various recording studios in California, Not Your Kind of People was produced by Garbage, and was engineered and mixed by Billy Bush. The album contains bass guitar parts recorded by Justin Meldal-Johnsen while Finnish actress Irina Björklund performs the musical saw on one track. Both daughters of band-members Steve Marker and Butch Vig laid down vocals on the album's title track. Photos for the album package were shot by Autumn de Wilde at the Paramour Mansion in Silver Lake, Los Angeles. (Full article...)
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Desde un Principio: From the Beginning is a greatest hits album from American recording artist Marc Anthony. The album was released on November 9, 1999, by RMM Records & Video (RMM). It was a result of Anthony leaving RMM Records and signing on with Columbia Records. The recording contains fourteen tracks from his years with RMM and "No Me Ames" by Jennifer Lopez and Anthony.

Allmusic's Jose Promis praised Desde un Principio: From the Beginning, calling the album an "ideal introduction" to the artist, although he complained about the songs on it being "truncated", particularly towards the end. The album received a Billboard Latin Music Award for Latin Greatest Hits Album of the Year. Desde un Principio: From the Beginning reached number one on both the Billboard Top Latin Albums and the Billboard Tropical Albums charts, and became the best-selling album of 2000 on both charts. The album was certified gold by the Recording Industry Association of America (RIAA) after shipments reached 500,000 copies. (Full article...)
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Almendra (pronounced [alˈmendɾa]; Spanish for "almond") is the self-titled debut studio album by Argentine rock band Almendra which was released in 1969 on Vik, a subsidiary of RCA Victor. To distinguish it from the band's next release, Almendra II, it is also known as Almendra I. The album represented the first full-length musical endeavour of nineteen-year-old Luis Alberto Spinetta, having formed the band in the mid 1960s along with Emilio del Guercio, Edelmiro Molinari and Rodolfo García. The famous artwork, showing a crying man with a toy arrow stuck on his head, was designed by Spinetta to embody the different lyrical themes of the album.

By the late 1960s, the nueva ola phenomenon was losing popularity and Los Gatos' debut single, "La balsa", had catapulted the emergence of Argentine rock. The success of Los Gatos paved the way for Manal and Almendra; the three groups are considered the foundational trilogy of Argentine rock, singing serious and artistic songs in Spanish at a time when this was discouraged. Spinetta's lyricism has been celebrated for its poetry, surrealism and idiosyncratic use of grammar and accent. Almendra incorporated musical influences from the Beatles, jazz, and Argentine music such as tango and folk music. (Full article...)
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Weezer (commonly known as the Blue Album) is the debut studio album by the American rock band Weezer, released on May 10, 1994, by DGC Records. It was produced by Ric Ocasek of the Cars.

Weezer formed in Los Angeles in 1992, and initially struggled to engage audiences, who were more interested in grunge. In November, they recorded a demo, The Kitchen Tape, which brought them to the attention of DGC owner Geffen Records. Weezer selected Ocasek to produce because of his work with the Cars. Most of the album was recorded at Electric Lady Studios in New York City between August and September 1993. The group treated the guitars and bass as a single, 10-string instrument, playing in unison. Guitarist Jason Cropper was fired during recording, as the band felt he was threatening their chemistry; he was replaced by Brian Bell. (Full article...)
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Udaan (transl. Flight) is a 2010 Indian Hindi-language coming-of-age drama film directed by Vikramaditya Motwane in his directorial debut. It was produced by Sanjay Singh, Anurag Kashyap, and Ronnie Screwvala under their production companies Anurag Kashyap Films and UTV Spotboy, respectively. Written by Motwane and Kashyap, the film stars debutante Rajat Barmecha, Ronit Roy, Aayan Boradia, Ram Kapoor, Manjot Singh, and Anand Tiwari. It follows the story of a teen who is forced to live with his oppressive father back home after he is expelled from boarding school.

