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Players (1979 film)

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Players
Directed byAnthony Harvey
Written byArnold Schulman
Produced byRobert Evans
StarringAli MacGraw
Dean-Paul Martin
Maximilian Schell
Pancho Gonzalez
CinematographyJames Crabe
Edited byRandy Roberts
Music byJerry Goldsmith
Distributed byParamount Pictures
Release dates
  • June 8, 1979 (1979-06-08)
(New York and L.A.)[1]
Running time
120 minutes
CountryUnited States
LanguageEnglish
Budget$6 million[2]
Box office$7.2 million (US rentals)[3]

Players is a 1979 American romance drama film directed by Anthony Harvey and starring Ali MacGraw and Dean Paul Martin about a young tennis player who has an affair with an older woman.

The film became known as a "disaster".[4]

Premise

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A rising tennis star falls in love with an older woman, a jet-setter who's involved with a millionaire, while playing in the Wimbledon championships.

Cast

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Production

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Development

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The film was a passion project of producer Robert Evans, who was an enthusiastic tennis player. He made it under his independent deal with Paramount, where he had been head of production.[5] Evans hired Arnold Schulman to write a script. There were over 16 drafts. "I had a bitter dispute with the writer", said Evans.[2]

Schulman later recalled:

I got in my contract all of the Dramatist Guild guarantees: I had approval of the director, not a word [of the script] could be changed without my consent, and so forth. Immediately after I finished the screenplay, Bob Evans sent me on a wild goose chase to Rome to cast a part he had already cast—I found out months later—with Max Schell. When I got back, I found out that six or seven writers were working on different versions of the script, all at the same time with none of them knowing about the other.[6]

It was known during production as Getting Off. Anthony Harvey and Robert Evans began scouting locations in Mexico in April 1978.[7]

Evans wanted the male lead to be played by someone who was a top level tennis player and could act. In May 1978, Evans announced that the role would be played by Dean-Paul Martin, son of Dean Martin, who played at Wimbledon as well as professionally for the Phoenix Racquets of World Team Tennis. "He's the next Robert Redford", said Evans. "It's one of the best screen tests I've ever seen."[8] Martin was reluctant to act but said yes "because Bob assured me this was the first film in Hollywood history with this kind of money behind which would show tennis in a totally authentic and good light."[9]

Evans signed Martin to a six-picture contract. He learned about camera technique over several weeks with actor Tony Franciosa.[8]

MacGraw's fee was $500,000.[8] She had appeared in only four movies, but they had all been hits. She was Evans' ex-wife and the two, who shared a son, had remained close.[10] "She was the best person for the role", said Evans.[11]

Shooting

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Filming began shooting in London on 29 June 1978. It includes a scene shot during the 1978 Wimbledon Championships: prior to the start of the ladies' final between Martina Navratilova and Chris Evert, the production filmed Dean-Paul Martin and Guillermo Vilas walking onto Centre Court and bowing to Princess Margaret and the Duchess of Kent in the Royal Box.[12][13] Additional filming took place in Mexico, Las Vegas, Monte Carlo and Los Angeles.[13] Shooting had to be suspended at one point when Martin fell ill.[14]

Schulman recalled:

The company went to Mexico [for the filming], and I couldn't get Evans to show me the dailies. I said, "Bob, you have no right to do this. Look at your contract." He said, "Sue me!" That was the end of that. I had these things in writing, and they meant nothing!... I did sue him. But I couldn't take my name off the screen. You can't take your name off the screen if you're paid a certain amount of money, unless the studio agrees beforehand—and they're not going to agree, because if word gets out the writer took his name off, the picture gets a bad name.[6]

Schulman says "Not a word" of the script was his "but I got the credit, the money, and even the credit of executive producer once again, and from the outside, it looks as though I was totally in charge."[6]

By July, the title was changed to Players.[15]

"I honestly believe no one's ever made a more realistic film about a sport", said Evans.[11]

Reception

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Critical

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Vincent Canby of The New York Times called it "the sort of movie in which the actors serve the function of scenery. They are nice to look at but it's not really possible to identify with a tree or even a lilac bush. Mr. Schulman's dialogue doesn't help, nor does the direction by Anthony Harvey (The Lion in Winter), who never discovers a source of narrative energy to compensate for the emptiness of the characters."[16] Dale Pollock of Variety wrote, "Another love story in disguise, this time backgrounded against the tennis world, Players is disqualified by exec producer Arnold Schulman's wobbly script, a simpering performance by Ali MacGraw, and a preponderance of tennis footage."[17]

Gene Siskel of the Chicago Tribune gave the film 2.5 stars out of four, and wrote: "The problem with the script is that both characters are totally unlikable. These are the sort of selfish, me-centered characters we suspect populate Beverly Hills and environs, people interested only in cars, clothes, sex, and money."[18]

