Portal:Record production

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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console

P:RECORD

This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.

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Nine Inch Nails performing in June 2022; from left to right: Ilan Rubin, Trent Reznor, Alessandro Cortini, Atticus Ross, and Robin Finck.

Nine Inch Nails, an American industrial rock band fronted by Trent Reznor, has toured all over the world since its creation in 1988. While Reznor—the only official member until adding Atticus Ross in 2016—controls its creative and musical direction in the studio, the touring band performs different arrangements of the songs. In addition to regular concerts, the band has performed in both supporting and headlining roles at festivals such as Woodstock '94, Lollapalooza 1991 and 2008, and many other one-off performances including the MTV Video Music Awards. Prior to their 2013 tour, the band had played 938 gigs.

Nine Inch Nails' live performances contrast with its in-studio counterpart.
Reznor writes and performs nearly all Nine Inch Nails studio material, with occasional instrumental and vocal contributions from others artists. However, Reznor has typically assembled groups of backing musicians to interpret songs for tours and other live performances. Keyboardist Alessandro Cortini said that "if you see the show and you're used to the CDs it's pretty clear that the studio entity is different from the live entity". (Full article...)
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Kids See Ghosts is the only studio album by the American hip-hop supergroup Kids See Ghosts, composed of the rappers and producers Kanye West and Kid Cudi. It was released on June 8, 2018, through GOOD Music and Wicked Awesome Records, and distributed by Def Jam Recordings. Prior to the release, West and Cudi had collaborated on each other's work since 2008, although they experienced personal quarrels due to creative differences. The first studio sessions for the album began after the two reunited in late 2016.

Guest contributions are included on Kids See Ghosts from Pusha T, Yasiin Bey, and Ty Dolla Sign, as well as a vocal sample of Louis Prima, who is credited posthumously as a featured artist. Kids See Ghosts handled the majority of the stylistically fragmented production that includes varying elements, with further contributions by Dot da Genius, Mike Dean, and Plain Pat, among others. The album was the third of five records produced by West in Jackson Hole as a part of the "Wyoming Sessions", each being released weekly in the summer of 2018. It succeeded the release of Pusha T's Daytona and West's Ye, while preceded the release of Nas' Nasir and Teyana Taylor's K.T.S.E. (Full article...)
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Kala is the second studio album by British recording artist M.I.A. It was released on 8 August 2007 through XL Recordings. M.I.A. named the album after her mother and has stated that her mother's struggles in life are a major theme of the album. It was mainly written and produced by M.I.A. and Switch, and features contributions from Timbaland, Diplo, Afrikan Boy and The Wilcannia Mob.

Initially planning to work with American producer Timbaland for the bulk of the album, M.I.A. was unable to gain a long-term work visa to enter the US. Therefore, she recorded Kala in numerous countries around the world, including India, Angola, Trinidad, Liberia, Jamaica and Australia. M.I.A. and Switch relied heavily on the digital audio workstation Logic Pro and recorded additional vocals and background sounds outside the studio environment. Kala incorporates prominent influences from South Asian music, featuring samples of Bollywood and Tamil cinema. The album draws on various styles, from funk carioca to African folk. The songs are about political themes related to the Third World, including illegal immigration, poverty and capitalism. (Full article...)
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Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album is the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist.

The album produced four singles. The most successful, "My Happiness", reached #4 on the ARIA Singles Chart, won the 2001 ARIA Music Award for "Single of the Year", and topped Triple J's Hottest 100 in 2000. The album also featured "These Days", which topped Triple J's Hottest 100 in 1999. The album ranked at number 1 in Triple J's Hottest 100 Australian Albums of All Time poll in 2011. (Full article...)
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Loveless (stylized in lowercase) is the second studio album by the Irish-English rock band My Bloody Valentine. It was released on 4 November 1991 in the United Kingdom by Creation Records and in the United States by Sire Records. The album was recorded between February 1989 and September 1991, with vocalist and guitarist Kevin Shields leading sessions and experimenting with guitar vibrato, non standard tunings, digital sampling, and meticulous production methods. The band recorded at nineteen different studios and hired several engineers during the album's prolonged recording, with its final production cost rumoured to have reached £250,000 (equivalent to £560,000 in 2024).

