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Draft:Mirjana Batinić

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  • Comment: What is needed to pass notability criteria are high quality sources that are completely independent from the person themself, such as in-depth reviews in magazines or newspapers, chapters about the person (not by the person) in books by established presses, and things like works in permanent collections of notable museums or national galleries. Netherzone (talk) 14:38, 18 August 2024 (UTC)
  • Comment: Soundcloud, Vimeo, and Wikipedia are not reliable sources for the article, as these are all user-generated. Utopes (talk / cont) 00:48, 15 August 2024 (UTC)

Mirjana Batinić is a post-media artist who is also active in the fields of education, art theory, and philosophy. Born in Split, Croatia, she has lived in Ljubljana, Slovenia, and currently resides in Malta.

Batinić's work spans interactive installations, sound, and video art, which have been exhibited internationally in numerous solo and group exhibitions, as well as at festivals. Notable venues include the Museum of Modern Art (MG+),[1] Ljubljana; the MFRU International Festival of Computer Arts,[2] Maribor; Ars Electronica, Linz; and the Kapelica Gallery, Ljubljana.

In addition to her artistic practice, Batinić has led several workshops, including a series for the inaugural Malta Biennale[3] and "For Your Pleasure: Feminist Positions in Visual Art in and from Slovenia"[4] at MG+ Ljubljana. She has also conducted masterclasses for the first Malta Biennale and participated in various workshops, artist residencies, academic conferences, public lectures, and presentations.

Batinić is the author of several books and articles focused on art theory and pedagogy.[5]

Education

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Batinić earned her doctorate[6] in philosophy and theory of visual culture from the Faculty of Humanities at the University of Primorska in Koper.[7]

She holds a master's degree[8] in video art and new media from the Academy of Fine Arts and Design [9] at the University of Ljubljana, as well as both a bachelor's and a master's degree in fine arts and culture from the Academy of Fine Arts at the University of Split, Croatia.[10]

Her scholarly contributions include scientific publications[11] in the fields of theory, philosophy, and art history. She has presented her research at internationally recognized academic conferences, including those organized by the SAZU Slovenian Academy of Sciences and Arts in Ljubljana, [12] Sorbonne University in Paris,[13] [14] and the Karol Lipiński Academy of Music in Wrocław, Poland.

Some of her video artworks are part of the DIVA station, digital video archive[15], curated by the Center for Contemporary Art SCCA-Ljubljana. Batinić is also a member of the Croatian Association of Visual Artists Split (HULU).[16]

References

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  1. ^ https://www.mg-lj.si/en/exhibitions/3820/for-your-pleasure/
  2. ^ "MFRU – Topographies of Sea Deaths".
  3. ^ "Masterclass 2 - Malta Biennale".
  4. ^ https://www.mg-lj.si/en/exhibitions/3820/for-your-pleasure/?fbclid=IwAR3H0TyLFnSAfHx4wmrVCu7J-q0aXpvY_sPW3NPbuRAfetB3HnMWqVhBkU0
  5. ^ "Rezultati iskanja ar%3D228734563 :: COBISS+".
  6. ^ "DLib.si - Čas in prostor v umetniškem delu Fione Tan".
  7. ^ "EN".
  8. ^ Batinić, Mirjana (2012). Protokoli, komunikacije in razširjeni kanali sporočanja: Magistrsko delo (Thesis). M. Batinić.
  9. ^ "University of Ljubljana, Academy of fine Arts and Design".
  10. ^ "Home".
  11. ^ "Rezultati iskanja ar%3D228734563 :: COBISS+".
  12. ^ Batinić, Mirjana (2013). Ivanović, Nataša; Mitrović, Slađana (eds.). "Diskurzivna analiza: Estetika črno-bele fotografije". Interdisciplinarni Znanstveni Simpozij Pomen Barve V Vizualni Umetnosti: Zbornik Povzetkov: 7.
  13. ^ Theater, Performance, Philosophy Conference 2014Crossings and Transfers in Contemporary Anglo-American Thought.
  14. ^ "Theater, Performance, Philosophy Conference 2014".
  15. ^ "DIVA digitalni video arhiv ISKANJE".
  16. ^ "Batinić Mirjana".