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File:The Burning of Payta, November 1741 RMG BHC0358.tiff

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Summary

Samuel Scott: The Burning of Payta, November 1741  wikidata:Q50879079 reasonator:Q50879079
Artist
Samuel Scott  (1703–1772)  wikidata:Q2542057
 
Samuel Scott
Description British painter and watercolorist
Date of birth/death 1702 / circa / 1703 / between 1701 and 1702
date QS:P,+1701-00-00T00:00:00Z/8,P1319,+1701-00-00T00:00:00Z/9,P1326,+1702-00-00T00:00:00Z/9
 Edit this at Wikidata
12 October 1772 Edit this at Wikidata
Location of birth/death London Edit this at Wikidata Bath Edit this at Wikidata
Work location
Authority file
creator QS:P170,Q2542057
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
The Burning of Payta, November 1741 Edit this at Wikidata
title QS:P1476,en:"The Burning of Payta, November 1741 Edit this at Wikidata"
label QS:Len,"The Burning of Payta, November 1741 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: The Burning of Payta, November 1741

In 1740, while Britain was at war with Spain, Commodore George Anson led a squadron of eight ships on a mission to disrupt or capture Spain's Pacific possessions. Returning to England in 1744 by way of China he thus completed a circumnavigation of the world. During this trip, on 13 November 1741 Commodore Anson made a surprise attack on the Spanish town of Payta, on the coast of what is now Peru. Although the attack was successful, the Governor escaped and with him the chance of a ransom was lost. Anson threatened to burn down the town if he did not give himself up, but this was refused, and Payta was consequently set on fire on 15 November. This resulted in plunder of £32,000 and six vessels sunk in the bay.

The painting by Samuel Scott was specially painted for Lord Anson after his return from his voyage and is based on an eye witness drawing by the ‘Centurion’s first lieutenant, Piercy Brett. Just to left of centre the ‘Centurion’ is shown at anchor together with the ‘Tryal’ one of the other five prizes to her left, and surrounded by wrecks of sunken vessels. To the right two more of the prizes are running down from Payta which is burning fiercely. The fifth prize is at anchor and a sunken vessel is in the extreme right foreground. The painting was originally owned by Anson, and probably commissioned by him.

The Burning of Payta, November 1741
Date Mid 18th century
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 1226 mm x 1622 mm x 84 mm;Overall: 42.6 kg;Painting: 985 x 1380 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0358
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11850
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1931-26
Caird Catalogue Number (CCAT): CC V1, P8, 63
id number: BHC0358
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current08:37, 1 October 2017Thumbnail for version as of 08:37, 1 October 20174,465 × 3,163 (40.41 MB)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/11850 #1958

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