Motwane wrote the script in 2003, but could not find a producer. He co-wrote Kashyap's Dev.D (2009), and Kashyap produced and co-wrote Udaan. The film was set and shot in the industrial town of Jamshedpur. Mahendra J. Shetty was its director of photography, and Dipika Kalra was the editor; Aditya Kanwar was the production designer. (Full article...)
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All Hope Is Gone is the fourth studio album by American heavy metal band Slipknot, released on August 26, 2008 by Roadrunner Records. The album was published in two versions: the standard album in a CD case and a special edition packaged in a six-fold digipak containing three bonus tracks, a 40 page booklet, and a bonus DVD with a documentary of the album's recording. With a runtime of 57 minutes and 57 seconds, it is Slipknot's second-shortest studio album behind 2022's The End, So Far. It is also the band's final studio album to feature the Iowa-era lineup with two longtime members: bassist and founding member Paul Gray, who was found dead in an Iowa hotel on May 24, 2010, almost two years after the album's release, and drummer Joey Jordison, who left the group in December 2013.

Preparation for the album began in 2007, while recording started in February 2008 in the band's home state of Iowa. Before the album's launch, Slipknot released a series of promotional images and audio samples from the album through various websites. All Hope Is Gone was considered the band's most eclectic-sounding album at the time of release, incorporating elements from their previous three. The album shows Slipknot moving away from the nu metal genre towards a groove metal style. Songs such as the opening track "Gematria (The Killing Name)" and the title track espouse the band's more brutal, death metal-influenced edge, reminiscent of songs such as "(sic)" from their debut self-titled album; slow burning, "trippy" elements such as "Gehenna", recalling "Skin Ticket" from their second album Iowa; and more tragic, sentimental tracks such as "Dead Memories" and "Snuff". Lyrically, All Hope Is Gone centers on themes such as anger, disaffection, obsession, and the music industry. The album name also features a more prominent focus on politics than their previous albums. Slipknot promoted All Hope Is Gone on a world tour and at the Mayhem Festival. Generally well received by critics, the album reached the top position on nine record charts worldwide, including the Billboard 200—the first Slipknot album to do so. It was certified platinum by the RIAA on August 10, 2010 for shipments in excess of 1,000,000 albums in the United States. (Full article...)
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Enjoy Yourself is the second studio album by Australian recording artist Kylie Minogue, released on 9 October 1989 in the United Kingdom by Pete Waterman Entertainment (PWE), and in Australia on 6 November by Mushroom Records. In the United States, it was released in January 1990 by Geffen Records. Following the success of her self-titled debut album, Minogue reunited with the producers Stock Aitken Waterman, who produced and wrote nine of the album's ten tracks, in London in February 1989. The recording sessions took place there from February until July, coinciding with Minogue filming her first feature film The Delinquents.

Enjoy Yourself is a bubblegum pop, dance-pop, and disco album that mainly discusses romantic relationships. It received mixed reviews from music critics, who criticised its similarity with her debut release. In the United Kingdom, it debuted at number one with pre-sales of over 600,000 copies and became the sixth best-selling album of 1989. The album was certified four times platinum by the British Phonographic Industry (BPI) in January 1990. It also peaked at number one in Ireland and within the top ten in Australia, Japan and New Zealand. It failed to find an audience in the United States, and Minogue was dropped as an act by Geffen Records. (Full article...)
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All Hours is the sixth and final studio album by American band Ivy, released by Nettwerk on September 20, 2011. Following 2005's In the Clear, the members took a hiatus from music, allowing Andy Chase and Adam Schlesinger to work on side projects and Dominique Durand and Chase to begin raising a family. After reuniting in 2008, they started work on a project exploring a new sound following concerns that their songs would become obsolete and unimaginative due to their break. All Hours features 11 songs written and produced by Chase and Schlesinger; they take influence from electropop, indie pop and synth-pop music. Unlike their previous albums, All Hours experiments more with electronic music and contains tracks reminiscent of the music from the 1980s.

