Bitter Sweet (Kim Richey album)
Bitter Sweet | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1997 | |||
Genre | Country | |||
Label | Mercury[1] | |||
Producer | Angelo; John Leventhal on "I Know" | |||
Kim Richey chronology | ||||
|
Bitter Sweet is the second album by the American musician Kim Richey, released in 1997.[2][3]
The album peaked at No. 53 on Billboard's Top Country Albums chart.[4] Richey supported Bitter Sweet by playing shows with Junior Brown, Robert Earl Keen, and Wilco, among others.[5][6]
Production
[edit]The album was produced by Angelo and John Leventhal, who also cowrote some of the songs.[7][8][9] Richey either wrote or cowrote all of its songs.[10]
Bitter Sweet was recorded with Richey's touring band as the backing musicians.[11] Kenny Vaughan played guitar on the album; Sam Bush played mandolin.[12][13] "I'm Alright" employs accordion, mandolin, and banjo.[14] John Crooke duetted with Richey on "Fallin'".[15]
Critical reception
[edit]Review scores | |
---|---|
Source | Rating |
AllMusic | [16] |
Chicago Tribune | [17] |
The Encyclopedia of Popular Music | [18] |
Lincoln Journal Star | [19] |
Los Angeles Daily News | [20] |
MusicHound Rock: The Essential Album Guide | [8] |
The Republican | [15] |
Spin | 8/10[21] |
The Chicago Reader wrote that "a few tunes suggest the mid-70s turquoise and denim of Linda Ronstadt, but there are also a number of gritty, loose songs."[22] Spin determined that the "best tracks tastefully tangle alternative country's string band purity and mainstream country's gloss."[21] The Chicago Tribune thought that Richey's band "plays with the rapport of the Jayhawks and the Band before them, laying barbed-wire guitar leads and earthy harmonies over acoustic strumming and rough-and-tumble rhythms."[17]
Stereo Review stated that Richey "cuts through country's plastic heart to usher in the genre's new realism."[23] The Los Angeles Daily News called the album "excellent," and praised the "terrific vocals and top-notch country-rock musicianship."[20] The Lincoln Journal Star concluded that Richey "cements her growing reputation as the rare artist who manages to appeal to both Nashville's most hidebound factions and its alternative-minded strains."[19]
The Dayton Daily News deemed Bitter Sweet the best album of 1997; the Nashville Banner and The Province listed it among the year's best country albums.[24][25][26]
AllMusic wrote that "Richey is a fine lyricist, capable of taking a cliché and twisting it or reinvesting everyday language with meaning."[16]
Track listing
[edit]No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Every River" | Angelo Petraglia, Tom Littlefield, Kim Richey | 4:00 |
2. | "I'm Alright" | Petraglia, Larry Gottlieb, Richey | 4:01 |
3. | "Wildest Dreams" | Petraglia, Richey | 4:33 |
4. | "Straight as the Crow Flies" | Petraglia, Richey | 4:20 |
5. | "I Know" | John Leventhal, Richey | 3:13 |
6. | "Fallin'" | John Crooke, Richey | 4:33 |
7. | "To Tell the Truth" | Petraglia, Gottlieb, Richey | 3:28 |
8. | "My Whole World" | Tia Sillers, Richey | 4:25 |
9. | "The Lonesome Side of Town" | Petraglia, Gottlieb, Richey | 3:58 |
10. | "Don't Let Me Down Easy" | Petraglia, Littlefield, Richey | 4:21 |
11. | "Let It Roll" | Petraglia, Richey | 4:35 |
12. | "Why Can't I Say Goodnight" | Petraglia, Richey | 3:11 |
References
[edit]- ^ McCall, Michael; Rumble, John; Kingsbury, Paul (February 1, 2012). The Encyclopedia of Country Music. Oxford University Press. ISBN 978-0-19-992083-9.
- ^ "Kim Richey Biography, Songs, & Albums". AllMusic.
- ^ "Kim Richey: Sweetly Alluring, Folk-Friendly Country". NPR.
- ^ "Kim Richey". Billboard.
- ^ Tayler, Letta (1 Apr 1997). "Baring Her Country Soul". Newsday. p. B2.
- ^ Logan, Neill (23 May 1997). "Kim Richey has talent—and good luck, too". Weekend. St. Petersburg Times. p. 17.
- ^ Verna, Paul (Mar 29, 1997). "Bitter Sweet". Billboard. Vol. 109, no. 13. p. 74.
- ^ a b MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 941.
- ^ Orr, Jay (28 Feb 1997). "With new album, faithful followers, songstress far from 'bitter sweet'". Nashville Banner. p. C3.
- ^ Ridley, Jim (February 20, 1997). "Music Notes — Welcome to the Club". Nashville Cream. Nashville Scene.
- ^ Campbell, Susan (6 Mar 1997). "Bitter Sweet Kim Richey". Calendar. Hartford Courant. p. 5.
- ^ Russell, Rusty (Apr 1997). "Bitter Sweet". Guitar Player. Vol. 31, no. 4. p. 118.
- ^ Jinkins, Shirley (March 7, 1997). "Country". Star Time. Fort Worth Star-Telegram. p. 12.
- ^ Tarradell, Mario (March 4, 1997). "Richey digs deep on 'Bitter Sweet'". The Dallas Morning News. p. 23A.
- ^ a b O'Hare, Kevin (March 9, 1997). "Kim Richey, 'Bitter Sweet'". The Republican. p. E6.
- ^ a b "Bitter Sweet". AllMusic.
- ^ a b McKeough, Kevin (21 Mar 1997). "Kim Richey Bitter Sweet". Friday. Chicago Tribune. p. 7.
- ^ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 7. MUZE. pp. 13–14.
- ^ a b "Richey finds her own sound". Lincoln Journal Star. 16 Mar 1997. p. H4.
- ^ a b Shuster, Fred (7 Mar 1997). "Sound Check". Los Angeles Daily News. p. L23.
- ^ a b Sutton, Terri (May 1997). "Spins". Spin. Vol. 13, no. 2. pp. 115–116.
- ^ Margasak, Peter (March 20, 1997). "Kim Richey". Chicago Reader.
- ^ Nash, Alanna (Jun 1997). "Bitter Sweet". Stereo Review. Vol. 62, no. 6. p. 84.
- ^ Rollins, Ron (28 Dec 1997). "Best, Worst of '97 Music". Dayton Daily News. p. 3C.
- ^ Orr, Jay (26 Dec 1997). "Playback 1997 the Year's Best Recordings". Nashville Banner. p. D3.
- ^ McLaughlin, John P. (31 Dec 1997). "Ten years from now, you'll still want to listen". The Province. p. B4.