Preceded by the EPs Glider (1990) and Tremolo (1991), Loveless reached number 24 on the UK Albums Chart and was widely praised by critics for its sonic innovations and Shields' "virtual reinvention of the guitar". However, after its release, Creation owner Alan McGee dropped the band from the label as he found Shields too difficult to work with, a factor alleged to have contributed to the label's eventual bankruptcy. My Bloody Valentine struggled to record a follow-up to the album and broke up in 1997, making Loveless their last full-length release until their eventual reunited effort m b v in 2013. (Full article...)
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"Something" is a song by the English rock band the Beatles from their 1969 studio album Abbey Road. It was written by George Harrison, the band's lead guitarist. Together with his second contribution to Abbey Road, "Here Comes the Sun", it is widely viewed by music historians as having marked Harrison's ascendancy as a composer to the level of the Beatles' principal songwriters, John Lennon and Paul McCartney. Two weeks after the album's release, the song was issued on a double A-side single, coupled with "Come Together", making it the first Harrison composition to become a Beatles A-side. The pairing was also the first time in the United Kingdom that the Beatles issued a single containing tracks already available on an album. While the single's commercial performance was lessened by this, it topped the Billboard Hot 100 in the United States as well as charts in Australia, Canada, New Zealand and West Germany, and peaked at number 4 in the UK.

The track is generally considered a love song to Pattie Boyd, Harrison's first wife, although Harrison offered alternative sources of inspiration in later interviews. Owing to the difficulty he faced in getting more than two of his compositions onto each Beatles album, Harrison first offered the song to Joe Cocker. As recorded by the Beatles, the track features a guitar solo that several music critics identify among Harrison's finest playing. The song also drew praise from the other Beatles and their producer, George Martin, with Lennon stating that it was the best song on Abbey Road. The promotional film for the single combined footage of each of the Beatles with his respective wife, reflecting the estrangement in the band during the months preceding their break-up in April 1970. Harrison subsequently performed the song at his Concert for Bangladesh shows in 1971 and throughout the two tours he made as a solo artist. (Full article...)
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1989 is the fifth studio album by the American singer-songwriter Taylor Swift, released on October 27, 2014, by Big Machine Records. Executive-produced by Swift and the Swedish producer Max Martin, it was Swift's effort to recalibrate her artistic identity from country to pop.

Swift produced 1989 with an ensemble that included Martin, Shellback, Jack Antonoff, Ryan Tedder, Nathan Chapman, and Imogen Heap. Recorded in the United States, the United Kingdom, and Sweden, the album was titled after Swift's birth year as a symbolic rebirth. Inspired by 1980s synth-pop, the production incorporates dense synthesizers, programmed drum machines, and processed electronic backing vocals—a stark contrast to the acoustic arrangements that had characterized Swift's past albums. The lyrics expand on her autobiographical songwriting about love and heartbreak, depicting failed relationships from relatively lighthearted and more complex perspectives. (Full article...)
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"Rehab" is a song recorded by Barbadian singer Rihanna for her third studio album, Good Girl Gone Bad (2007). Def Jam Recordings serviced the song to contemporary hit radio in the United States on October 6, 2008, as the fifth and final single from the album. It was released in the United Kingdom as a CD single on December 8, 2008.

Development of "Rehab" began while Rihanna was accompanying Timbaland on Justin Timberlake's FutureSex/LoveShow tour in 2007. Timberlake wrote the song in collaboration with his producers, Hannon Lane and Timbaland, and provided additional vocals. "Rehab" is a mid-paced R&B song with an emotional, melancholy chorus; the lyrics are about the protagonist's painful memories of her former lover, who is portrayed metaphorically as a disease. (Full article...)
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Delius, photographed in 1907

Frederick Theodore Albert Delius (born Fritz Theodor Albert Delius; /ˈdiːliəs/; 29 January 1862 – 10 June 1934) was an English composer. Born in Bradford in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. He soon neglected his managerial duties, and in 1886 returned to Europe.

Having been influenced by African-American music during his short stay in Florida, he began composing. After a brief period of formal musical study in Germany beginning in 1886, he embarked on a full-time career as a composer in Paris and then in nearby Grez-sur-Loing, where he and his wife Jelka lived for the rest of their lives, except during the First World War. (Full article...)
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Detail from portrait by Valentin Serov, 1898

Nikolai Andreyevich Rimsky-Korsakov (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.

Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
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Flea performing with Red Hot Chili Peppers in 2016

Michael Peter Balzary (born October 16, 1962), known professionally as Flea, is an Australian and American musician. He is a founding member and bassist of the rock band Red Hot Chili Peppers and, along with the vocalist Anthony Kiedis, appears on every one of their albums. Flea is also a member of the supergroups Atoms for Peace, Antemasque, Pigface, and Rocket Juice & the Moon, and has played with acts including the Mars Volta, Johnny Cash, Tom Waits, Alanis Morissette, Young MC, Nirvana, What Is This?, Fear, and Jane's Addiction.

