Mamman Sani
 | This article contains weasel words: vague phrasing that often accompanies biased or unverifiable information. (July 2023) |
Mamman Sani Abdoulaye is a Nigerien-Ghanaian musician. He first recorded his electronic organ music in 1978 but it remained largely obscure and undiscovered until 2013.[1] He is considered to be an early pioneer of synth music in Niger.[2] Sani found unlikely fame in Denmark, regularly appearing in the playlist of Copenhagen bars.[citation needed]
Early life
[edit]In 1952, Mamman Sani was born in Accra to a privileged family. His father, of Nigerien descent, was the son of a World War I Colonel. Sani's mother was Ghanaian and the daughter of a chief.[3][4] At the end of the 1950s[vague] his family moved to Niger, where his father became a librarian for the American Cultural Center, which gave him exposure to cultural materials from all over the world.[1]
Musical career
[edit]Sani began to play music in 1968. He was a fan of Otis Redding, James Brown, and Percy Sledge.[3] After being an English teacher for some years[vague], he got a job as a UNESCO functionary. In his role at UNESCO, Sani began to travel internationally.[4] During a UNESCO meeting, Mamman purchased an Italian Orla electronic organ from a delegate from Rwanda.[4][5]
His first professional experience as a musician was being hired by Niger's national television station to compose credits and interludes for their shows.[3][6] At the time, Sani was still employed by UNESCO.
In 1978 he recorded his first album at Niger National Radio in two takes. It was released as a limited series of cassettes.[4]
In 2013, Christopher Kirkley, an American musician and producer with a specialty in Sahelian music, discovered Mamman's recordings while searching through the musical archives of the Niamey museum.[3] Kirkley described hearing Mamman's music: “It was esoteric and bizarre, unlike anything I had ever heard—the imaginary audio track to an arcade game of desert caravans trek through an pastoral landscape of 8-bit acacias and pixelized sand.”[2] That year Kirkley released the recordings through his Portland-based record label Sahel Sounds, as "La Musique Electronique du Niger".[1]
References
[edit]- ^ a b c "Sunken Treasure: Mammane Sani Abdoulaye's 'La Musique Électronique du Niger'". The Irish Times. Retrieved 2023-03-18.
- ^ a b "9 Albums That Will Change the Way You Think About African Music". Paste Magazine. Retrieved 2023-03-18.
- ^ a b c d magazine, Le Point (2016-07-27). "Musique: Mamman Sani et son orgue ressortent des limbes du Niger". Le Point (in French). Retrieved 2023-03-18.
- ^ a b c d "Mamman Sani - Artist Page". Sahel Sounds. Retrieved 2023-03-18.
- ^ "Mamman Sani Abdoulaye Took Nigerien Music Into the Future". Bandcamp Daily. 2022-05-26. Retrieved 2023-03-18.
- ^ "Sahel Sounds: Music From 21st-Century West Africa". Pitchfork. 18 February 2016. Retrieved 2023-03-18.