All Hours received mixed reviews from music critics; although several applauded Ivy for exploring a new sound, several of the songs on the album were described as boring and overly simple. "Distant Lights", "Fascinated" and "Lost in the Sun" were released as the album's three singles. The latter two songs were accompanied by music videos. In addition, a contest was held for fans to create a remix for "Lost in the Sun". All Hours became Ivy's first album to enter a record chart in the United States, where it peaked at No. 12 on Billboard's Dance/Electronic Albums chart and No. 25 on the Heatseekers Albums chart. (Full article...)
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A Dramatic Turn of Events is the eleventh studio album by American progressive metal band Dream Theater, released worldwide in September 2011 through Roadrunner Records. It is the band's first recording to feature drummer Mike Mangini, following the departure of founding member Mike Portnoy in September 2010. The album was written, recorded, mixed, and mastered between January and June 2011 at Cove City Sound Studios in Long Island, New York. It was produced by guitarist John Petrucci and mixed by Andy Wallace. Two singles, "On the Backs of Angels" and "Build Me Up, Break Me Down", were released in promotion of the album.

For A Dramatic Turn of Events, Dream Theater underwent a self-proclaimed musical change, reevaluating and restructuring themselves. The album has drawn stylistic comparisons to two of the band's past albums, Images and Words (1992) and Metropolis Pt. 2: Scenes from a Memory (1999). Many songs on the album were written with a specific purpose in mind as Petrucci, one of the album's primary composers, felt a sense of responsibility to fans following Portnoy's departure. The album's title was derived from its recurring lyrical themes of dramatic changes in history that have affected people's lives, including contemporary uprisings such as the Libyan Civil War. (Full article...)
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Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry. (Full article...)

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General images - load new batch

The following are images from various record production-related articles on Wikipedia.

Image 1Home studio setup (from Recording studio)
Image 2A selection of instruments at a music studio, including a grand piano (from Recording studio)
Image 3Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
Image 4The studio at Ridge Radio in Caterham, England (from Recording studio)
Image 5Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip-hop production)
Image 6Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)
Image 7The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)
Image 8Korg D888 eight-track digital recorder (from Multitrack recording)
Image 9Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
Image 10Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Image 11The Siemens Studio for Electronic Music c. 1956. (from Recording studio)
Image 12Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)
Image 13The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Image 14Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)
Image 15Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
Image 16Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)

Featured lists - load new batch

Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.

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The UK Singles Chart is the official record chart in the United Kingdom. Prior to 1969 there was no official singles chart; however, The Official Charts Company and Guinness' British Hit Singles & Albums regard the canonical sources as New Musical Express (NME) before 10 March 1960 and Record Retailer from then until 15 February 1969 when Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) to compile the charts. The choice to use Record Retailer as the canonical source for the 1960s has been contentious because NME (which continued compiling charts beyond March 1960) had the biggest circulation of periodicals in the decade and was more widely followed.

As well as the chart compilers mentioned previously, Melody Maker, Disc and Record Mirror all compiled their own charts during the decade. Due to the lack of any official chart the BBC aggregated results from all these charts to announce its own Pick of the Pops chart. One source explains that the reason for using the Record Retailer chart for the 1960s was that it was "the only chart to have as many as 50 positions for almost the entire decade". The sample size of Record Retailer in the early 1960s was around 30 stores whereas NME and Melody Maker were sampling over 100 stores. In 1969, the first BMRB chart was compiled using postal returns of sales logs from 250 record shops. (Full article...)
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The Everly Brothers took the songs "Bye Bye Love" and "Wake Up Little Susie" to number one on both the best sellers and jockeys charts.

