Jump to content

Dulce Pinzon

From Wikipedia, the free encyclopedia

Dulce Pinzón
Born1974
Mexico City, Mexico
NationalityMexican
Alma materUniversidad de Las Americas, Indiana University of Pennsylvania
Occupation(s)Photographer, author
Known forfine arts photography, portraiture, environmental activism
Notable workThe Real Story of the Superheroes
AwardsFord Foundation Grant, New York Foundation for the Arts Fellowship in Photography
Websitewww.dulcepinzon.com

Dulce Pinzón (born 1974 in Mexico City, Mexico)[1][2] is a Mexican artist currently living in Brooklyn, New York, Mexico City, Mexico, and Montreal, Canada.[3][4] In 2015 she was named by Forbes Magazine as "One of the 50 most creative Mexicans in the world",[5] and Vogue magazine identified her as one of the "8 Mexican female photographers who are breaking through at a global level."[6] In 2020, the Voice of America characterized her as having "earned a prestigious place in the world of fine arts photography."[7]

Education

[edit]

Pinzón studied Mass Media Communications at the Universidad de las Américas Puebla in Mexico, and Photography at Indiana University of Pennsylvania in the United States .[8] She moved to New York City in 1995 and studied at the International Center of Photography. She lives and works in Mexico, Montreal, and New York.[8][9][4]

Photography

[edit]

Pinzon's work is influenced by feelings of nostalgia, questions of identity, political, environmental, and cultural frustrations.[8][10][11] The goal that she pursues through her art activism is cultural consumption, customization, and intervention. Some of her projects are: "Viviendo En El Gabacho"(a Spanish colloquialism for "foreign" which in Mexico is used as a Mexican colloquialism for "living in the United States"),[12] "Loteria" (Lottery), "Multiracial", "Generosity", and "Real Stories of the Superheroes." Her work has been published and exhibited in Mexico, the United States, Australia, Latin America, Asia, and Europe.[11][13][14][15][16][17][18]

The Real Story of the Superheroes

[edit]

In 2006, Pinzón completed a project in which she photographed several immigrant workers in New York City dressed as superheroes[13][19] who, like her, mostly originally came from the state of Puebla in Mexico. "They’re so quiet and hard-working and invisible", Pinzón said of her subjects in a feature article in The New York Times in 2006.[14] "I wanted to pay a tribute to them."[14] Pinzón drew on her nostalgia for Mexicopop culture as a medium to get her views across to through her art.[20]

This series consists of 20 color photographs of Mexican immigrants dressed in the costumes of well-known American and Mexican superheroes.[21][11] Pinzón breaks down the photographs' titles into five sections which not only title the photographs, but also deliver biographical data about the subject.[22] These sections are:

  • Name of the superhero
  • Name of the daily worker
  • Name of their home country
  • What the laborer does for a living
  • And the amount of money that they send home.

One example of these "everyday superheroes" is the photograph titled "Noe Reyes. He sends hundreds of dollars back to Mexico every month."[21] There are many undocumented workers from Puebla who reside in New York City and who work as dishwashers, deli workers, and cleaning women, etc. and whom are rarely recognized for their everyday acts of sacrifice and heroism in supporting their families in their countries of origin.[23][15][24]

Another example, is the story of behind the photograph Minerva Valencia,[15] who dressed up as Catwoman for Dulce's artwork.[25] Valencia came to New York from Puebla and works as a babysitter in New York. The amount of economic remittance that she sends back to Puebla, Mexico is four hundred dollars per week.[26]

The New Yorker magazine photography critic Maria Lokke wrote about these images:

In Dulce Pinzon’s “Superheroes” series, costumes are superimposed on working-class Mexicans in New York: cooks, nannies, construction workers. These satirical scenes question modern heroism and bring into focus the vital role these individuals play in the lives of their families and in the economy of the larger community, on both sides of the border. She made these pictures, she writes, “to pay homage to these brave and determined men and women that somehow manage, without the help of any supernatural power, to withstand extreme conditions of labor in order to help their families and communities survive and prosper.”[27]

And in discussing Pinzon's photographs at the Art Museum of the Americas, Washingtonian magazine observed that :

