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Frank Spenlove-Spenlove

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Frank Spenlove-Spenlove
Born(1864-02-24)24 February 1864
Died20 April 1933(1933-04-20) (aged 69)
NationalityScottish

John Francis Spenlove-Spenlove (24 February 1864 – 20 April 1933) was a Scottish landscape and figure painter.[1][2][3]

Life and work

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Spenlove-Spenlove was born in Stirling, Scotland.[3] He painted in both oils and watercolour, and was a member of the Royal College of Art (RCA), Royal Society of British Artists (RBA), Royal Institution (RI) and the Royal Institute of Oil Painters (ROI). From 1886 he exhibited regularly at the Royal Academy, London. He was also known as an author. He was made an honoury member of the Belfast Art Society in June 1904.[4]

In 1896, he founded a successful school of modern art at Beckenham, Kent, called the Yellow Door School of Art. One of his outstanding students was Ba Nyan, a penurious student from Burma who had been sent to England in 1921 to study at the Royal College of Art but soon switched to Spenlove's Yellow Door School where he could focus on oil painting. Spenlove and Ba Nyan developed a close relationship and Spenlove eventually deferred Ba Nyan's fees. When Ba Nyan returned permanently to Burma in 1930, he had a revolutionary impact on Burmese painting, introducing the techniques in Western painting which he had learned from Spenlove and other British painters such Frank Brangwyn.[5]

All of Spenlove-Spenlove's paintings show his peculiar skill in the rendering of an atmosphere. Among the best known are:

He died in London in 1933, aged 69.[3]

References

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  1. ^ The Dictionary of Scottish Painters. 1600 to the present. Paul Harris and Julian Halsby. Canongate Publishing. 1990.
  2. ^ Dictionary of Scottish Art and Architecture. Peter J. M. McEwan. Antique Collectors Club. 1994.
  3. ^ a b c "John Francis Spenlove-Spenlove". cornwallartists.org. Cornwall Artists index. Retrieved 22 November 2021.
  4. ^ Irish women artists : from the eighteenth century to the present day. Dublin: National Gallery of Ireland & the Douglas Hyde Gallery. 1987. p. 179. ISBN 0-903162-40-7.
  5. ^ Andrew Ranard (2009). "Mood and Methodology: Genesis of the Rangoon School". Burmese Painting: A Linear and Lateral History. Silkworm Books. pp. 94–100. ISBN 978-974-9511-76-3.

This article incorporates text from a publication now in the public domainGilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). New International Encyclopedia (1st ed.). New York: Dodd, Mead. {{cite encyclopedia}}: Missing or empty |title= (help)