Fernando García (composer)
Fernando García (born July 4, 1930 in Santiago, Chile) is a Chilean composer. Active since 1956 he has done orchestral music, chamber music, etc. He studied with Juan Orrego-Salas and Gustavo Becerra-Schmidt, among others. His style is strongly influenced by serialism and aleatoric procedures. He also played a role in the beginnings of electroacoustic music in Chile, after a trip he made to France in the early 1950s where he heard musique concrete.[1]
He worked for the Instituto de Extensión Musical of the University of Chile, and in 1962 he premiered his most important piece, the cantata América Insurrecta, which won an award at the Chilean Music Festival.[2]
After the Chilean coup-d'état, he was forced into exile, first in Perú (1973-1979), and then in Cuba (1979-1990). He returned to his country in 1989 and joined the Faculty of Arts of the University of Chile where he taught musicology until 2009.
In 2002, he received the National Prize for Musical Arts.[3] And in 2013 was recognized by the Sociedad Chilena del Derecho de Autor (SCD) as one of the Fundamental figures of Chilean music.
Selected works
[edit]- Variaciones for orchestra, 1959
- Sinfonía, 1960
- América Insurrecta, for speaker, chorus and orchestra, text by Pablo Neruda, 1962
- Quimera, theater piece after Federico García Lorca, 1965
- La arena traicionada (11 de marzo de 1966), 1967
- Firmamento sumergido, 1968
- Las raíces de la ira (En recuerdo de Víctor Jara), 1976
- Meditaciones, 1977
- Temblor de cielo, 1979
- Despertar de octubre (1917-1967), 1981
- Puntos cardinales for strings, 1984
- El reposo del guerrero, 1989
- Navegaciones for flute, harp and strings, 1990
- Crónicas americanas, 1992
- Se unen la tierra y el hombre for tape (voice of Pablo Neruda) and orchestra, 1992
- Zonas eriales for clarinet and chamber orchestra, 1995
- Tres miradas for strings, 1996
- Dos paisajes urbanos, 1997
- Misterios, 1998
- Tres cantos materiales for cello and strings, 1999
- Díptico sinfónico, 1999
- Rincones sordos for strings, 2001
- Nacerá la aurora (Hommage to Charles Ives), 2001
- Dura elegía (En recuerdo de Jorge Peña), 2002
- Dos temas de discusión for strings, 2003
- Luces y sombras, 2003
- Juegos for percussion and strings, 2003
- Nuevos juegos for percussion and strings, 2003
- Obertura concertante for percussion and orchestra, 2005
- Homenaje a Celso Garrido Lecca, for orchestra, 2005
- Implicaciones sonoras, for orchestra, 2005
- Imágenes siderales, 2006
- Signos de otoño, for string orchestra, 2011
- Tinieblas y Destellos, for string quartet, 2012
- De Norte a Sur, for drum kit and orchestra, 2013
- Detenidos Desaparecidos, for orchestra, 2014
- Sinergia, for orchestra, 2015
References
[edit]- ^ UNESCO Knowledge Portal
- ^ Chávez Bravo, Cristóbal. "Un compositor insurrecto – PALABRA PÚBLICA" (in Spanish). Retrieved 2023-09-04.
- ^ "Otorgan Premio Nacional de Música a Fernando García Arancibia" [National Prize for Music Awarded to Fernando García Arancibia]. El Mercurio (in Spanish). Santiago. 27 August 2002. Retrieved 12 December 2017.
| Composers |
| ||||
|---|---|---|---|---|---|
Genres and techniques |
| ||||
| Schools of composition | |||||
| International | |
|---|---|
| National | |
 | This article on a Chilean composer is a stub. You can help Wikipedia by expanding it. |