Flea's playing incorporates elements of funk (including prominent slap bass), psychedelia, punk, and hard rock. In 2009, Rolling Stone readers ranked Flea the second-best bassist of all time, behind John Entwistle. In 2012, he and the other members of Red Hot Chili Peppers were inducted into the Rock and Roll Hall of Fame. (Full article...)
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Still Reigning is a live performance DVD by the thrash metal band Slayer, released in 2004 through American Recordings. Filmed at the Augusta (Maine) Civic Center on July 11, 2004, the performance showcases Slayer's 1986 album, Reign in Blood, played in its entirety with the four original band members on a set resembling their 1986 Reign in Pain Tour. Still Reigning was voted "best live DVD" by the readers of Revolver magazine, and received gold certification in 2005.

The DVD is notable for the finale, which features Slayer covered in stage blood while performing the song "Raining Blood", leading to a demanding audio mixing process plagued by production and technical difficulties. The DVD's producer Kevin Shirley spent hours replacing cymbal and drum hits one-by-one. He publicly aired financial disagreements he had with the band and criticized the quality of the recording, and as a result was allegedly subjected to threats and insults from people associated with the band. (Full article...)

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... that according to Billboard magazine, Laufey created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?
... that Light Vessel 95 is now a recording studio?
... that to promote the Buffalo Club, Rising Tide Records sent packages of plastic buffalo to music industry executives in Nashville?
... that when Divine's song "Lately" topped the Billboard Hot 100 in 1998, it became the first number-one single for the performers, the songwriters, the producers, and the record labels?
... that until the release of the documentary Predator: The Secret Scandal of J-Pop, sexual abuse claims involving record producer Johnny Kitagawa went widely unreported in Japanese media?
... that one critic interpreted a SZA song as being about her fears about the growing influence of AI in the music industry?

Born this day

Birthdays in Music: January 8

Shirley Bassey, Welsh singer, turns 88.
Little Anthony, (born Anthony Gourdine) American lead vocalist with Little Anthony & The Imperials, turns 85.
Bill Goodwin, American jazz drummer and record producer, turns 83.
Lee Jackson, Brit bassist and vocalist of The Nice, turns 82.
Robby Krieger, American guitarist with The Doors, turns 79.
Terry Sylvester, Brit guitarist and vocalist with The Hollies and The Swinging Blue Jeans, turns 78.
Paul King, Brit banjoist and kazoo player of Mungo Jerry fame, turns 77.
Thurman Barker, American percussionist, turns 77.

Zoot Horn Rollo, American guitarist with Captain Beefheart and The Magic Band, turns 76.
Mike Reno, Canadian drummer and vocalist of Loverboy fame, turns 70.
Marilyn Mazur, American drummer, turns 70.
Dave Weckl, American drummer, turns 65.
Chris Marion, American musician best known for his work with Little River Band, turns 63.
Jeff Abercrombie, American bassist with Fuel, turns 56.
Karen Poole, American vocalist with Alisha's Attic, turns 54.
Sean Paul, Jamaican dancehall vocalist, turns 52.
Jeremy Spencer, American drummer from Five Finger Death Punch, turns 52.
Stove King, Brit bassist with Mansun, turns 50.
DJ Clue, (born Ernesto Shaw) American disc jockey and record producer, turns 50.
Jenny Lewis, American child actress and lead vocalist for Rilo Kiley, turns 49.
Rachael Lampa, American Contemporary Christian music artist, turns 40.
Asuka Hinoi, Japanese j-pop vocalist, turns 34.
Noah Cyrus, American singer and actress, turns 25.