Charles Champlin of the Los Angeles Times wrote: "Unfortunately, it is much better on court than on courtship ... After one amusing scene when they meet, there is scarcely a line that does not sound as if it were something being read aloud, rather than thought or felt and said."[19]

Brendan Gill of The New Yorker wrote: "Verisimilitude is achieved during the tennis sequences by furnishing them with people borrowed from real life; those sequences aside, there is little real life to be found in Players, thanks in part to an ill-written script by Arnold Schulman and in part to the incompetence of its star, Ali MacGraw, who is very good-looking and is unable to recite even the simplest lines with conviction."[20]

Gary Arnold of The Washington Post wrote: "As certain to be laughed off the screen and written off financially as Hurricane, another Paramount loser, Players should clinch MacGraw's reputation as the most ridiculous leading lady of the '70s. But the folly is not hers alone. What prompted producer Robert Evans, director Anthony Harvey and screenwriter Arnold Schulman to foist on anyone a love story as unformed and uninteresting as Players (definitely not to be confused with the Don De Lillo novel of the same title)?"[21]

Schulman ran a full-page ad in the trade papers denying responsibility with the film. "Everybody laughed, and I didn't work for three years", he says.[6]

Quentin Tarantino later wrote that the "film was ridiculed by critics and dismissed by audiences when it came out back in 1979. But as a Hollywood tennis sports movie it's pretty good" claiming Martin's "tennis is terrific, and while I didn’t necessarily need to see him star in anything else, as a tennis pro he's pretty... convincing."[22]

References

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  1. ^ "Players – Details". AFI Catalog of Feature Films. American Film Institute. Retrieved May 21, 2019.
  2. ^ a b "Godfather behind another love story". The Guardian. London. 23 June 1979. p. 11.
  3. ^ Epstein, Andrew (Apr 27, 1980). "THE BIG THUDS OF 1979--FILMS THAT FLOPPED, BADLY". Los Angeles Times. p. o6.
  4. ^ Rosenfield, Paul (Dec 4, 1983). "CALENDAR SPECIAL REPORT: BOB EVANS: THE OTHER GATSBY". Los Angeles Times. p. w30.
  5. ^ Buckley, Tom (9 June 1978). "At the Movies: 'Star Wars' pilot throttles down after four films". New York Times. p. C8.
  6. ^ a b c d McGilligan, Patrick, ed. (1997). "Arnold Schulman Nothing but Regrets: Interview by Pat McGilligan". Backstory 3: Interviews with Screenwriters of the 60s. Berkeley. p. 320.
  7. ^ KILDAY, GREGG (Apr 12, 1978). "FILM CLIPS: Harvey: Movies Back to Back". Los Angeles Times. p. f8.
  8. ^ a b c "Serving Up the Next Redford". Los Angeles Times. May 30, 1978. p. g7.
  9. ^ Davis, Ivor (5 June 1979). "Dino Jr. a reluctant movie star But the tennis-lover enjoys playing tennis pro: [1]". The Globe and Mail. Toronto. p. 14.
  10. ^ "Ali in Wonderland After 5-Year Hiatus". Los Angeles Times. June 18, 1978. p. o39.
  11. ^ a b Mann, Roderick (May 13, 1979). "MOVIES: PRODUCER BOB EVANS: ALL ALONE AND LOVING IT". Los Angeles Times. p. n38.
  12. ^ Buckley, T. (Jun 9, 1978). "At the movies". New York Times. ProQuest 123678275.
  13. ^ a b "Players – History". AFI Catalog of Feature Films. American Film Institute. Retrieved May 21, 2019.
  14. ^ RODERICK MANN (Jan 18, 1979). Los Angeles Times. {{cite news}}: Missing or empty |title= (help)
  15. ^ Champlin, Charles (7 July 1978). "What to Do for an Encore: CRITIC AT LARGE". Los Angeles Times. p. h1.
  16. ^ Canby, Vincent (June 8, 1979). "Screen: 'Players' Takes World Tennis Tour". The New York Times. C9.
  17. ^ Pollock, Dale (June 13, 1979). "Film Reviews: Players". Variety. 15.
  18. ^ Siskel, Gene (June 8, 1979). "'Players' plays cold and distant". Chicago Tribune. Section 3, p. 3.
  19. ^ Champlin, Charles (June 8, 1979). "'Players': Just a Passing Shot". Los Angeles Times. Part IV, p. 1.
  20. ^ Gill, Brendan (June 18, 1979). "The Current Cinema". The New Yorker. 96.
  21. ^ Arnold, Gary (June 9, 1979). "Players". The Washington Post. C5.
  22. ^ Tarantino, Quentin (24 December 2019). "Players". New Beverly Cinema.
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