In 1957, Billboard magazine published three charts covering the best-performing country music songs in the United States: Most Played C&W in Juke Boxes, which had appeared in Billboard since 1944, C&W Best Sellers in Stores, which had debuted in 1948, and Most Played C&W by Jockeys, which had launched in 1949. The "C&W" used in the titles of the charts was an abbreviation for "country and western", a term which Billboard had adopted for the genre in 1949, replacing the earlier "folk music". The Juke Box chart was published for the final time in the issue of Billboard dated June 17, 1957. The other two listings merged in 1958 to form a combined chart, which since 2005 has been published as Hot Country Songs.

At the start of 1957, the number-one position on all three charts was held by "Singing the Blues" by Marty Robbins, who achieved a second number one in June with "A White Sport Coat (And A Pink Carnation)". The latter song also topped all three charts and was at number one on the final C&W juke box chart published by Billboard. Robbins was the only artist with more than one chart-topper on the juke box listing, and his total of eleven weeks in the top spot was the most by any artist on the chart. Three other acts had more than one country number one in 1957. Bobby Helms took both "Fraulein" and "My Special Angel" to the top of both the best sellers and jockeys charts; the singles were his first two chart entries but would prove to be the only country number ones of his career. The Everly Brothers also topped both charts with "Bye Bye Love" and "Wake Up Little Susie". Elvis Presley was the only act with three country number ones during the year; he reached the peak position on the juke box chart in May with "All Shook Up" and later in the year topped the best sellers chart with the double-sided entries "Teddy Bear" / "Loving You" and "Jailhouse Rock" / "Treat Me Nice". Despite their success on the other charts, none of Presley's songs topped the jockeys chart, which was based on radio airplay. Three songs topped only the jockeys chart, including "Four Walls" by Jim Reeves, which spent eight non-consecutive weeks atop the listing beginning in May, but failed to top either of the other two charts. (Full article...)
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Wynonna spent eight weeks at number one in 1992.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1992, 25 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

In early 1992, after performing with her mother in the duo The Judds since the early 1980s, Wynonna Judd, now known mononymously as Wynonna, launched her solo career and achieved immediate success. She topped the Hot Country Singles & Tracks chart with her debut single "She Is His Only Need" and followed it up before the end of the year with two more chart-toppers with "I Saw the Light" and "No One Else on Earth". The three songs spent a total of eight weeks at number one, the most by any act in 1992. Alan Jackson was the only other artist to achieve three number ones during the year, but his three chart-toppers, "Dallas", "Love's Got a Hold on You" and "She's Got the Rhythm (And I Got the Blues)", spent only four weeks in total at the top of the chart. Brooks & Dunn, Collin Raye, Garth Brooks and Vince Gill each reached number one with two songs. (Full article...)
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The official German airplay chart ranks the most frequently broadcast songs on German radio stations. In 2018, 19 different songs reached the top, based on weekly airplay data compiled by MusicTrace on behalf of Bundesverband Musikindustrie (BVMI). The radio stations are chosen based on the reach of each station. A specific number of evaluated stations is not given.

Felix Jaehn's collaboration "Like a Riddle" with Hearts and Colours & Adam Trigger was the first number one of the year. It was replaced the following week by P!nk's "Beautiful Trauma". Lost Frequencies' & Zonderling's "Crazy" dethroned P!nk after her two-week reign and topped the chart for the following five weeks. "Flames", released in March, by French DJ David Guetta and Australian singer Sia reached the top on 11 May. After eight consecutive weeks atop, it was replaced by Calvin Harris' and Dua Lipa's "One Kiss" on 29 June, which was the second best-performing song of the year and was played more than 48,000 times within 2018. Namika's "Je ne parle pas français (Beatgees Remix)", featuring Black M, was the only German and French song atop the chart in 2018 and was played 35,000 times on evaluated stations. Nico Santos' "Safe" and Alle Farben, Kelvin Jones & Younotus "Only Thing We Know" topped the chart for four weeks each in the summer. (Full article...)
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Sonny James had three number ones in 1969.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1969, 23 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 weekly issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