Paul Hester (Record production, 1959 –March 26, 2005), Brit drummer with Crowded House, would have turned 66 this year.
Tomasz Szukalski (Record production, 1948 –August 02, 2012), Polish tenor saxophonist, would have turned 77 this year.
David Bowie (Record production, 1947–January 10, 2016), (born David Jones) Brit Grammy Award-winning songwriter, would have turned 78 this year.
John Petersen (Record production, 1942–November 11, 2007), American drummer with The Beau Brummels, The Tikis, and Harpers Bizarre, would have turned 83 this year.
Elvis Presley (Record production, 1935 –August 16, 1977), American pop icon, would have turned 90 this year.
Dick Charlesworth (Record production, 1932–April 15, 2008), Brit clarinetist, would have turned 93 this year.
Bill Graham (Record production, 1931 –October 25, 1991), German-born American music promoter, would have turned 94 this year.
Luther Perkins (Record production, 1928 –August 05, 1968), American session musician (guitarist) with Johnny Cash, would have turned 97 this year.
Evelyn Lear (Record production, 1926–July 01, 2012), American soprano, would have turned 99 this year.
Bobby Tucker (Record production, 1923–April 12, 2008), American pianist, would have turned 102 this year.
Wendell Phillips Culley (Record production, 1906 –June , 1983), American trumpeter, would have turned 119 this year.
Giacinto Scelsi (Record production, 1905 –August 09, 1988), Italian composer, would have turned 120 this year.
Tampa Red (Record production, 1904 –March 19, 1981), (born Hudson Whittaker) American multi-instrumentalist and songwriter, would have turned 121 this year.
Bill Quinn (Record production, 1903 –December 04, 1975), American record producer and founder of Gold Star Records, would have turned 122 this year.
Fiddlin' Joe Martin (Record production, 1900 –November 21, 1975), American violinist, would have turned 125 this year.
Max Freedman (Record production, 1893 –October 08, 1962), American songwriter, would have turned 132 this year.
Lowell Mason (Record production, 1792 –August 11, 1872), American composer, would have turned 233 this year.

List of musical events • Anniversaries • More birthdays...

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.

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Congregation is the third studio album by American alternative rock band The Afghan Whigs. It was released on January 31, 1992, by Sub Pop and followed two years of the band's touring in support of their first album for the label, Up in It (1990).

The Afghan Whigs recorded Congregation in sessions held at Bear Creek Studios in Washington state's Woodinville and Buzz's Kitchen in Los Angeles from July to August 1991, with the band's frontman Greg Dulli producing alongside audio engineer Ross Ian Stein. Initially working on a $15,000 advance from Sub Pop, the production and release became hindered by the label's financial difficulties; these were eventually resolved by the massive commercial success of fellow Sub Pop act Nirvana's 1991 album Nevermind. (Full article...)
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Fallen is the debut studio album by American rock band Evanescence, released on March 4, 2003, by Wind-up Records. Co-founders singer and pianist Amy Lee and guitarist Ben Moody began writing and recording songs as Evanescence in 1994, and after releasing two EPs and a demo CD, they signed to Wind-up in January 2001. Several of the songs from their earlier independent releases feature on Fallen. The album was recorded between August and December 2002 in several studios in California. It is Evanescence's only studio album to feature Moody, who left the band in October 2003.

The album yielded four singles: "Bring Me to Life", "Going Under", "My Immortal", and "Everybody's Fool". "Bring Me to Life" and "My Immortal" charted in the top 10 of over 10 countries, including the US, UK and Australia. Fallen is Evanescence's most commercially successful album to date, selling 10 million copies in the US and over 17 million copies worldwide, making it the sixth best-selling album of the 21st century. It debuted at number seven on the Billboard 200 with 141,000 copies sold in its first week, peaking at number three in June 2003. The album topped the charts in more than 10 countries. It was certified Diamond by the Recording Industry Association of America (RIAA) in November 2022. (Full article...)
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Mind Games is the third solo studio album by English musician John Lennon. It was recorded at Record Plant Studios in New York in summer 1973. The album was released in the US on 29 October 1973 and in the UK on 16 November 1973. It was Lennon's first self-produced recording without help from Phil Spector. Like his previous album, the politically topical and somewhat abrasive Some Time in New York City, Mind Games received mixed reviews upon release. It reached number 13 in the UK and number 9 in the US, where it was certified gold in both territories.

The album was recorded while Lennon was having difficulties with US immigration and at the beginning of his 18-month separation from Yoko Ono. The title track was released as a single at the same time as the album. The album itself was later reissued several times throughout the 1970s and 1980s, and as an expanded super deluxe box set in 2024. (Full article...)
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Daybreaker is the fifth studio album by British metalcore band Architects. It was released on 28 May 2012 through Zestone and Century Media Records in the United Kingdom and most of Europe and on 5 June 2012 in the United States. It was the last album to feature guitarist Tim Hillier-Brook, who left the band on 16 April 2012. Daybreaker was co-produced by the band and Ben Humphreys at Outhouse Studios in Reading, Berkshire, and used the same team and studio that were used for recording the band's third studio album, Hollow Crown. Daybreaker was praised by music writers for its variety.

