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No Love for Johnnie

From Wikipedia, the free encyclopedia
For the novel, see No Love for Johnnie (novel).

No Love for Johnnie
Directed byRalph Thomas
Written byMordecai Richler
Nicholas Phipps
Story bynovel No Love for Johnnie by Wilfred Fienburgh
Produced byBetty E. Box
executive
Earl St. John
StarringPeter Finch
Stanley Holloway
CinematographyErnest Steward
Edited byAlfred Roome
Music byMalcolm Arnold
Production
company
Five Star
Distributed byThe Rank Organisation
Release dates
  • 9 February 1961 (1961-02-09) (World Premiere, London)
  • 14 February 1961 (1961-02-14) (UK)
Running time
110 minutes
CountryUnited Kingdom
LanguageEnglish

No Love for Johnnie is a 1961 British drama film in CinemaScope directed by Ralph Thomas and starring Peter Finch.[1] It was written by Mordecai Richler and Nicholas Phipps based on the 1959 novel No Love for Johnnie by the Labour Member of Parliament Wilfred Fienburgh.

It depicts the disillusionment and cynicism of a rebellious leftist Labour MP, who seeks escape in a relationship with a younger woman.

The film had its world premiere on 9 February 1961 at the Leicester Square Theatre in London's West End. It has been called Thomas' best film.[2]

Plot

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Johnnie Byrne, a cynical and burnt-out Yorkshire Labour MP, whose career has seemingly stalled due to his ostensibly leftist leanings, is re-elected with the victorious Labour Party after a general election. Bitter not to receive an invitation to join the Government, his left-wing wife leaves him, and he accepts an invitation to lead a conspiratorial group of MPs working against the centrist government. Mary, the single woman upstairs, adores him, but they never quite become a couple.

Johnnie falls in love with a 20-year-old student/model Pauline, and misses making an important speech against the Government's militaristic plans because he is in bed with her. His conspirators turn against him and cause his local party to attempt to deselect him. He suffers a humiliating vote of no-confidence at a meeting of his Constituency Labour Party, but is put on probation. He then goes in search of Pauline, who has ended their relationship, still in love, but knowing it is not the right relationship for her.

He goes back home, where he finds his wife, who wants to give their marriage another chance; she gives Johnnie her phone number to call if he decides he wants her back. Meanwhile, the Prime Minister offers him a junior post, and reveals that the reason Johnnie was not offered one earlier was due to his wife's communist connections. Johnnie tears up the paper with his wife's phone number and embraces his role in government.

Cast

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Production

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The film was based on a novel by Labor politician Wilfred Fienburgh whose wife later said he wrote it over three months to "make some money".[3] Fienburgh died in a car crash in February 1958 and the novel was published in early 1959. In February 1959 the BBC bought the rights to adapt the book for television.[4] The book was serialised in a newspaper and became a best seller in England for several months. It was picked up for publication in the US.[5]

Film rights were bought by Sydney Box who hired Mordecai Richler to do the script and David Deutsch to produce. Richler said the original hope was for Jack Clayton to direct. However two weeks into Richler working on a script, Box had a heart attack and retired, and Deutsch moved on to another project. No Love for Johnnie transferred to Betty Box and Ralph Thomas.[6]

Box and Thomas had made the Doctor comedies for the Rank Organisation, and used this as leverage to get the studio to finance other projects, such as No Love for Johnnie. Ralph Thomas later said "we made that because we wanted to make it very much. We all loved it – Betty, myself, Peter Finch."[7]

Betty Box said she was "very surprised Rank let me do it... because they were very politically conservative as an organisation. Perhaps they liked the Peter Finch character being so corrupt because, after all, he was left-wing. I must say I liked it very much... I enjoyed making it very much. I loved working with Peter Finch. He was drunk some of the time, and not always very easy, but I was just very fond of him. Ralph and I both knew how to work with him."[8]

Filming started in August 1960. Ralph Thomas said "Peter managed to get everything that existed in that man [Fienburgh] on to the screen without ever having known him. People who knew Fienburgh really well identified Peter absolutely with the character."[9]

Music was by Malcolm Arnold, the score containing themes similar to those from Whistle Down the Wind (1961), which he also scored the same year. Arnold produced music scores for more than a hundred films, among these The Bridge on the River Kwai (1957), for which he won an Oscar.