The iconic "Real Stories of Superheroes" series by Brooklyn-based Mexican photographer Dulce Pinzón depicts Mexican immigrants in the service sector performing their daily tasks while disguised as American superheroes. With titles such as "Aquaman is Juventino Rosas From the State of Mexico. He Works in a Fish Market in New York. He Sends $400 Home Each Week," the portraits memorialize the accomplishments of an enormous but invisible population.[28]

This project is easily Pinzon's best-known series and has been exhibited worldwide in museums, galleries and international art fairs.[22][29][23][15][30][31][32] The process taken by Pinzón in her art photographic activism was cultural consumption (superheroes), customization (Mexican laborers portrayed as superheroes), and intervention (art displayed in mainstream areas such as museums, galleries and art fairs).[33] Inspired by these photographs, in 2015 the Geneva-based International Organization for Migration (IOM) launched a social media campaign under the tag #MigrantHeroes "to invite people around the world to identify and tell the stories of migrant heroes."[15]

In 2012 the photographic series was published in English, Spanish, and French as a book titled Dulce Pinzón: The Real Story of the Superheroes (Editorial RM, ISBN 978-8415118244).[34][32]

In 2020 the photographs were added to the permanent collection of the Museo Universitario de Arte Contemporáneo in Mexico City[35] and classified as part of the Mexican National Heritage.[36]

Loteria

[edit]

As it has been noted in academic research on her work,[37][38] Dulce Pinzon's work is also clearly inspired by the dualistic culture within Mexicans in New York.[37][38] She demonstrated this concept of dualism in her 2001–2002 project "Loteria" (Spanish for "Lottery"), which is a traditional Mexican card game. In this project, she used the card images from this well known Mexican card game, and projected these images onto the nude bodies of some of her New York friends and loved ones.[12][39] This project is also representative of the Cuban scholar Fernando Ortiz Fernández concept of transculturation.[40] By projecting the images of the cards of the "Loteria" game onto the human bodies of New York residents, she demonstrated how culture counter-flows through people's migration patterns, which is a form of cultural remittances.[40]

Multiracial

[edit]

Funded by a grant from the Mexican National Fund for Art and Culture (FONCA),[41] this photographic portrait project[42] consists of 16 color portraits of "people of mixed ethnic origin in front of primary color backgrounds."[41][43] This work has been described as: "Mexican-born New Yorker Dulce Pinzon, in her "Multiracial" series, revisits the bold color fields characteristic of traditional Latin American art and reinterprets them as brilliant backgrounds for explorations into what color means for an increasingly diverse society, evermore concerned with self-identity."[44]

Environmental activist

[edit]

For many years Pinzon focused a significant amount of energy in environmental issues and in 2017 staged the first artistic intervention with the introduction of the Generosity project, which has been described in the Mexican press as a project that "offers an environmental compromise with the community, having as a focused theme the use of Styrofoam."[45][46][47][48]

Pinzon describes Generosity as "a clandestine project that emerged two years ago, from which I am concerned that products that are used as straws or plastic glasses have a shelf life of one to two minutes and in contrast take hundreds of years to disappear; however, there are already products made with biodegradable materials, such as avocado stone, which will degrade in three months."[49]

Awards

[edit]

2014–2017 – Endowment of the Arts SNCA/FONCA Fellowship, Mexico.[50]

2012 – First place Award – Sixth International Photography Symposium: Mazatlán Abierto, Mexico[51]

2011 – ZONAMACO Perrier Art Prize for Digital Photography, Mexico City, Mexico[52]

2010 – Gaea Foundation/Sea Change Residency Award[51]

2008 – Ford Foundation Grant[53]

2006 – New York Foundation for the Arts Fellowship in Photography[51]

2002 – Jóvenes Creadores Grant, Mexico[54]

2002 – Mexican National Fund for Art and Culture grant[41]

Collections

[edit]

The Queens Museum of Art, New York, NY[55]

San Diego Museum of Art, San Diego, CA

National Museum of Mexican Art, Chicago, IL

Carnegie Museum, Pittsburgh, PA[56]

Columbia University, New York, NY[57]

University of Maryland, College Park, Maryland[58]

International Center of Photography, New York

Museo Universitario de Arte Contemporáneo, Mexico City, Mexico[36]

The Montclair Art Museum, Montclair, NJ[59]