The album debuted on charts in five countries but failed to appear on any mainstream top 40. To promote it, Architects released five music videos, toured five continents (2012's Almost World Tour was filmed for the documentary One Hundred Days) and issued a re-release of the album to commemorate their departure from Century Media Records. Daybreaker received a positive response from critics; some praised its use of atmospheric elements and the return to a heavier style, while others criticised it as uninspired. (Full article...)
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Live at Wembley is a video album by American singer-songwriter Beyoncé. It was released on April 26, 2004, by Sony Urban Music and Columbia Music Video. The DVD features her concert at Wembley Arena in London, as part of her Dangerously in Love Tour in support of her debut solo studio album Dangerously in Love (2003). Most of the songs on Live at Wembley originate from Dangerously in Love, although Beyoncé also performed a medley of past songs by her former group Destiny's Child. Live at Wembley was critically acclaimed, with AllMusic giving it a grade of three-and-a-half stars out of five. The cover of Rose Royce's "Wishing on a Star", included on the album, was nominated in the category for Best Female R&B Vocal Performance at the 48th Annual Grammy Awards (2006).

The album debuted at number 17 on the US Billboard 200, selling 45,000 copies in its first week. It also charted on the US Billboard Top R&B/Hip-Hop Albums at number eight. Live at Wembley managed to top the DVD charts in the United States, Australia and Spain and peaked within the top 10 in Austria, Belgium, Netherlands, Italy and the United Kingdom. The DVD was certified double platinum by the Australian Recording Industry Association (ARIA) and the Recording Industry Association of America (RIAA). The album was also certified gold by the Recording Industry Association of Japan (RIAJ). (Full article...)
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The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by the English musician David Bowie, released on 16 June 1972 in the United Kingdom through RCA Records. It was co-produced by Bowie and Ken Scott and features Bowie's backing band the Spiders from Mars — Mick Ronson (guitar), Trevor Bolder (bass) and Mick Woodmansey (drums). It was recorded from November 1971 to February 1972 at Trident Studios in London.

Described as a loose concept album and rock opera, Ziggy Stardust focuses on Bowie's titular alter ego Ziggy Stardust, a fictional androgynous and bisexual rock star who is sent to Earth as a saviour before an impending apocalyptic disaster. In the story, Ziggy wins the hearts of fans but suffers a fall from grace after succumbing to his own ego. The character was inspired by numerous musicians, including Vince Taylor. Most of the album's concept was developed after the songs were recorded. The glam rock and proto-punk musical styles were influenced by Iggy Pop, The Velvet Underground and Marc Bolan. The lyrics discuss the artificiality of rock music, political issues, drug use, sexuality and stardom. The album cover, photographed in monochrome and recoloured, was taken in London outside the home of furriers "K. West". (Full article...)
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Kaleidoscope Dream is the second studio album by American R&B singer-songwriter Miguel. It was released on September 25, 2012, by Black Ice Records, ByStorm Entertainment, and RCA Records. After the commercial breakthrough of his debut album All I Want Is You (2010), Miguel pursued a greater creative role on Kaleidoscope Dream as its principal writer and producer. He recorded most of the album at Platinum Sound Studios in New York City and MJP Studios in Los Angeles, working alongside producer-musicians Oak Felder, Jerry Duplessis, and Salaam Remi, among others.

With the album, Miguel wanted to explore the roots of R&B beyond the genre's contemporary trends and began playing guitar as a compositional source for his songs. With his studio personnel, he incorporated dense bass lines, buzzing synthesizers, and hazy, reverbed sounds into a musical style that draws on pop, funk, rock, soul, electronic, and psychedelic genres. Miguel titled Kaleidoscope Dream as both a metaphor for life and the creative freedom possible in dreams, while wanting to reflect his lifestyle and personality in the songs, which deal mostly with sex, romance, and existential ideas. (Full article...)
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The Sweet Escape is the second solo studio album by American singer Gwen Stefani, released on December 1, 2006, by Interscope Records. Having originally intended to return to No Doubt after her debut solo album, Love. Angel. Music. Baby. (2004), Stefani decided to record a second album as a way to release some of the material left over from the Love. Angel. Music. Baby. writing sessions. The album musically resembles its predecessor while exploring more modern pop sounds. It was released to generally mixed reviews from contemporary music critics, receiving criticism for its strong similarities to Love. Angel. Music. Baby.

It was preceded by the lead single "Wind It Up", which charted moderately across the world, and produced the follow-up single "The Sweet Escape", which proved to be more successful worldwide. The Sweet Escape reached the top five in the United States, Canada, and Australia and peaked inside the top 20 in the United Kingdom. The album's supporting tour, The Sweet Escape Tour, kicked off in April 2007, covering North America, Colombia, Australia, Asia, and Europe. (Full article...)
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Tomahawk is the debut studio album by American experimental rock band Tomahawk. Recorded after a meeting between vocalist Mike Patton and guitarist Duane Denison, the album features members of Faith No More, The Jesus Lizard, Helmet and Melvins. The band toured with Tool in support of the record.

