Caprice (1967 film)
Caprice | |
---|---|
Directed by | Frank Tashlin |
Written by | Jay Jayson Frank Tashlin |
Produced by | Aaron Rosenberg Martin Melcher Martin Hale |
Starring | Doris Day Richard Harris |
Cinematography | Leon Shamroy |
Edited by | Robert L. Simpson |
Music by | Frank De Vol |
Distributed by | 20th Century-Fox |
Release date |
|
Running time | 98 minutes |
Country | United States |
Language | English |
Budget | $4,595,000[1] |
Box office | $4,075,000[2] |
Caprice is a 1967 DeLuxe Color comedy-thriller film directed and co-written by Frank Tashlin starring Doris Day and Richard Harris. It was Day's second and last film with Tashlin, after the previous year's The Glass Bottom Boat. This film and In Like Flint (1967) were the last movies made in CinemaScope, with most studios moving to Panavision and other widescreen processes.[3]
Plot
[edit]Patricia Foster, an industrial designer for Femina Cosmetics, owned by Sir Jason Fox, is arrested for trying to sell a secret formula to rival company May Fortune, owned by Matthew Cutter. After her release, she is fired from Femina and hired by Cutter. All of this is actually a scheme devised by Sir Jason for Patricia to steal the formula for a new water-repellent hairspray, invented by Dr Stuart Clancy, May Fortune's head chemist.
Christopher White, Cutter's right-hand man, convinces Patricia that he, too, secretly works for Sir Jason. Patricia visits the apartment of Su Ling, Clancy's secretary, and finds her unconscious on the floor. She takes a sample of the powder lying on her table. Patricia also finds a bottle of the hairspray and takes it with her. Christopher catches Patricia and threatens with telling Sir Jason that her real name is Felippa Fowler.
Patricia is the daughter of Robert Fowler, a man who was murdered while on the trail of a narcotics ring. Although finding Robert's killer is her main objective, Patricia is still devoted to Sir Jason, to whom she plans to give the hairspray. Purposely breaking the bottle upon hearing this news – but noticing that it is an expensive Swiss one not used by Cutter – Christopher says that Clancy has Swiss connections – he is married to a Swiss woman still living in Switzerland.
Patricia goes to Switzerland and finds Madame Piasco – Clancy's mother-in-law – who is the actual expert who invented the formula. She gives a bottle to Patricia for free, stating that May Fortune now has the distribution rights and it will soon be on the American market.
Patricia goes skiing on the same hill where Robert died and comes under fire from a masked skier. Arriving in a helicopter, Christopher rescues her. Patricia realizes that neither Christopher nor Sir Jason were ever after the hairspray. Clancy used to be the chief cosmetics chemist for Sir Jason but was an utter failure at it, and Sir Jason's true goal was to discover and hire the chemical mastermind behind Clancy, whose identity he still does not know. Regardless, Patricia plans to give the hairspray to Sir Jason, which was her agreed mission. Christopher and Patricia profess their love for each other, but he requests one more job from her concerning Sir Jason.
Later, Christopher secretly records Patricia while she speaks to Clancy. She offers Clancy a job as Femina's head chemist, with an illegal under-the-table bonus. Clancy declines, saying that Cutter already knows about Piasco, and if Cutter does not care, he is happy where he is. At his office, Cutter watches the film of this encounter. He tells Christopher that this footage will ruin Sir Jason.
Patricia visits Sir Jason, who tells her he convinced Piasco to come and work for him. Patricia finds this incredible. Sir Jason also mentions the analysis of the black powder, which contains a narcotic. Patricia already had the powder analyzed herself. This other analysis was a test to see if he would tell the truth or lie, the latter of which would implicate him in Robert's murder. Sir Jason reveals that Cutter's sent the film to the police, who are now after her for bribery.
As the police arrive, Christopher snatches Patricia away. He admits that he works for Interpol. Patricia tells Interpol that the narcotics were smuggled as May Fortune face powder, which was harmless until incinerated, when it turned into a hallucinogen. Nobody believes that Cutter is smart enough to be the head of the narcotics ring.
Donning a microphone to Interpol while searching through Cutter's Paris office, Patricia tells an arriving cleaning lady that she need not clean there. The lady turns out to be Clancy in disguise, with a gun – he was Robert's killer. Patricia fights Clancy, who is shot and dies. Sir Jason, the co-conspirator of the narcotics ring, arrives wielding a gun against Patricia. With Clancy dead, Sir Jason will have the cosmetics market all to himself. He forces Patricia into a helicopter and takes off. Christopher shoots him dead from a distance, while Patricia flies the helicopter back to Paris and lands it atop the Eiffel Tower.