Snite Museum of Art at The University of Notre Dame[60]

EnFoco[61]

Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY[62]

Museum of Latin American Art, Long Beach, CA[63]

Centro de la Imagen, Mexico City, Mexico[64]

Kalamazoo Institute of Arts, Kalamazoo, Michigan[65]

El Museo del Barrio, New York, NY[66]

Selected exhibitions

[edit]

2006 – Dulce Pinzon – The Real Story of the Superheroes - Queens Museum, New York, NY, USA[67]

2007 – 2008: Kunsthaus Miami, Florida, United States[68][69]

2008 -The Real Story of Superheroes – Dicke Building Art Gallery at Trinity University, San Antonio, Texas[53]

2008 – A Declaration of Immigration – National Museum of Mexican Art, Chicago, Illinois, USA[70]

2008 – Caras Vemos, Corazones no Sabemos: The Human Landscape of Mexican Migration, Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, USA[71]

2011 – Fotográfica de Bogotá, Bogotá, Colombia[72]

2011 – Pittsburgh Biennial, The Andy Warhol Museum, Pittsburgh, Pennsylvania, United States[29]

2011– 'Les Rencontres d'Arles Photographie Festival, Arles, France[15][16][22]

2011 – Dulce Pinzón: Superheroes – Foosaner Art Museum, Melbourne, Florida, USA[29]

2012 – "Ñew York", Art Museum of the Americas, Washington, DC, USA[28][73]

2013 – LATINO/US Cotidiano, Museum of Latin American Art, Long Beach, California, USA[74][10]

2013 – Double Portraits, San Diego Museum of Art, San Diego, California, USA[75]

2013 – Character Study, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA

2013 – The Real Story of Superheroes - Boca Raton Museum of Art, Boca Raton, Florida, USA[76]

2013 – Scope Art Fair, New York City, USA[77]

2015 – Rosenberg Art Gallery at Goucher College, Towson, Maryland, United States[78]

2015 – PhotoEspaña 2015, Madrid, Spain.[79]

2016 – Texas Contemporary, Houston, Texas, USA[80]

2017 – FotoMexico, Mexico City, Mexico[81][82]

2017 – Dulce Pinzon: Generosity, Museo Amparo, Puebla, Mexico[9][46]

2017 – Context Art Miami, Miami, Florida[83]

2018 – Destination: Latin America, South Bend Museum of Art, South Bend, Indiana, USA[84]

2018 – ZonaMaco Foto, Mexico City, Mexico.[85][86]

2019 – Culture and The People: El Museo del Barrio, 1969 – 2019, Part I, El Museo del Barrio, Harlem, New York City[87]

2019 – "Destination: Latin America”, LSU Museum of Art, Louisiana State University, Baton Rouge, Louisiana, USA[88]

2019 – Men of Steel, Women of Wonder - Crystal Bridges Museum of Art, Bentonville, Arkansas,[89][90][91] The Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts,[92] and San Antonio Museum of Art, San Antonio, Texas, US[93][94][95]

2019 – Recent Acquisitions – Neuberger Museum of Art, Purchase, New York, USA[96]

2019 – Lille 300, El Dorado Festival, The real story of the Superheroes, Lille, France[97]

2020 – ZONAMACO Art Fair, Mexico City, Mexico.[98]

2020 – La véritable histoire des super-héros Festival de teatro ¿Qué onda México? Nouveau Théâtre de Montreuil, France[99]

2021 – Festival Art Souterrain 2021, Montreal, Canada.[100][101]

2021 – The Real Super Heroes: Reimagining the Role of Latin American Immigrants through the Photography of Dulce Pinzón, Columbia University, New York, NY.[102]

2021 – The Rise of a Social Consciousness in the Arts of Mexico since the Revolution. Neuberger Museum of Art, Purchase College, NY.[103]

