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Eugenie Schein

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Eugenie Schein
BornMay 3, 1905
Austria
DiedApril 15, 2003
Vero Beach, FL
Known forWatercolors of dancers

Eugenie Schein (May 3, 1905[1]-April 15, 2003) was an American artist and dancer[2] who immigrated from Austria in 1913. She was known for her abstract paintings of dancers from around the world and often found her subjects during her travels with the Martha Graham Dance Company.[3] She trained under the head of the modern dance[4] movement, Martha Graham.[5] In the 1930s, her art was displayed at the Midtown Galleries and the Uptown Gallery in New York City,[6] and later in Hamburgo, Mexico,[7] Havana, Cuba, Puerto Rico, and the Miami Beach Art Center in Florida.[8]

Early life and education

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Eugenie emigrated through Ellis Island from Austria with her father, Adolph, mother, Frieda, and four siblings Bertha, Selma, Fred and Emmanuel.[9] Her family was Jewish, and in 1945 she joined 1700 other professors in signing a petition supporting a Jewish national home in Palestine.[10] She received her Bachelors of Art Degree in Fine Arts at Hunter College[11] in New York, where she later became an instructor in physical education and modern dance.[12][13] She received her Masters Degree in Fine Art at Columbia University[14] in New York City. She also studied painting and sculpture at the Art Students League[15] and at the University of New Mexico's Field School in 1940.[16] Her preferred media consisted of oils, acrylics, and watercolors. A catalog was issued of her monotypes by the Miami Museum of Modern Art.[17]

She traveled to [citation needed] Havana, Cuba, in 1932, to England, Scotland and Italy by 1936,[6] to Mexico by 1937,[18] and Ciudad Trujillo, Dominican Republic, in 1938.

Career

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Schein was one of 83 sponsors of the first National Dance Congress and festival that took place May 18, 1936, in New York City in the Theresa L. Kaufmann Theatre at Lexington Avenue and 92nd Street.[4] She was a founding member of the Dance Teachers Advisory Committee in New York.[4] In 1936, her pictures were exhibited in San Francisco as part of the Mrs. Beatrice Laufman collection, along with Isabel Bishop, Paul Cadmus, Marsden Hartley, Kenneth Hayes Miller, and Betty B. Parsons.[19]

She left New York in 1954, not long after testifying in hearings against three faculty suspected of Communist Party Membership at Hunter College.[20][21] She moved to Miami, where her brothers Emmanuel and Fred owned the Bombay Hotel in Miami Beach.[22] She was a Physical Education and dance instructor at the University of Miami and the Greater Miami Jewish Community Center.[23] She continued to exhibit her paintings in later life, primarily in galleries in Miami, Florida. She was a member of the National Association of Women Artists[24] and the local chapter president of the National Artists Equity Association in 1964.[25] She died in Florida in 2003.

References

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  1. ^ U.S. Social Security Applications and Claims, 1936-2007; U.S. Social Security Death Index (SSDI)
  2. ^ The Art News  April 01–14, 1941: Vol 40 Iss 4. Brant Publications, Incorporated, 1941. archived version
  3. ^ "Music-Art". Miami Daily News: 24. November 16, 1947 – via newspapers.com.
  4. ^ a b c Jackson, Naomi M. Author. Converging Movements Modern Dance and Jewish Culture at the 92nd Street Y. Lebanon : University Press of New England, 2000. archived version
  5. ^ "Newspaper Name Index, USA, Canada, and Australia - Eugenie Schein" - The Boston Herald, Sunday, May 10, 1936 - Accessed April 7, 2024
  6. ^ a b "The Jacobis-Rudolf and Annot". Brooklyn Daily Eagle: 42. April 19, 1936 – via newspapers.com.
  7. ^ "People in the Arts". Miami Herald: 92. September 23, 1956 – via newspapers.com.
  8. ^ Art News  1947-09: Vol 46 Iss 7. Brant Publications, Incorporated, 1947. archived version
  9. ^ 1920 United States Federal Census
  10. ^ [1]A Petition to the President of the United States. 1945.
  11. ^ The Art Digest 1947-09-15: Vol 21 Iss 20. Arts Communications Group, L.P., 1947. archived version
  12. ^ Journal of Health, Physical Education, Recreation  1956-01: Vol 27 Iss 1. Taylor & Francis Ltd., 1956. archived version
  13. ^ Friedman, Jessica (2023-01-01). Hidden in Plain Sight: Women Choreographers of 1940s American Modern Dance. dissertations.umi.com (Thesis). doi:10.21985/n2-2qgn-yf53. Retrieved 2024-05-26.
  14. ^ Columbia University. Catalogue. New York, 1897. Internet Archive, http://archive.org/details/catalogue1927colu.
  15. ^ The Art Digest 1941-03-15: Vol 15 Iss 12. Arts Communications Group, L.P., 1941. archived version
  16. ^ "Opening Exhibit on Campus of Work by Students at Summer Field School". Albuquerque Tribune: 8. September 13, 1940 – via newspapers.com.
  17. ^ Eugenie Schein: Monotypes. Miami Museum of Modern Art.
  18. ^ "A Son of Maine Returns: Oils by Marsden Hartley". Brooklyn Daily Eagle: 39. April 25, 1937.
  19. ^ "Oakland Art Annual-Jurors are Selected". Oakland Tribune: 19. March 1, 1936 – via newspapers.com.
  20. ^ Federal Bureau of Investigation. FBI Silvermaster File. archived version Accessed 8 Apr. 2024.
  21. ^ Heins, Marjorie (2013-02-04). Priests of Our Democracy: The Supreme Court, Academic Freedom, and the Anti-Communist Purge. NYU Press. ISBN 978-0-8147-9051-9.
  22. ^ "Your Place in the Sun (advertisement)". Fort Myers (FL) News-Press: 10. July 4, 1954 – via newspapers.com.
  23. ^ "Art Classes". Miami Herald: 40. January 12, 1959 – via newspapers.com.
  24. ^ "In N.Y. Show". Miami Herald: 147. May 18, 1958 – via newspapers.com.
  25. ^ "World's Fair Art Hassle Cleared Up". Miami Herald: 30. December 15, 1963 – via newspapers.com.