In the issue of Billboard dated January 4, Johnny Cash's single "Daddy Sang Bass" climbed from number 19 to the top spot, replacing "Wichita Lineman" by Glen Campbell. Cash's single remained at number one for six weeks, the longest unbroken run of the year. The singer returned to the top of the chart later in the year with "A Boy Named Sue", which spent five weeks at number one. His cumulative total of eleven weeks atop the chart was the highest by any artist in 1969. Merle Haggard, Sonny James and Buck Owens each reached number one with three different singles, the most by any act. All three of James' chart-toppers were cover versions of successful rock and roll and pop songs from the late 1950s and early 1960s; the singer achieved the majority of his more than 20 country number ones with versions of pop songs. Owens also took a country reworking of a rock and roll classic to the top spot, with a live version of Chuck Berry's 1958 song "Johnny B. Goode". Haggard's three chart-toppers included "Okie from Muskogee", one of the best-known songs of his career. (Full article...)
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"Peek-a-Boo" by English rock band Siouxsie and the Banshees was the first song to top the Modern Rock Tracks chart.

Alternative Airplay is a record chart that ranks the most-played songs on American modern rock radio stations. Published by the music industry magazine Billboard, it was created in the midst of the growing popularity of alternative music on rock radio in the late 1980s. As less-established alternative acts were receiving minimal exposure on album-oriented rock (AOR) radio stations, their labels turned to modern rock stations for airplay. Billboard introduced the chart in response to demand within the music industry for consistent information on the commercial performance of alternative music. During the decade, it was known as the Modern Rock Tracks chart and tabulated based on weighted reports from twenty-nine radio stations: eighteen established standard-bearer commercial stations and eleven non-commercial college stations.

The Modern Rock Tracks chart debuted in the September 10, 1988, issue of Billboard, with the inaugural number-one song being "Peek-a-Boo" by the English band Siouxsie and the Banshees. Upon its debut, several publications noted the presence of more independent artists on Modern Rock Tracks compared to its companion chart, Album Rock Tracks. By the end of the decade, twenty-two songs had topped the chart. The American bands R.E.M. and The B-52's each scored two number-one songs on the Modern Rock Tracks chart during the 1980s, the most for any artist within the decade. The R.E.M. song "Orange Crush" spent the longest period atop the chart during the decade, staying at number one for eight consecutive weeks from November 1988 to January 1989. The final number one of the 1980s was "Blues from a Gun" by the Scottish band The Jesus and Mary Chain. (Full article...)
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Keith Urban had his first number one in 2001.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2001, 22 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

Singer Tim McGraw's song "My Next Thirty Years" was at number one at the start of the year, having been at the top since the issue dated December 16, 2000, and remained at number one until the issue dated January 20, when it was replaced by "Born to Fly" by Sara Evans. McGraw also topped the chart with "Grown Men Don't Cry" in June and "Angry All the Time" in November. Toby Keith also achieved three number ones in 2001, "You Shouldn't Kiss Me Like This" in March, "I'm Just Talkin' About Tonight" in September and "I Wanna Talk About Me" in November–December, and had the most weeks at number one of any act during the year, with nine. Four acts each topped the charts with two songs, groups Lonestar and Brooks & Dunn and solo artists Jamie O'Neal and Alan Jackson, the latter of whom ended the year at the top of the chart with "Where Were You (When the World Stopped Turning)". Jackson's song, written in response to the September 11 attacks and premiered at the 2001 Country Music Association Awards, reached the top spot after just six weeks on the chart, the fastest such rise for four years. It would remain at number one until the chart dated February 2 of the following year. The longest run at number one during 2001 was six weeks, achieved by two songs, "Ain't Nothing 'bout You" by Brooks & Dunn and "I'm Already There" by Lonestar. "Ain't Nothing 'bout You" was ranked number one on Billboard's year-end chart of the most popular country songs, and is the longest-running of the duo's twenty number ones. (Full article...)
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Barbara Mandrell topped the chart with "I Was Country When Country Wasn't Cool", which came to be regarded as her signature song.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1981, 48 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

