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Gertrude Degenhardt

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Gertrude Degenhardt
Born (1940-10-01) 1 October 1940 (age 84)
New York City, U.S.
OccupationArtist
AwardsOrder of Merit of Rhineland-Palatinate
Websitewww.gertrude-degenhardt.de

Gertrude Degenhardt (born 1 October 1940) is a German artist, especially a lithographer and illustrator, based in Mainz. She is known for illustrating the texts and albums of Franz Josef Degenhardt and of other political writers and singers including François Villon, Liam O'Flaherty, Bertolt Brecht, and Wolf Biermann. In the 1990s, she turned to topics around women, portraying them in art books such Women in Music, Vagabondage in Blue, and Vagabondage en Rouge.

Early life, education, and family

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She was born in New York City to German parents[1] and grew up in Berlin from age two.[1] Her childhood was marked by the Nazi regime, bombings, and the difficult time after World War II.[1] Her family moved to Mainz in 1956, where she finished her schooling. She studied at the Staatliche Werkkunstschule für Gebrauchsgrafik, a school for applied graphics, until 1959, and then worked for advertising agencies in Frankfurt and Düsseldorf.[1]

She met Franz Josef Degenhardt, his brother Martin, and their circle of friends, including other singer-songwriters (Liedermacher) Dieter Süverkrüp [de], Hannes Wader, and Hein and Oss Kröher.[1][2] In 1964, she married Martin Degenhardt,[1] who died in 2002.[3] Their daughter Annette became a guitarist and composer.[2][4]

Career

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From the mid-1960s, she has worked as a freelance artist.[4] She designed covers for Franz Josef Degenhardt's albums, including Spiel nicht mit den Schmuddelkindern.[1] Illustrations to François Villon's Das Große Testament received the "Schönstes Buch" (most beautiful book) award from the Stiftung Buchkunst in 1970.[1]

Artistic style

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Und sollten denn auch feiern, wohl vor der Feierzeit, 1976 screenprint by Gertrude Degenhardt

In her works, Degenhardt appears as a keen observer of persons and their characteristics, rendered with a sense of absurdity and grotesque. Among her topics are enjoyment of life, hate, desire, admiration, bliss, disdain, greed, and suffering. Music and wine are frequent features of her work, also the Gonsbach valley, revolution (Republic of Mainz), vagabonds, dance, musicians, tramps, Ireland (Farewell to Connaught), and, again and again, her husband Martin Degenhardt.[1] She portrayed John Lennon in an etching Give Peace a Chance. Some sequences, such as Fiddle & Pint, were first exhibited in Dublin.

In the 1990s, she turned to women's topics such as Vagabondage, cycles of wild and unique women, in books such as Women in Music, Vagabondage in Blue, and Vagabondage en Rouge, with women making music in protest of political failures and social injustice.[1] Vagabondage Ad Mortem is a danse macabre of 1995.[1] Degenhardt illustrated many texts and books, such as Liam O'Flaherty's Der Stromer,[5] and works by Brecht, Biermann, her brother-in-law Franz Josef Degenhardt,[6] and other political authors, including covers of records of Irish Folk and singer-songwriters.[1]

Awards

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Exhibitions

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Exhibitions included:[8]

Degenhardt is listed as one of the 100 most influential women in Rhineland-Palatinate.[10]

Publications

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  • Das Fest kann beginnen. Maison de Rhénanie-Palatinat und Edition GD, Mainz 2006. ISBN 3-923929-12-9
  • Tanzende Paare. Edition Villa Musica und Edition GD, Mainz 2004. ISBN 3-923929-11-0
  • Vagabondage en rouge. Pinselzeichnungen, Lithographie, Radierungen. Edition GD, Mainz 2001. ISBN 3-923929-10-2
  • Fiddle & Pint. Edition GD, Mainz 2000. ISBN 3-923929-09-9
  • Quartette. Edition Villa Musica und Edition GD, Mainz 1998. ISBN 3-923929-08-0
  • Vagabondage in blue. Frauen an Trommeln. Edition GD, Mainz 1996. ISBN 3-923929-07-2
  • Vagabondage ad mortem. Musikanten des Todes. Edition GD, Mainz 1995. ISBN 3-923929-06-4
  • Musikfrauen – Women in Music. Mittelrhein-Museum Koblenu und Edition GD, Mainz 1990. ISBN 3-923929-03-X
  • Farewell to Connaught. 65 Kaltnadel-Radierungen von der irischen Westküste. Büchergilde Gutenberg, Frankfurt/M. 1989. ISBN 3-7632-2859-4
  • Von der anderen Musik. Zeichnungen und Radierungen 1970–1985. Kulturamt Böblingen 1985
  • In praise of pints oder Maria zu Ehren. 40 Zeichnungen mit dem Gänsekiel. Edition GD, Mainz 1983, ISBN 3-923929-00-5
  • So ein Tag, so wunderschön wie heute. Limpert, Frankfurt/M. 1974. ISBN 3-7853-1197-4
  • Nostalgia. Edition GD, Mainz-Gonsenheim 1971
  • Loppe Loppe Leiter. Linkisch Lied für Lust und Lümmel. Eberwein, Offenbach 1967

References

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  1. ^ a b c d e f g h i j k l m Michel, Peter (9 October 2020). "Die unbändige Lust an der Übertreibung". Unsere Zeit (in German). Retrieved 25 November 2020.
  2. ^ a b "Rede anlässlich der Ehrung von Gertrude Degenhardt" (in German). Mainz. 14 February 2019. Retrieved 3 December 2020.
  3. ^ a b Braun, Nadine (16 March 2019). "Gertrude Degenhardt mit Hannes-Gaab-Teller ausgezeichnet". Allgemeine Zeitung (in German). Retrieved 3 December 2020.
  4. ^ a b Räsch, Andreas (6 May 2007). "Bilder, auf dass das Leben bleibe". andreas-raesch.de (in German). Retrieved 12 February 2017.
  5. ^ "Gertrude Degenhardt: Bilder, Zeichnungen, Radierungen einschließlich aller Kaltnadel - Radierungen zu Liam O'Flaherty "Der Stromer". 14.10. - 19.11.1975". 1975. Retrieved 25 November 2020.
  6. ^ "Franz Josef Degenhardt". laut.de (in German). Retrieved 25 November 2020.
  7. ^ a b "Gertrude Degenhardt". Galerie Böhler. Retrieved 25 November 2020.
  8. ^ "Rede anlässlich der Ehrung von Gertrude Degenhardt" (in German). Georg-Scholz-Haus. 2013. Retrieved 3 December 2020.
  9. ^ a b The Kenny Gallery, Galway
  10. ^ "100 Große Rheinland-Pfälzerinnen" (PDF). bitburg-pruem.de (in German). Retrieved 3 December 2020.

Further reading

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  • Willy Barth: Vorwort. In: Quartette. Mainz 1998, ISBN 3-923929-08-0
  • Andreas Räsch: Die Welt der Gertrude Degenhardt. Ein Porträt. In: Muschelhaufen. Jahresschrift für Literatur und Grafik. Viersen 2007, No. 47/48, ISSN 0085-3593
  • Klaus Weschenfelder: Music In Women. In: Musikfrauen – Women in Music. Mainz 1990, ISBN 3-923929-03-X
  • Stefanie Mittenzwei: Den Klängen verfallen. Gertrude Degenhardts neuer Bilderzyklus "Musikfrauen". In: Mainz. Vierteljahreshefte für Kultur, Politik, Wirtschaft, Geschichte. No. 1. 1991. Verlag H. Schmidt Mainz, pp. 78–89, ISSN 0720-5945
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