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Perunchithiranar (Sangam poet)

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Topics in Sangam literature
Sangam literature
Agattiyam Tolkāppiyam
Eighteen Greater Texts
Eight Anthologies
Aiṅkurunūṟu Akanāṉūṟu
Puṟanāṉūṟu Kalittokai
Kuṟuntokai Natṟiṇai
Paripāṭal Patiṟṟuppattu
Ten Idylls
Tirumurukāṟṟuppaṭai Kuṟiñcippāṭṭu
Malaipaṭukaṭām Maturaikkāñci
Mullaippāṭṭu Neṭunalvāṭai
Paṭṭiṉappālai Perumpāṇāṟṟuppaṭai
Poruṇarāṟṟuppaṭai Ciṟupāṇāṟṟuppaṭai
Related topics
Sangam Sangam landscape
Tamil history from Sangam literature Ancient Tamil music
Eighteen Lesser Texts
Nālaṭiyār Nāṉmaṇikkaṭikai
Iṉṉā Nāṟpatu Iṉiyavai Nāṟpatu
Kār Nāṟpatu Kaḷavaḻi Nāṟpatu
Aintiṇai Aimpatu Tiṉaimoḻi Aimpatu
Aintinai Eḻupatu Tiṇaimālai Nūṟṟaimpatu
Tirukkuṟaḷ Tirikaṭukam
Ācārakkōvai Paḻamoḻi Nāṉūṟu
Ciṟupañcamūlam Mutumoḻikkānci
Elāti Kainnilai
Bhakti Literature
Naalayira Divya Prabandham Ramavataram
Tevaram Tirumuṟai
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Perunchithiranār (Tamil: பெருஞ்சித்திரனார்) was a poet of the Sangam period, to whom 11 verses of the Sangam literature have been attributed, including verse 32 of the Tiruvalluva Maalai.[1]

Biography

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Perunchithiranar brought to light the charity and generous heart of ruler Kumanan. He is known for his courage in the face of his abject poverty. In fact, he exquisitely expressed in poetry the sufferings of his own mother, wife and children because of destitution. Despite his penurious state, he refused the munificence bestowed on him by king Ilaveliman. Perunchithiranar is also praised for his feminist notions, who treated his wife with equity.[2]

Contribution to the Sangam literature

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Perunchithiranar has written 11 Sangam verses, including 10 in Purananuru (verses 158–163, 207, 208, 237, 238) and 1 in Tiruvalluva Maalai (verse 32).[2]

See also

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Notes

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  1. ^ Vedanayagam, Rama (2017). திருவள்ளுவ மாலை மூலமும் எளிய உரை விளக்கமும் [Tiruvalluva Maalai: Moolamum Eliya Urai Vilakkamum] (in Tamil) (1 ed.). Chennai: Manimekalai Prasuram. pp. 46–47.
  2. ^ a b Kowmareeshwari (Ed.), S. (August 2012). அகநானூறு, புறநானூறு [Agananuru, Purananuru]. Sanga Ilakkiyam (in Tamil). Vol. 3 (1 ed.). Chennai: Saradha Pathippagam. p. 412.