Nongthang Leima
| Nongthang Leima | |
|---|---|
Goddess of enchantment, seduction, thunder and lightning | |
| Member of Lairembis | |
 An illustration of Goddess Nongthang Leima | |
| Other names |
|
| Affiliation | Meitei mythology (Manipuri mythology) and Meitei religion (Sanamahism) |
| Abode | Heaven |
| Symbols | thunder and lightning |
| Texts | Leithak Leikharol |
| Gender | Female |
| Region | Ancient Kangleipak (Antique Manipur) |
| Ethnic group | Meitei ethnicity |
| Festivals | Lai Haraoba |
| Genealogy | |
| Parents | |
| Siblings | Sanamahi and Pakhangba |
| Consorts | Sanamahi and Pakhangba[1] |
| Offspring | Laisang Khekwaiba (with Sanamahi) |
| Equivalents | |
| Greek | Astrape and Bronte |
| Roman | Fulgora |
| Part of a series on |
| Meitei mythology |
|---|
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 Myths portal |
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In Meitei mythology and religion, Nongthang Leima (Meitei: ꯅꯣꯡꯊꯥꯡ ꯂꯩꯃ, romanized: lightning queen) is the goddess of seduction, thunder, and lightning.[2][3][4][5] She was created by Atingkok (or Salailen) to attract Haraba (Pakhangba).[4][6][7] She mastered thunder and lightning in the chaos in the early world. She predicted the first rain.[8] She limits the chaos and helps creation.[9]
Description
[edit]Nongthang Leima is a pre-historical maibi. She is the first goddess maibi to compose a dance form. Later, her dance form was repossessed by other goddesses.[10]
Mythology
[edit]Birth
[edit]Sanamahi (Ashiba) was creating the earth. But he was frequently disturbed by his younger brother, Pakhangba (Haraba). Unable to do any work, Sanamahi complained about the matter to their father, Salailen (or Atingkok according to different versions of stories). Salailen produced a divine feminine being. He released her into the great space (void) of the universe (cosmos). In the vast emptiness of the great space (void), the divine feminine being became a beautiful and radiant goddess. She was named "Nongthang Leima", the Queen of Lightning.[11][12][6]
In another version of the story, Sidaba ordered Sidabi to produce "Nongthang Leima", the divine female being to lure the destroyer from the cosmic creation.[13]
Seduction (attraction)
[edit]Nongthang Leima, the Queen of Lightning, filled the empty space (void) with bright light. Seeing her, Pakhangba (Haraba) fell in love with her. He forgot about bothering his elder brother in the creation of the earth. Haraba came to her in the great space. During that time, Sanamahi (Ashiba) completed his creation of the earth.[14][12][4][6][15]
Family
[edit]When Ashiba (Sanamahi) saw Nongthang Leima, he wanted to marry her.[16] Thus, they united. So, Nongthang Leima was the wife of both Sanamahi (Ashiba) and Pakhangba (Haraba).[1] Nongthang Leima is also known as Langmai Sana Chingjaroibi (Old Manipuri: Langmai Sana Chingchaloipi). With the union of Chingjaroibi and Sanamahi, a son named Laisang Khekwaiba was born.[17]
Two divine forms
[edit]According to "Politics, society, and cosmology in India's North East" written by N. Vijaylakshmi, the goddess Nongthang Leima (Nongthang Lairembi) took two divine forms after the completion of the creation of the earth. One form is Panthoibi. This form lives in the home of gods. Another form is "Apanthoibi". This form lives among the living beings.[18][19]
| Basis | Panthoibi | Apanthoibi |
|---|---|---|
| Existence of representations or manifestations in the universe | No | Yes |
| Existence of particular forms | No | Yes |
| Existence of forms as animate as well as inanimate objects | No | Yes |
| Representations in all virtues and beauty | Yes | No |
| Supreme creator (mother) of all the seven salais (clans) | No | Yes |
Music
[edit]
Among the nine forms of musical rhythms (Seisaks) of Pena (musical instrument), Nongthang Leima Seisak is one.[20][21] All these rhythms are categorised into three movements, slow rhythm, medium rhythm and fast rhythm. Nongthang Leima song belongs to the fast rhythm.[22]
Festival
[edit]During the Lai Haraoba festival, devotees dance to please various deities. Among them, male dancers act after the styles of Haraba (alias Pakhangba) and female dancers act after the styles of goddess Nongthang Leima. Goddess Nongthang Leima represents the lightning.[23]
Identification with other deities
[edit]Goddess Nongthang Leima is often identified as Leimarel Sidabi. The former is considered as an incarnation of the latter.[24]
References
[edit]- ^ a b Ray, Asok Kumar; Chakraborty, Satyabrata (2008). Society, Politics, and Development in North East India: Essays in Memory of Dr. Basudeb Datta Ray. Concept Publishing Company. p. 79. ISBN 978-81-8069-572-8.