References

[edit]
  1. ^ "Dulce Pinzón – Desigualdad. Univision". especiales.univision.com (in Spanish). Archived from the original on 12 July 2018. Retrieved 5 April 2018.
  2. ^ "People of Mexico: Local Photographer, Dulce Pinzón". The Lift. Retrieved 21 April 2020.
  3. ^ Alvarado, Virginia. "Música y recuerdos". New York Daily News. Retrieved 22 April 2020.
  4. ^ a b "Workshops Cómo ser Fotógrafa". Cómo ser Fotógrafa (in Spanish). Retrieved 7 January 2022.
  5. ^ Staff, Forbes (15 December 2015). "Los 50 mexicanos más creativos en el mundo • Forbes México". Forbes México (in Mexican Spanish). Retrieved 22 April 2020.
  6. ^ "8 fotógrafas mexicanas que la están rompiendo a nivel mundial". Vogue Mexico (in Mexican Spanish). Retrieved 22 April 2020.
  7. ^ "Dulce Pinzón: la fotógrafa que captura a los héroes migrantes | Voice of America – Spanish". www.voanoticias.com (in Spanish). Retrieved 28 July 2020.
  8. ^ a b c "CPW – Dulce Pinzón". The Center for Photography at Woodstock. 12 November 2007. Retrieved 21 April 2020.
  9. ^ a b MuseoAmparo.Puebla. "Dulce Pinzón | Artistas | Museo Amparo, Puebla". museoamparo.com (in Spanish). Retrieved 21 April 2020.
  10. ^ a b "No superheroes in MOLAA's 3 new exhibitions". Orange County Register. 18 October 2013. Retrieved 21 April 2020.
  11. ^ a b c FEIDEN, DOUGLAS. "Photographer Dulce Pinzon portrays immigrants as superheroes, showing off their successes with flying colors". New York Daily News. Retrieved 21 April 2020.
  12. ^ a b "Galería de la Raza: Dulce Pinzón". www.galeriadelaraza.org. Retrieved 22 April 2020.
  13. ^ a b Schwendener, Martha (31 August 2007). "A Latino Biennial That Bucks a Global Trend". The New York Times. ISSN 0362-4331. Retrieved 21 April 2020.
  14. ^ a b c Murphy, Tim (24 September 2006). "Hombres of Steel". The New York Times. ISSN 0362-4331. Retrieved 21 April 2020.
  15. ^ a b c d e f Keung, Nicolas (5 February 2015). "#MigrantHeroes honoured in Dulce Pinzon photos". The Star Newspaper. Retrieved 21 April 2020.
  16. ^ a b "THE RENCONTRES D'ARLES – PHOTOGRAPHY FESTIVAL – Arles, France". www.claudinecolin.com. Retrieved 5 April 2018.
  17. ^ "Batman, Superman y la Mujer Maravilla hacen trabajos de latinos". La Nacion Newspaper (in Spanish). 7 December 2012. Retrieved 22 April 2020.
  18. ^ "Así son los superhéroes (de carne y hueso) en EE.UU". ABC Madrid (in Spanish). 12 November 2012. Retrieved 22 April 2020.
  19. ^ Pinzón, Dulce. "The Magnificent Migrants". Foreign Policy. Retrieved 22 April 2020.
  20. ^ Fokuslimonta.wordpress.com/2008/02/27/la-verdadera-historia-de-los-superheroes/
  21. ^ a b "Dulce Pinzon – Represented by Alida Anderson Art Projects". alidaanderson.com. Retrieved 21 April 2020.
  22. ^ a b c Brook, Pete (14 September 2010). "Photog Gives Migrant Workers the Superhero Treatment". Wired. ISSN 1059-1028. Retrieved 21 April 2020.
  23. ^ a b Pinzon, Dulce. "Mexican Superheroes". Mother Jones. Retrieved 21 April 2020.
  24. ^ Hinkson, Ralph (6 November 2009). "Everyday Hero Shoots". TrendHunter.com. Retrieved 21 April 2020.
  25. ^ Rossignol, Lorraine (9 June 2019). "Dulce Pinzon, la photographe qui transforme les immigrés mexicains en superhéros". Télérama (in French). Retrieved 21 April 2020.
  26. ^ "Kunsthaus". Archived from the original on 24 July 2011. Retrieved 9 May 2011.