Cast
[edit]- Doris Day as Patricia Foster
- Richard Harris as Christopher White
- Ray Walston as Dr. Stuart Clancy
- Edward Mulhare as Sir Jason Fox
- Jack Kruschen as Matthew Cutter
- Lilia Skala as Madame Piasco
- Michael J. Pollard as Barney
- Irene Tsu as Su Ling
- Lisa Seagram as Mandy
Arthur Godfrey, who played the father of Doris Day in Tashlin's previous comedy, The Glass Bottom Boat, plays her father once again but is only seen in a photograph.
Production
[edit]In February 1966 John Cohn, who co wrote the film, was announced as producer.[4] Filming started in May.[5]
Reception
[edit]Box office
[edit]The 20th Century Fox release was a box office bomb, failing to place in the top 20 movies for 1967. According to Fox records, the film needed to earn $7,200,000 in rentals to break even and made $4,580,000, meaning it lost money.[6]
Critical
[edit]Film critic Leonard Maltin’s review of the film was quite negative. He gave the film zero stars and said the film was a “terrible vehicle for Doris.”[7] In The New York Times, Bosley Crowther called the film "a jumble of wacky and feeble comedy."[8] Roger Ebert was more amused, writing that "When everything has been said and done, you really have to stand back and admire the sheer professional competence of the people who make Doris Day movies ... If her movies never go anywhere, at least they don't take all day about it. They're directed with a light touch, skillfully edited, and get it over with in no time."[9]
In her memoir, Day recounts an argument she had with her manager-husband Martin Melcher over the script for Caprice, unaware he had signed her name to the contracts before she had the chance to say no.[10] On the DVD commentary, authors Pierre Patrick and John Cork discuss the ways the screenplay was rewritten, ostensibly to please the star. They speculated that recent interest in Tashlin's signature mixture of slapstick, satire, and adventure—coupled with its Mod design—has acquired renewed respect from film buffs and, possibly, from Day herself. Several writers have commented on the "meta" moment in which Doris Day "dashes into a movie theater, where the movie Caprice is playing."[11]
Music
[edit]The title theme sung by Doris Day was released as the flip-side to her final single release on the Columbia Records label, the A-side being a more uptempo number, "Sorry."
Adaptations
[edit]The screenplay by Jay Jayson and Tashlin was novelized by Julia Withers and was published in paperback by Dell in February, 1967.
Home media
[edit]Initially only released on VHS in the UK, the movie was eventually released in a deluxe edition Region 1 DVD in January 2007 in widescreen and includes several extra features.
See also
[edit]References
[edit]- ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p255
- ^ "Caprice, Box Office Information". The Numbers. Retrieved March 8, 2012.
- ^ "A Brief History of Cinemascope". Archived from the original on 2017-02-05. Retrieved 2017-03-04.
- ^ Warner to Film 'Camelot' Martin, Betty. Los Angeles Times 23 Feb 1966: c9.
- ^ Paris Film at 3rd and Broadway Scheuer, Philip K. Los Angeles Times 20 Sep 1966: C1.
- ^ Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p. 326. ISBN 9780818404856.
- ^ Maltin, Leonard (2017). Leonard Maltin's Movie Guide. Penguin Publishing Group. p. 212. ISBN 978-0525536192.
- ^ Crowther, Bosley (June 8, 1967). "Screen: 'Caprice' Opens:Doris Day Plays a Spy at Several Houses". The New York Times. Retrieved September 7, 2022.
- ^ Ebert, Roger (June 30, 1967). "Caprice". RogerEbert.com. Retrieved September 8, 2022.
- ^ Hotchner, A.E. (1975). Doris Day: Her Own Story. William Morrow and Company, Inc. ISBN 978-0688029685.
- ^ Erickson, Glenn (March 29, 2019). "The Glass Bottom Boat". Trailers From Hell. Retrieved September 7, 2022.
External links
[edit]- Caprice at IMDb
- Caprice at the TCM Movie Database
- Caprice at the AFI Catalog of Feature Films
- Caprice at Rotten Tomatoes
- 1967 films
- 1967 comedy films
- 1960s comedy mystery films
- 1960s comedy thriller films
- 1960s heist films
- 1960s mystery thriller films
- 1960s spy comedy films
- 20th Century Fox films
- CinemaScope films
- American comedy mystery films
- American comedy thriller films
- American heist films
- American mystery thriller films
- American spy comedy films
- 1960s English-language films
- Films directed by Frank Tashlin
- Films scored by Frank De Vol
- Films set in Paris
- Films set in Switzerland
- Films with screenplays by Frank Tashlin
- 1960s American films
- English-language crime films
- English-language mystery thriller films
- English-language comedy mystery films
- English-language comedy thriller films