There is a brief appearance of a young Oliver Reed as a bohemian party-goer.

Reception

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Thomas says the Labour Party were "enormously supportive" of the film even though it "knocked the Labour Party terribly" and "half the cabinet came to premiere."[10]

Box Office

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Thomas says the film "got great notices although it was never a commercial success, didn't even pay for itself... it very much reflected the politics of the day. The plain fact is that people were not very interested in the politics of the day."[7]

Critical

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Reviews were very strong, particularly for Finch.[11]

The Monthly Film Bulletin wrote: "The story splits awkwardly in two. Its emphasis, and most of the feeling, are on the side of Johnnie's affair with Pauline, a middle-aged man's efforts to rediscover himself through his love for a twenty-year-old girl. ... Stanley Holloway's fatherly M.P., with his talk of "the people in the streets", and Donald Pleasence's thin lipped intriguer are undeveloped and consequently improbable characters, though hardly more so than Dennis Price's chic photographer or Fenella Fielding's wild party-giver. With its range of contemporary allusions, No Love for Johnnie no doubt considers that it is making a move towards realism; but the lack of real conviction or spirit behind its "frank" love scenes, its strip-tease club visit and the rest of it, produce an effect which at first looks self-conscious and ends up looking vulgar."[12]

Variety said the film "though not sensational in treatment, it has some earthy sex angles and is a strong, adult film which should hold intelligent audiences. Though it has no obvious stellar value for the U.S., No Love For Johnnie is a film worth the attention of any out-of-the-rut booker."[13]

Accolades

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Finch won two film awards for this performance – one a BAFTA (his third),[14] and the other the Silver Bear for Best Actor at the 11th Berlin International Film Festival.[15] The film won Best Film from the British Film Academy.[16]

References

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  1. ^ "No Love for Johnnie". British Film Institute Collections Search. Retrieved 9 January 2024.
  2. ^ Ralph Thomas at BFI Screenonline
  3. ^ "Politics and design: Fleet Street, Monday Night". The Manchester Guardian. 3 February 1959. p. 6.
  4. ^ "Controversial Novel Acquired by BBC". Variety. 11 February 1959. p. 43.
  5. ^ "Books and Authors". 7 July 1959. p. 31.
  6. ^ Richler, Mordecai (20 May 1961). "The Apprenticeship of Mordecai Richler". Maclean's.
  7. ^ a b Brian McFarlane, An Autobiography of British Cinema 1997 p 559
  8. ^ Brian McFarlane, An Autobiography of British Cinema 1997 p 87
  9. ^ Faulkner, Trader (1979). Peter Finch, a biography. Taplinger Pub. Co. p. 213.
  10. ^ Collected Interviews: Voices from Twentieth-century Cinema. SIU Press. 2001. p. 115. ISBN 9780809324170.
  11. ^ STEPHEN WATTS (26 February 1961). "CURRENT MOVIE ACTIVITIES ALONG THE THAMES". New York Times. p. X9.
  12. ^ "No Love for Johnnie". The Monthly Film Bulletin. 28 (324): 33. 1 January 1961. ProQuest 1305820530 – via ProQuest.
  13. ^ Review of film at Variety
  14. ^ "Film | British Actor in 1962". BAFTA. Retrieved 9 January 2024.
  15. ^ "Berlinale 1961: Prize Winners". berlinale.de. Retrieved 23 January 2010.
  16. ^ "Paul Newman Gets Award". New York Times. 6 April 1962. p. 31.
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