Alabama, Razzy Bailey, T. G. Sheppard and Hank Williams Jr. tied for the most number ones of the year, with three chart-toppers each. As Alabama's "Feels So Right" was one of the few songs to spend a second week at number one, the band had the highest total number of weeks in the top spot, with four. Ten other acts achieved more than one number one in 1981. Several acts topped the chart for the first time in 1981: Charly McClain with "Who's Cheatin' Who", Sylvia with "Drifter", Rosanne Cash with "Seven Year Ache", Earl Thomas Conley with "Fire and Smoke", Ronnie McDowell with "Older Women", Steve Wariner with "All Roads Lead to You", and the duo of David Frizzell and Shelly West with "You're the Reason God Made Oklahoma". Shelly West's appearance at number one fell between two chart-toppers achieved in 1981 by her mother, Dottie West. (Full article...)
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Jamelia performing live on stage.

The discography of Jamelia, a British R&B singer, consists of three studio albums, one greatest hits album, and fourteen singles, fifteen music videos, and one live DVD of a concert performance. She has contributed to the albums of two other artists, and appeared on two soundtrack albums. Jamelia signed with Capitol Records in 1996, and her debut single, "So High", was released on 3 May 1999. It failed to chart and she left the record company before an album was released. Later that year, Jamelia released "I Do" with Parlophone, which was followed up in 2000 with her first top five single, titled "Money", and her debut album Drama.

Jamelia's second album, Thank You, released in 2003, is her most successful to date, peaking at number 4 on the United Kingdom Albums Chart, at number 16 in New Zealand, and at number 21 in Ireland. It also charted in Australia and mainland Europe, but in much lower positions. The album's lead singles were "Bout", a reggae-style song that features a rap from Rah Digga, and pop/dance song "Superstar". "Bout" charted at 37 on the UK Singles Chart, but "Superstar" fared much better, entering the singles chart at number 8 and climbing to number 3, its peak position, after four weeks. It was also the 26th best selling single of 2003. The next single taken from Thank You was the title track, which peaked at number 2 in the UK. Both "Superstar" and "Thank You" are Jamelia's most successful single releases to date, appearing in many singles charts worldwide. Thank You was subsequently re-released with two new songs: "See It in a Boy's Eyes" and "DJ". (Full article...)
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Drake currently holds the record for the most number-one hits on the Billboard rap chart.

Hot Rap Songs is a record chart published by the music industry magazine Billboard that ranks the most popular hip hop songs in the United States. 77 songs topped Hot Rap Songs in the 2010s. The first number-one song of the decade was "Empire State of Mind" by Jay-Z featuring Alicia Keys. In 2012, Drake broke the record for the most Hot Rap Songs number-one songs, previously held by Diddy. During the 2010s, Drake spent the most weeks at number one and attained the most number-one songs on Hot Rap Songs, with 19 chart-toppers spanning 118 weeks. In 2019, "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus spent a record-breaking 20 weeks atop Hot Rap Songs. The final number-one song of the decade on the chart was "Roxanne" by Arizona Zervas.

At the start of the decade the chart was airplay-based, with rankings based on each track's estimated audience as monitored by Nielsen Broadcast Data Systems from a panel of 134 radio stations. In October 2012, Billboard altered the chart's methodology to include digital download sales and streaming data. Under the new methodology, the Rap Songs chart became a distillation of the main Billboard Hot R&B/Hip-Hop Songs chart, which according to the magazine "highlight[s] the differences between pure R&B and rap titles in the overall, wide-ranging R&B/hip-hop field." "Gangnam Style" by Psy was the first number-one song to benefit from these changes, ascending from number 20 to the top spot on the chart dated October 20, 2012. (Full article...)