Released on October 30, 2001, through Patton's record label Ipecac Recordings, Tomahawk has received positive attention from critics, with most appraisals drawing attention to the versatility of Patton's vocals. The album charted in both Australia and the United States, reaching a peak of number 20 in the Billboard Independent Albums countdown. (Full article...)
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U2 Live at Red Rocks: Under a Blood Red Sky is a concert film by Irish rock band U2. It was recorded on 5 June 1983 at Red Rocks Amphitheatre in Colorado, United States, on the group's War Tour. Originally released in 1984 on videocassette, U2 Live at Red Rocks was the band's first video release. It accompanied a 1983 live album entitled Under a Blood Red Sky, on which two tracks from the film appear. The video was directed by Gavin Taylor and produced by Rick Wurpel and Doug Stewart.

The film was arranged by U2 management to showcase the band's live act and to promote them to American audiences. It depicts the band's performance at Red Rocks on a rain-soaked evening. The concert was almost cancelled because of the inclement weather, but the band had invested in the filming with Island Records and concert promoter Barry Fey and wished to proceed with the gig. The rain and the torch-lit atmosphere of the surroundings made U2's performance dramatic. Segments of U2 Live at Red Rocks were shown in regular rotation on MTV, and were also broadcast on other television networks. (Full article...)
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Death of a Pop Star is a 2010 album by hip hop artists David Banner and 9th Wonder, released on Banner's independent record label, Big Face Entertainment, in conjunction with eOne Music. It is the only collaborative work done together by the two artists and the 9th Wonder's fifteenth collaborative album. The album's title derives from the artists' belief that contemporary black music was declining due to a perceived prioritization of style over substance, and the increasing popularity of music downloads, which they felt was reducing a new artist's chance of reaching the iconic status of previous artists.

Originally conceived as a mixtape, Death of a Pop Star was recorded from 2009 to 2010 at Bright Lady Studios in Raleigh, North Carolina and Premier Studios in New York City. The hip hop production was mainly handled by 9th Wonder with assistance from David Banner, THX, Warryn Campbell and E. Jones on various tracks. The album includes guest appearances from rappers Ludacris and Big Remo; and singers Erykah Badu, Anthony Hamilton, Marsha Ambrosius, Heather Victoria and Lisa Ivey. (Full article...)
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Stone Sour is the debut studio album by American rock band Stone Sour. It was recorded and produced by the band and Tom Tatman at Catamount Studios in Cedar Falls, Iowa, and was released on August 27, 2002, through Roadrunner Records.

Writing for the album began in 2000 while vocalist Corey Taylor and guitarist Jim Root were still actively involved in their other band, Slipknot. Work began on the album after Slipknot had gone on hiatus following touring in support of their second album Iowa. (Full article...)

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The following are images from various record production-related articles on Wikipedia.

Image 1Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
Image 2Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)
Image 3The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Image 4Korg D888 eight-track digital recorder (from Multitrack recording)
Image 5The studio at Ridge Radio in Caterham, England (from Recording studio)
Image 6Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)
Image 7The Siemens Studio for Electronic Music c. 1956. (from Recording studio)
Image 8The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)
Image 9Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Image 10Home studio setup (from Recording studio)
Image 11Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
Image 12A selection of instruments at a music studio, including a grand piano (from Recording studio)
Image 13Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)
Image 14Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip-hop production)
Image 15Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
Image 16Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)

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Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.

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Willie Nelson (pictured in 2009) topped the chart both in his own right and in a duet with Waylon Jennings.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1982, 48 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

The band Alabama achieved the most number ones by a single act, topping the chart four times. Ronnie Milsap, T. G. Sheppard, Ricky Skaggs and Conway Twitty each had three number ones. Alabama, Twitty and Willie Nelson tied for the most weeks in the top spot with four each. Nelson's four weeks consisted of two weeks with "Always on My Mind" followed immediately by a further two with "Just to Satisfy You", a collaboration with Waylon Jennings. In October, Dolly Parton topped the chart with the double A-sided single "I Will Always Love You" / "Do I Ever Cross Your Mind". Both tracks were re-recordings of songs she had previously released in the 1970s, and the original recording of "I Will Always Love You" had reached number one in 1974, making Parton the first artist to top the chart with two different recordings of the same song. (Full article...)
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Johnny Cash reached number one in 1976 with the song "One Piece at a Time", about an assembly line worker who constructs his own car using stolen parts from a variety of different models. After the song became successful, an auto shop built the car described in the lyrics. Cash is pictured in the driving seat of the car.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1976, 37 different singles topped the chart, which at the time was published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

