Hsu Tsang-Houei
Hsu Tsang-Houei | |
|---|---|
 | |
| Born | 6 September 1929  Taichū Prefecture |
| Died | 1 January 2001 (aged 71) |
| Alma mater | |
| Occupation | Composer, ethnomusicologist |
| Awards | |
Hsu Tsang-Houei (Chinese: 許常惠; pinyin: Xǔ Chánghuì; September 6, 1929 – January 1, 2001) was a Taiwanese musician and music educator. As an ethnomusicologist, he has been called a "pioneering collector of Taiwanese folk songs."[This quote needs a citation]
Early life and education
[edit]Hsu was born in Hemei Village, Changhua County, Taichung, Taiwan, in the period of Japanese occupation, and went to Japan to study at the age of 12, majoring in violin. He came back to Taiwan and studied at Taichung Municipal Taichung First Senior High School in 1946 after war, and then studied at Taiwan Provincial Normal College (now National Taiwan Normal University) department of music,[1] serving as a violinist at Taiwan Provincial Symphony Orchestra (now National Taiwan Symphony Orchestra) after graduating.
Hsu went to France to study at public expense in 1954, and attended the College of Frankfurt, after that he transferred to University of Paris, majoring in composition and studying under André Jolivet.[2] In 1959, he chose the poem "Yesterday Someone Came from the Sea" and composed it into a soprano solo piece, which was selected for the competition of the Italian Modern Music Society, and then began his composing career.
Career
[edit]Hsu returned to Taiwan in 1959. Besides music composing, he also collected local music cultural works, for example, Taiwanese folk songs. Furthermore, Hsu used Western compositional methods to rewrite traditional Chinese music, such as the cantata "Song of Burial Flowers" written from A Dream of Red Mansions; as well as the opera from The Legend of the White Snake, and the "Baijiachun Concerto", which were well-known and well received. Hsu was influenced by Béla Bartók's use of folk music, as well as Antonín Dvořák's embrace of nationalism.
In addition to composing music, Hsu formed many modern music groups, and devoted himself to the education of modern music and the preservation of folk music. He once teamed up with Deng Chang-Guo, Anna Azusa Fujita and Zhang Ji-Gao to found the New Music in First Play orchestra, introducing Western modern music performance. Other important music groups such as Asian Composers League have also featured his participation and contribution.
Hsu taught multiple generations of students in the field of Taiwanese folk music and introduced the indigenous music of Taiwan to an international audience. In 1988, he took a group of indigenous artists on a tour of European countries including France, Switzerland, Germany and the Netherlands.[3] Among the performers were Amis husband and wife duo Difang and Igay Duana, whose vocal performance were famously recorded and used without their permission as a centerpiece of the popular song "Return to Innocence" by the new age band Enigma.[4] They would later settle with Enigma for an undisclosed amount of money.[5]
References
[edit]- ^ "Heritage Preservationist | Hsu Tsang-houei". Taiwan Ministry of Culture. 2019-06-10. Retrieved 2023-01-11.
- ^ "Hsu Tsang-Houei (許常惠), the Taiwanese Composer and Folklore Music Collector". Digital Taiwan - Culture & Nature. Retrieved 2023-01-12.
- ^ Lu, Yu-hsiu; Elschek, Oskar (2021-09-27). The Legacy of Indigenous Music: Asian and European Perspectives. Springer Nature. ISBN 978-981-16-4473-3.
- ^ "Taiwan Couple Sue Enigma for Vocals". AP NEWS. March 27, 1998. Retrieved 2023-01-12.
- ^ Wiremu, Robert (2020). "Language Preservation and Māori: A Musical Perspective". The Choral Journal. 60 (8): 41–46. ISSN 0009-5028. JSTOR 27033834.