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Gábor Baraker

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Gábor Baraker
Born(1926-06-10)10 June 1926
Died30 April 1983(1983-04-30) (aged 56)
Occupation(s)Actor, director
Years active195?–1974

Gábor Baraker (10 June 1926 – 30 April 1983) was a Hungarian actor who performed in his home country, Australia and the United Kingdom.

Early life

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Before Baraker could complete his schooling, he and his Jewish family came under threat from the persecution of Jews during the latter years of the Second World War.[1] As a result, his family's shops were confiscated, his parents and sister were sent to a concentration camp and he was sent to work in a Nazi Labour Camp.[2] There, Baraker built railroad tracks, which he helped blow up again when Russian advances neared. With 32 others, he escaped and hid until the Russians passed by, following them into Budapest.[1][3]

Career

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Having survived the Holocaust,[4] Baraker was able to attend the Budapest Academy of Dramatic Art, passing a four-year course within three years. Becoming a member of the Budapest National Theatre,[1][3][5] he won distinction in his home country, playing leading roles in the great classics, meeting the standard repertoire of the National Theatre.[6]

Coming to Australia in July 1950[3] and not being able to speak English, Baraker used what little money he had to buy a bicycle. While cycling to work on his first journey, he was knocked off his bike[7] and spent the next two months in hospital. During this time, he learnt English from the nurses looking after him.[2]

After recovering, the Hungarian joined the Perth Repertory Theatre. Another technique he used to improve his English was saying lines in early roles without knowing what they meant. Soon, he found himself playing important roles in Arsenic and Old Lace and A Streetcar Named Desire.[1][3] During his time, the actor also became fluent in German.[8]

Moving to Melbourne to join his parents and sister,[2] Baraker appeared for the University of Melbourne's Union Theatre and Princess Theatre in many productions like Thieves' Carnival, Bus Stop, Death of a Salesman, The Diary of Anne Frank[9][10] and Bells Are Ringing, finding success as both an actor and director.[11]

Arriving in England in 1962, Baraker made appearances in episodes of cult TV shows including Man of the World, Compact, Crane, Doctor Who (serials: Marco Polo and The Crusade), Redcap, No Hiding Place, Dixon of Dock Green, The Champions and The Saint as well as films including uncredited roles in the James Bond movie Thunderball (1965, as SPECTRE #13) and in the Pink Panther entry Inspector Clouseau (1968, as Swiss Banker). His theatre credits include Fiddler on the Roof at Her Majesty's Theatre in the West End, Fiddlers Three at Theatre Royal, Bath (1972-1973) and Bernard Pomerance's Someone Else is Still Someone at the Bush Theatre (1974).[12]

Filmography

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Year Title Role Notes
1965 Thunderball SPECTRE #13 Uncredited
1966 Where the Spies Are 2nd Agent
1966 Kaleidoscope Caleidoscópio Uncredited
1966 Drop Dead Darling Gypsy Baron
1967 Smashing Time
1968 Inspector Clouseau Swiss Banker Uncredited
1969 Vendetta for the Saint Barman

References

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  1. ^ a b c d "'Anne Frank' play - Many Jews in cast", The Australian Jewish News, 10 May 1957 (pg.10)
  2. ^ a b c "Roundabout with Pamela Ruskin: Stairway to the Stars", The Australian Jewish News, 14 March 1958 (pg.5)
  3. ^ a b c d "'Anne Frank' Play: Jewish Actor relives past", The Australian Jewish Times, 17 May 1957 (pg.9)
  4. ^ Holocaust Survivors and Victims Database
  5. ^ "Roundabout with Pamela Ruskin: Stairway to the Stars", The Australian Jewish News, 14 March 1958 (pg.16)
  6. ^ Biography in Bells Are Ringing programme
  7. ^ "Hand Through Windscreen", Daily News (Perth, Western Australia), 29 September 1950 (pg.2)
  8. ^ Spotlight - Issue 130, Part 1 - Page 472
  9. ^ "Famous Jewish Actor in "Diary of Anne Frank"", The Australian Jewish Herald, 10 May 1957 (pg.6)
  10. ^ "Anne Frank Stars", The Australian Jewish Times, 20 September 1957 (pg.8)
  11. ^ Biography in Fiddler on the Roof programme
  12. ^ "Someone Else Is Still Someone", The Stage, 25 July 1974 (page 17)
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