At the start of the year the song at the top of the chart was "Convoy" by C. W. McCall, its third week at number one. The song remained in the top spot until the issue of Billboard dated January 31, 1976, when it was replaced by "This Time I've Hurt Her More than She Loves Me" by Conway Twitty. "Convoy" also topped the magazine's all-genres singles chart, the Hot 100. It was one of three 1976 country number ones to capitalize on the prevailing fad for citizens band radio (CB), along with "The White Knight" by Cledus Maggard & the Citizen's Band and "Teddy Bear" by Red Sovine. CB also featured, to a lesser extent, in the song "One Piece at a Time", which was the final chart-topper for Country Music Hall of Famer and icon of the genre Johnny Cash. (Full article...)
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Elmore James was an American blues slide guitarist and singer who recorded from 1951 until 1963. His most famous song, "Dust My Broom", an electrified adaptation of a Robert Johnson tune, was his first hit and features one of the most identifiable slide guitar figures in blues. James' composition "The Sky Is Crying" (which became a blues standard) and his rendition of Tampa Red's "It Hurts Me Too" were among his most successful singles on the record charts. Other popular James songs, such as "I Can't Hold Out", ""Madison Blues", "Shake Your Moneymaker", "Bleeding Heart", and "One Way Out", have been recorded by several other artists, including Fleetwood Mac, Jimi Hendrix, and the Allman Brothers Band.

As with most blues artists in the 1950s and early 1960s, James' recordings were originally issued on two-song record singles. "Dust My Broom" was first issued by the small Trumpet Records label in 1951. Shortly thereafter, James began recording for several larger companies. From 1952 to 1956, he recorded for the Bihari brothers, who issued singles on their Meteor, Flair, and Modern labels. In 1957, he recorded for Mel London's Chief Records, and from 1959 to 1963, for Bobby Robinson's Fire Records. In 1953 and again in 1960, James also recorded some songs that appeared on Checker/Chess Records. He also played guitar on several recordings by other artists, including J. T. Brown, Big Joe Turner, Little Johnny Jones, and Junior Wells. (Full article...)
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The Latin Grammy Hall of Fame is a hall of fame established by the Latin Recording Academy to recognize "early recordings of lasting qualitative or historical significance that were released more than 25 years ago". LARAS is also the same organization that distributes the Latin Grammy Awards. The albums and songs are picked by a panel of recording-arts professionals, such as musicologists and historians, and selected from all major categories of Latin music.

The first inductions were made in 2001 to honor 17 recordings. These included Santana's cover of Tito Puente's "Oye Como Va", Javier Solís's rendition of "Sabor a Mí" and the 1948 performance of Joaquín Rodrigo's Concierto de Aranjuez by Regino Sainz de la Maza and the Orquesta Nacional de España. The inductions have each occurred six years apart from one another. (Full article...)
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Sonny James had three number ones in 1969.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1969, 23 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 weekly issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

In the issue of Billboard dated January 4, Johnny Cash's single "Daddy Sang Bass" climbed from number 19 to the top spot, replacing "Wichita Lineman" by Glen Campbell. Cash's single remained at number one for six weeks, the longest unbroken run of the year. The singer returned to the top of the chart later in the year with "A Boy Named Sue", which spent five weeks at number one. His cumulative total of eleven weeks atop the chart was the highest by any artist in 1969. Merle Haggard, Sonny James and Buck Owens each reached number one with three different singles, the most by any act. All three of James' chart-toppers were cover versions of successful rock and roll and pop songs from the late 1950s and early 1960s; the singer achieved the majority of his more than 20 country number ones with versions of pop songs. Owens also took a country reworking of a rock and roll classic to the top spot, with a live version of Chuck Berry's 1958 song "Johnny B. Goode". Haggard's three chart-toppers included "Okie from Muskogee", one of the best-known songs of his career. (Full article...)
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Pam Tillis achieved her only number one in 1995 with "Mi Vida Loca (My Crazy Life)".