  27. ^ Lokke, Maria. "Mexico + Afuera, at Aperture". The New Yorker. Retrieved 21 April 2020.
  28. ^ a b Shook, Beth (9 March 2012). "Art Review: "Ñew York" at the Art Museum of the Americas | Washingtonian (DC)". Washingtonian Magazine. Retrieved 21 April 2020.
  29. ^ a b c "Pinzón, Dulce | Biography". www.mutualart.com. Retrieved 21 April 2020.
  30. ^ "Texas Contemporary |". Texas Contemporary. Retrieved 21 April 2020.
  31. ^ "ZIA Gallery presents Dulce Pinzón and Maggie Meiners". Winnetka-Glencoe, IL Patch. 8 June 2012. Retrieved 22 April 2020.
  32. ^ a b "Dulce Pinzón". Art World Chicago. Retrieved 22 April 2020.
  33. ^ "Dulce Pinzón, "The real story of the Superheroes," 2004–2005 · Contemporary Art Purchasing Program – Stamp Gallery". University of Maryland. Retrieved 21 April 2020.
  34. ^ "State of the Art: Your Weekly Guide to NYC's Latino Art Openings | Art, Culture". Remezcla. 25 March 2013. Retrieved 21 April 2020.
  35. ^ "MUAC, Sin compras, pero con más acervo". El Heraldo de México (in Mexican Spanish). 23 July 2020. Retrieved 28 July 2020.
  36. ^ a b Sandra De los Santos (6 July 2020). "Obra de Dulce Pinzón es seleccionada para la colección permanente del MUAC". Aquinoticias.mx (in European Spanish). Retrieved 6 July 2020.
  37. ^ a b Bayly, Heather Jane (16 October 2013). "Professional Wrestling and Contemporary Photography: The Case of Dulce Pinzón's The Real Story of the Superheroes". Revue de recherche en civilisation américaine (in French) (4). ISSN 2101-048X.
  38. ^ a b Desai, Dipti (2010). "Unframing Immigration: Looking Through the Educational Space of Contemporary Art". Peabody Journal of Education. 85 (4): 425–442. ISSN 0161-956X. JSTOR 25759042.
  39. ^ "NAGARI ENTREVISTA A LA FOTÓGRAFA MEXICANA DULCE PINZÓN". Nagari Magazine. 31 August 2013. Retrieved 22 April 2020.
  40. ^ a b Kandé, Sylvie (16 September 2014). "La véritable histoire des superhéros". Cairn Info. Retrieved 21 April 2020.
  41. ^ a b c Mestrich, Qiana (12 February 2008). "Photo Project: Dulce Pinzón's "Multiracial"". Dodge & Burn: Decolonizing Photography History. Retrieved 22 April 2020.
  42. ^ "Dulce Pinzón. Galería Multiracial". Parainmigrantes (in Spanish). 10 September 2008. Retrieved 22 April 2020.
  43. ^ Hernández, Alan (30 June 2015). "El mensaje social de Dulce Pinzón". Fotofestín (in Spanish). Retrieved 22 April 2020.
  44. ^ Needleman, Risa (1 June 2005). "Contemporary Latin American Art Group Show". Risa Needleman Gallery. Retrieved 22 April 2020.
  45. ^ lenferdesarts (4 August 2017). "Generosity. Proyecto generado por Dulce Pinzón". L'enfer des arts (in European Spanish). Retrieved 9 May 2020.
  46. ^ a b ""Generosity" Dulce Pinzón @MuseoAmparo". Hello DF (in Mexican Spanish). 10 August 2017. Retrieved 21 April 2020.
  47. ^ "Dulce Pinzón: Mujer, artista y activista". Los Rostros (in Spanish). 17 April 2019. Retrieved 9 May 2020.
  48. ^ Parral, Tribuna (13 September 2019). "Inaugura Dulce Pinzón Obra "Generosity", para aportar impacto artístico y ambiental". Tribuna Parral (in Spanish). Retrieved 9 May 2020.
  49. ^ México, Secretaría de Cultura de la Ciudad de. "Fotógrafos buscan generar conciencia sobre el cuidado ambiental con sus trabajos y charla en el MAF". Secretaría de Cultura de la Ciudad de México (in Spanish). Retrieved 9 May 2020.
  50. ^ "Judges – PHOTO '17 Contest". Envision Kindness. Retrieved 22 April 2020.