- ^ Singh, L. Bhagyachandra (1991). A Critical Study Of The Religious Philosophy. p. 51.
- ^ Moirangthem Kirti (1993). Folk Culture of Manipur. Manas Publications. ISBN 978-81-7049-063-0.
- ^ a b c Folk-lore. Indian Publications. 1991.
- ^ The Anthropologist: International Journal of Contemporary and Applied Studies of Man. Kamla-Raj Enterprises. 2003.
- ^ a b c Session, North East India History Association (1995). Proceedings of North East India History Association. The Association.
- ^ "Incarnations of Goddess Nongthang Leima By James Oinam". www.e-pao.net. Retrieved 2022-03-15.
- ^ Koenraad Elst (2002). Who is a Hindu? Hindu Revivalist Views of Animism, Buddhism, Sikhism and Other Offshoots of Hinduism. p. 165.
- ^ Rao, Nitya; Rürup, Luise (1997). A Just Right: Women's Ownership of Natural Resources and Livelihood Security. Friedrich Ebert Stiftung. p. 175. ISBN 978-81-7440-044-4.
- ^ Palicica, Maria; Raţă, Georgeta (2011-09-22). Academic Days of Timişoara: Social Sciences Today. Cambridge Scholars Publishing. p. 116. ISBN 978-1-4438-3401-8.
- ^ Roy, L. Somi (2021-06-21). And That Is Why... Manipuri Myths Retold. Penguin Random House India Private Limited. p. 11. ISBN 978-93-91149-65-9.
- ^ a b Brara, N. Vijaylakshmi (1998). Politics, Society, and Cosmology in India's North East. Oxford University Press. ISBN 978-0-19-564331-2.
- ^ Dr. Chirom Rajketan Singh (2016). Oral Narratives of Manipur. p. 215.
- ^ Roy, L. Somi (2021-06-21). And That Is Why... Manipuri Myths Retold. Penguin Random House India Private Limited. p. 12. ISBN 978-93-91149-65-9.
- ^ Narayan, Shovana (2005). Indian Classical Dance. Shubhi Publications. p. 85. ISBN 978-81-8290-023-3.
- ^ E. Ishwarjit (2005). Manipur, a Tourist Paradise. B.R. Publishing Corporation. p. 82. ISBN 978-81-7646-506-9.
- ^ Samiti, Kāmarūpa Anusandhāna (2005). Journal of the Assam Research Society. Kāmarūpa Anusandhān Samiti. p. 145.
- ^ Brara, N. Vijaylakshmi (1998). Politics, society, and cosmology in India's North East. Internet Archive. Delhi ; New York : Oxford University Press. p. 150. ISBN 978-0-19-564331-2.
- ^ Pani, Jiwan (2000). Celebration of Life: Indian Folk Dances. Publications Division, Ministry of Information & Broadcasting, Government of India. p. 129. ISBN 978-81-230-0790-8.
- ^ Meitei, Mayanglambam Mangangsana (2021-06-06). The Sound of Pena in Manipur. Marjing Mayanglambam. p. 34. ISBN 978-93-5473-655-1.
- ^ Khiangte, Zothanchhingi (2016-10-28). Orality: the Quest for Meanings. Partridge Publishing. p. 169. ISBN 978-1-4828-8671-9.
- ^ Devi, Dr Yumlembam Gopi (16 June 2019). Glimpses of Manipuri Culture. Lulu.com. p. 81. ISBN 978-0-359-72919-7.
- ^ Devi, Dr Yumlembam Gopi (16 June 2019). Glimpses of Manipuri Culture. Lulu.com. p. 58. ISBN 978-0-359-72919-7.
- ^ Kaushal, Molly; Arts, Indira Gandhi National Centre for the (2001). Chanted Narratives: The Living "katha-vachana" Tradition. Indira Gandhi National Centre for the Arts. p. 250. ISBN 978-81-246-0182-2.
External links
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