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1995, 29 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

At the start of the year, the song at number one was "Pickup Man" by Joe Diffie, which had been in the top spot since the issue dated December 17, 1994. Alan Jackson was the only artist to achieve three number ones in 1995, topping the chart with "Gone Country", "I Don't Even Know Your Name" and "Tall, Tall Trees". Tim McGraw had the longest unbroken run in the top spot, spending five weeks at number one with "I Like It, I Love It", and the total of seven weeks which he spent at number one with that song and "Not a Moment Too Soon" was the highest by any artist. Brooks & Dunn, George Strait and John Michael Montgomery were the only other artists to achieve more than one number one in 1995. (Full article...)
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Randy Travis spent three weeks at number one with "Forever and Ever, Amen".

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1987, 50 different songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

At the start of the year, the song at the top of the charts was "Mind Your Own Business" by Hank Williams Jr. The single had moved into the number one position in the issue of Billboard dated December 27, 1986 and remained in place for a second week in the issue dated January 3. The final number one of the year was "Somewhere Tonight" by Highway 101, which began a two-week run at the top in the issue dated December 26, 1987. Between those two chart-toppers, the only song to spend more than one week at number one was "Forever and Ever, Amen" by Randy Travis, which had a three-week run in the peak position during the summer. The song won both the Grammy Award for Best Country Song and the Academy of Country Music award for Song of the Year. (Full article...)
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Country star Blake Shelton (second left) and his partner, pop/rock singer Gwen Stefani (right), collaborated on two Country Airplay number ones in 2020.

Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which began being published in 2012, is based solely on country radio airplay, a methodology that had previously been used from 1990 to 2012 for Hot Country Songs.

Both charts began the year with songs at number one that had been in the top spot in the last chart of 2019; "10,000 Hours" by Dan + Shay and Justin Bieber holding the top spot on the Hot Country Songs chart, and "Even Though I'm Leaving" by Luke Combs atop the Country Airplay chart. Having spent the last 11 weeks of 2019 at number one on Hot Country Songs, "10,000 Hours" went on to spend its 15th consecutive week in the top spot in the issue of Billboard dated January 25, and in the same week topped the Country Airplay listing for the first time. The song remained at number one on Hot Country Songs until March 14, when it was displaced by "The Bones" by Maren Morris. It was the first number one on the chart for Morris and made her the first female artist to top the chart without an accompanying male act since Kelsea Ballerini with "Peter Pan" in September 2016. In May, "The Bones" spent its 11th week at number one on Hot Country Songs, surpassing Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-lasting number one by a solo female artist on that chart. The song ultimately spent 19 weeks at number one. (Full article...)
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The Beatles released 18 of the best-selling songs of the 1960s.

A single is a type of music release defined by the British Official Charts Company (OCC) as having no more than four tracks and not lasting longer than 25 minutes. On 31 May 2010, a retrospective record chart was broadcast on BBC Radio 2 that listed the 60 biggest-selling singles in the United Kingdom during the 1960s. The programme, entitled The Top 60 Best Selling Records of the 60s, was hosted by British DJ Tony Blackburn. The chart was compiled by the OCC, and was based on sales of singles from 1 January 1960 to 31 December 1969.

The most represented act in the chart is the Beatles, who feature on the list with 18 releases, seven of which are in the top twenty. Similarly, the most represented record label is Parlophone, who released music from the Beatles between 1962 and 1968 in the UK. The most represented act after the Beatles is the Rolling Stones, who have five singles in the list. The highest-placed solo female artist on the list is Cilla Black at number 27, with her 1964 single "Anyone Who Had a Heart", which was also distributed by Parlophone. Of the 60 discs in the chart, more than half (44) are by British acts. (Full article...)
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The UK Singles Chart is the official record chart in the United Kingdom. Prior to 1969 there was no official singles chart; however, The Official Charts Company and Guinness' British Hit Singles & Albums regard the canonical sources as New Musical Express (NME) before 10 March 1960 and Record Retailer from then until 15 February 1969 when Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) to compile the charts. The choice to use Record Retailer as the canonical source for the 1960s has been contentious because NME (which continued compiling charts beyond March 1960) had the biggest circulation of periodicals in the decade and was more widely followed.

As well as the chart compilers mentioned previously, Melody Maker, Disc and Record Mirror all compiled their own charts during the decade. Due to the lack of any official chart the BBC aggregated results from all these charts to announce its own Pick of the Pops chart. One source explains that the reason for using the Record Retailer chart for the 1960s was that it was "the only chart to have as many as 50 positions for almost the entire decade". The sample size of Record Retailer in the early 1960s was around 30 stores whereas NME and Melody Maker were sampling over 100 stores. In 1969, the first BMRB chart was compiled using postal returns of sales logs from 250 record shops. (Full article...)