  51. ^ a b c "Dulce Pinzon". Les Rencontres de la Photographie d'Arles. Retrieved 21 April 2020.
  52. ^ "2011 ZONAMACO Prizes | Arte por Excelencias". www.arteporexcelencias.com. Retrieved 21 April 2020.
  53. ^ a b Herrera, Jennifer. "The secret lives of superheroes". San Antonio Current. Retrieved 21 April 2020.
  54. ^ "ESOPUS Magazine : Contents". www.esopus.org. Retrieved 21 April 2020.
  55. ^ "Queens Museum – The Gift 2008". Retrieved 3 May 2020.
  56. ^ "Carnegie Magazine | Spring 2013 | NewsWorthy". Carnegie Museums. Retrieved 3 May 2020.
  57. ^ "Curatorial – Frances Negrón-Muntaner". fnm-test.webflow.io. Retrieved 3 May 2020.
  58. ^ "About Contemporary Art Collection". Stamp Gallery – University of Maryland. Retrieved 3 May 2020.
  59. ^ "Constructing Identity in America (1766–2017) | Montclair Art Museum". www.montclairartmuseum.org. Retrieved 3 May 2020.
  60. ^ "Fowler Exhibition Explores Human Side of Mexican Migration". UCLA. 21 April 2008. Retrieved 12 May 2020.
  61. ^ "En Foco/In Focus: Selected Works from the Permanent Collection at Aljira". arcthemagazine.com. Retrieved 3 May 2020.
  62. ^ "New at the Neuberger Museum of Art: Recent Acquisitions". www.purchase.edu. Retrieved 9 May 2020.
  63. ^ "No superheroes in MOLAA's 3 new exhibitions". Orange County Register. 18 October 2013. Retrieved 11 May 2020.
  64. ^ "Mexican Worlds: 25 Contemporary Photographers | PhotoIreland Festival 2011PhotoIreland Festival 2011 – Collaborative Change". 2011.photoireland.org. Retrieved 12 May 2020.
  65. ^ "Sightlines – Kalamazoo Institute of Arts" (PDF). SIGHTLINES. p. 19. Retrieved 12 May 2020.
  66. ^ "Culture and The People: El Museo del Barrio, 1969–2019 | El Museo". Retrieved 14 May 2020.
  67. ^ "Dulce Pinzon – The Real Story of the Superheroes". Queens Museum. 21 July 2006. Retrieved 22 April 2020.
  68. ^ "Tim Connor". timconnor.blogspot.com. Retrieved 5 April 2018.
  69. ^ Jesus, Carlos Suarez De (31 January 2008). "Immigrants Are Superheroes". Miami New Times. Retrieved 5 April 2018.
  70. ^ "A Declaration of Immigration | National Museum of Mexican Art". nationalmuseumofmexicanart.org. Retrieved 22 April 2020.
  71. ^ "It's All Happening at the Zoo". Milwaukee Magazine. 11 September 2008. Retrieved 9 May 2020.
  72. ^ centrodelaimagen (23 May 2011). "Superhéroes, de Dulce Pinzón en Fotográfica de Bogotá". Centro de la Imagen (in European Spanish). Retrieved 22 April 2020.
  73. ^ EFE (18 February 2012). "Artistas iberoamericanos muestran sus obras basadas en la Gran Manzana en 'Ñew York'". www.20minutos.es – Últimas Noticias (in Spanish). Retrieved 22 April 2020.
  74. ^ Recio, Maria (29 April 2019). "'Latino/US Cotidiano' exhibit breaks boundaries of stereotypes". McClatchy Newspapers. Retrieved 21 April 2020.
  75. ^ "Double Portraits". San Diego Museum of Art. Retrieved 21 April 2020.
  76. ^ inga.ford (2 December 2015). "Dulce Pinzón: The Real Story of the Superheroes". Boca Raton Museum of Art. Retrieved 21 April 2020.
  77. ^ "Scope New York 2013". Photograph Magazine. 5 June 2015. Retrieved 22 April 2020.
  78. ^ "Superheroes: The Real Story | Goucher College". Goucher College. Retrieved 5 April 2018.
  79. ^ "PhotoEspaña 2015: Latinoamérica hace clic – Imagen de la serie 'La verdade... | Madrid | EL MUNDO". ELMUNDO (in Spanish). 2 June 2015. Retrieved 22 April 2020.
