Janet Karin

Janet Karin OAM was born in Perth, Australia in 1938. She has danced with the Victorian Ballet Guild, Borovansky Ballet. She was a founding member of The Australian Ballet. She is a dance educator, and is the head of Artistic Studies and kinetic educator for the Australian Ballet School in Melbourne, Australia.

Performance career, 1956 – 1967

Karin studied with Laurel Martyn OBE in Melbourne during the 1950s, and was a leading member of the Victorian Ballet Guild where she performed works such as Giselle and Swan Lake. Ballets choreographed by Martyn on her included: Voyager (as Priscilla), Royal Command, and Sylvia.

From 1960–1961 she danced with the Borovansky Ballet in its final season. The Borovansky Ballet was founded in 1940 by Edouard Borovansky.

In 1962 Karin joined an exciting new company founded by Dame Peggy van Praagh known as the Australian Ballet as a soloist. In 1966 she was promoted to the rank of Principal Artist. During her career with the Australian Ballet, she danced many roles including: Debutante in Melbourne Cup, Mazurka in Les Sylphides, the Lilac Fairy in Aurora's Wedding, Myrtha in Giselle, the Second Ballerina in Ballet Imperial and Clytemnestra in Electra.

Training and development, 1967 – 1987

In 1967, Karin and her then husband, fellow Principal Artist, Bryan Lawrence left the Australian Ballet and established the Bryan Lawrence School of Ballet in Canberra ACT. The school also had its own performing arm, presenting works such as Coppélia and Giselle to Canberra audiences.

In 1971, Dame Peggy van Praagh, the founding director of the Australian Ballet became patron of the school until her death in 1990.

Artistic Director, 1987 – 1997

Under Karin's guidance, from 1987, the school became known as the National Capital Ballet School, and the associated performing company became known as the National Capital Dancers. Over the years, Janet commissioned new works from well known choreographers such as: Joe Scoglio, Paul Mercurio, Garth Welch and Natalie Weir.

In 1989, Karin received an Order of Australia Medal for her services to dance, and Noel Pelly AM accepted patronage of the school.

In 1992 and 1993 Robert Ray choreographed Cinderella and A Midsummer Night's Dream for the Dancers, with both productions receiving the Canberra Critics Circle Award; and in 1996, the National Capital Dancers collaborated with the October Ballet Company from Vietnam during their three-month residency in Canberra.

In 1997, Kylie Hunter took over the directorship of the National Capital Ballet School when Karin moved to Melbourne to take up a new position at the Australian Ballet.

Recent activities, 1997 – present

Karin has developed a number of secondary and tertiary dance education programs, has lectured with the University of Sydney, Australian National University and the University of Melbourne; and has published a number of papers and studies on dance and culture. She is the President of the International Association of Dance Medicine & Science (IADMS).

In 1997 Karin was appointed as Assistant to the Artistic Director of the Australian Ballet, Ross Stretton until 2001. Currently she is the Head of Artistic Studies and Kinetic Educator at the Australian Ballet School. Karin is the Patron for the (Laurel Martyn) Movement and Dance Education Centre in Melbourne.

In 2023 she published "The Art and Science of Ballet Dancing and Teaching: Integrating Mind, Brain and Body".

Sources

• Dictionary of Performing Arts Volume 2: opera, dance, music. Ann Atkinson, Linsay Knight, Margaret McPhee. Allen & Unwin 1996. ISBN 1-86373-898-3, ISBN 978-1-86373-898-9
• http://www.natdance.org
• Article title^[usurped]
• http://laurelmartyndance.com