  80. ^ "The Ultimate Guide to the Texas Contemporary Art Fair: New York Ownership Embraces Houston's Messy Vitality". PaperCity Magazine. 26 September 2016. Retrieved 22 April 2020.
  81. ^ "Dulce Pinzon – artist, news & exhibitions – photography-now.com". photography-now.com (in German). Retrieved 5 April 2018.
  82. ^ "Exhibition FOTOMÉXICO 2017 – artist, news & exhibitions – photography-now.com". photography-now.com. Retrieved 21 April 2020.
  83. ^ "Alida Anderson Art Projects at CONTEXT Art Miami 2017 | Alida Anderson Art Projects | Artsy". www.artsy.net. Retrieved 21 April 2020.
  84. ^ "Destination: Latin America". LSU Museum of Art. Retrieved 22 April 2020.
  85. ^ "Estos son los imperdibles de ZonaMaco Foto y ZonaMaco Salón". El Financiero (in Spanish). Retrieved 22 April 2020.
  86. ^ Rivera, Elizabeth (17 August 2018). "La edición número cinco de ZⓈONAMACO SALÓN y la cuarta edición de ZⓈONAMACO FOTO vuelven a la Ciudad de México". Clásico DMX (in Mexican Spanish). Retrieved 22 April 2020.
  87. ^ "Culture and The People: El Museo del Barrio, 1969–2019". 11 April 2019. Retrieved 21 April 2020.
  88. ^ Leger, Benjamin (2 October 2019). "New exhibit at LSU Museum of Art reflects the struggles of Latin American people". 225 Magazine. Retrieved 21 April 2020.
  89. ^ "Men of Steel, Women of Wonder | Crystal Bridges | Bentonville, AR". Crystal Bridges Museum of American Art. Retrieved 22 April 2020.
  90. ^ Peacock, Leslie Newell (13 February 2019). "A super show at Crystal Bridges: 'Men of Steel, Women of Wonder'". Arkansas Times. Retrieved 22 April 2020.
  91. ^ Saenger, Peter (18 January 2019). "Supermen and Wonder Women". The Wall Street Journal. ISSN 0099-9660. Retrieved 22 April 2020.
  92. ^ Andover (30 August 2019). "On view". Andover. Retrieved 22 April 2020.
  93. ^ "Men of Steel, Women of Wonder – Past Exhibition | San Antonio Museum of Art". www.samuseum.org. Retrieved 22 April 2020.
  94. ^ "Men of Steel, Women of Wonder Debuts at San Antonio Museum of Art". San Antonio Magazine. 20 June 2019. Retrieved 22 April 2020.
  95. ^ ""Men of Steel, Women of Wonder" Explores Superhero Ideas – Arts Alive San Antonio". Retrieved 22 April 2020.
  96. ^ "Neuberger Museum, Purchase, NY – New at the Neuberger Museum of Art: Recent Acquisitions – Museum Exhibitions – DC Moore Gallery". www.dcmooregallery.com. Retrieved 22 April 2020.
  97. ^ "- Que faire ce vendredi 4 octobre à Lille et dans la métropole ?". La Voix du Nord (in French). 4 October 2019. Retrieved 3 May 2020.
  98. ^ Fassa, Layla (7 February 2020). "Taking in Local Projects at Zona Maco, Latin America's Largest Art Fair". Hyperallergic. Retrieved 22 April 2020.
  99. ^ "QUE ONDA MEXICO ?". Ministère de la Culture (in French). 18 February 2020. Retrieved 3 May 2020.
  100. ^ "Festival Art Souterrain 2021 : Chronometry". Montréal centre-Ville. Retrieved 7 January 2022.
  101. ^ "Festival 2021". Art Souterrain. Retrieved 7 January 2022.
  102. ^ "The Real Super Heroes: Reimagining the Role of Latin American Immigrants through the Photography of Dulce Pinzón | Institute of Latin American Studies". Columbia University. Retrieved 7 January 2022.
  103. ^ "The Rise of a Social Consciousness in the Arts of Mexico since the Revolution". Purchase College. Retrieved 7 January 2022.
[edit]



Retrieved from "https://wiki.riteme.site/w/index.php?title=Dulce_Pinzon&oldid=1253193723"