Jump to content

Ammar Al-Beik

Add links
From Wikipedia, the free encyclopedia
Ammar Al-Beik
عمّار البيك
Born (1972-12-17) December 17, 1972 (age 52)
Damascus, Syria
NationalitySyrian
Known forFilmmaking,
Websitewww.ammaralbeik.io

Ammar al-Beik (born on December 17, 1972), is a Syrian filmmaker.[1]

Career

[edit]

Al-Beik was born and grew up in Damascus, Syria, from where he has been exiled since 2011.[1][2]

Al-Beik's artistic career stems from unconventional roots. His love for photography intensified after leaving the University of Damascus where he was pursuing a degree in business administration in order to work at a camera repair shop for ten years during the 1990s. It is there where he received his formal training in the medium, exploring various methods and approaches while becoming an expert in photographic equipment. He has been exhibiting his photographs since the mid-1990s, at a time when he simultaneously began an impressive career in filmmaking. Taking his cinematic works to the international stage, he has earned critical acclaim from audiences and juries across the globe and has been honored with a number of distinctions and awards.

His choice for cinema was a choice of life, a choice of rebellion through the reality of its political, social and artistic means. al-Beik's early cinematic works, such as “Light Harvest” (1997) and “They Were Here” (2000), provide evidence of his strong foundation in photography, as nearly each scene results in the perfect still, acting fundamentally as a sequence of images.

Having participated in screenings worldwide since 1999, his films have been featured at such events as the Venice, Rotterdam, São Paulo, Oberhausen, Locarno, Nantes and Yamagata International Film Festivals.

His invitation to the 63rd Annual Venice Film Festival - Official Selection (2006), was a first in the history of Syrian cinema, where he received the Provincia Autonoma di Trento Doc/It- Award for his film “I Am the One Who Brings Flowers to Her Grave”. Since then, this film has been touring the world to be screened in the most prestigious film festivals and events including Berlin, Locarno, Rotterdam, the MoMA and the Centre Pompidou.

Among other awards, al-Beik won The Liege Mayor Award at the 7th Liege International Video Film Festival for his film ‘Light Harvest' (2000) in Belgium, as well as the Jury Prize in the 11th Brisbane International Film Festival for 'When I Color My Fish' [3](2002) in Australia, and a special reward from the International Federation for Cinema Club "FICC" for his "They were Here’(2002) in Italy.

In just a little over a decade al-Beik has become one of the region's leading filmmakers.

Equally accomplished in both genres, his photographs have been shown in venues throughout the Middle East, Europe and the US. Since joining Ayyam gallery [4] in 2007, al-Beik has participated in solo and group exhibitions, as well as in many international art fairs.

As a result of his great artistic range and background, al-Beik's photographs possess a cinematic quality that can only be found amidst the portfolio of a seasoned image-maker. Forever embracing experimentation, he works with an assortment of techniques. Often materializing in the form of large ultra-chrome prints, his photographs toy with the manipulation of light and contrast and delve into the art of visual storytelling, holding the narrative of his subjects up with careful scrutiny and heightened sensitivity.[5]

He was a participant in the Syrian cultural caravan (2014–5).

Works

[edit]

Ammar Al Beik's artworks are in important institutions and private collections such as the Los Angeles County Museum of Art (LACMA).[6]

Delving into installation art since 2010, al-Beik has done so with the urgent need to fill a certain void and the desire to ignite the shock of an initial meeting between the viewer and the work within an immersion in the details of a guarded space.“Colored Earth... Black Chainsaw”, “Oil Leaks”[7] and “Boya Boya Boya” [8] along with other overly political works that incorporate elements of video, painting, sculpture and animation are some of his most recent.

In 2011, he returned to the Venice Film Festival - Official Selection again with the short film “The Sun’s Incubator”,[9] a work that explores the domestic effects of the ‘Arab Spring’,[10][11] to become the first Syrian filmmaker participating twice in this festival. Since then, this film has participated in more than 50 film festivals including the Palais de Tokyo, Berlin, Rotterdam and São Paulo, and has received several awards, among them the Jury Award at the Busan Film Festival in 2012.

Most recently al-Beik had a solo exhibit at Museum Neukölln, Berlin, Germany (2017) titled "Lost Images Damascus, Berlin", worth to mention that Metropolis program on ARTE did a special episode featuring al-Beik and the exhibit.

In 2017, al-Beik participated in the "Sanctuary" exhibit invited by For-Site Foundation, where 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.

Filmography

[edit]

1997: Light Harvest - 3 minutes.

2000: They Were Here - 8 minutes.

2002: Boulevard Al Assad - 1 minute.

2002: My Ear Can See - 8 minutes.

2002: When I Color My Fish- 5 minutes.

2003: Clapper- 58 minutes.

2006: I am The One Who Brings Flowers To Her Grave, Co Produced & Directed with Hala Al Abdalla

2008: Samia - 40 minutes.

2011: The sun's incubator- 11 minutes.[10][11][12][13]

2011: Aspirin and A Bullet [14][15][16]- 125 minutes.

2014: La Dolce Siria- 26 minutes.[17]

2015: Kaleidoscope - 20 minutes

2018: Certified Copy for tariff magazine - 20 min 1 sec

Further reading

[edit]
  1. "The Art of talking about Art - 12:S for Syria"
  2. "Art As A Weapon: The Syrian Artist Ammar Al Beik"
  3. "Between displacement and dissent: 8 Syrian contemporary artists"

References

[edit]
  1. ^ a b "Ammar Al- Beik". IFFR. 2015-09-04. Retrieved 2019-08-07.
  2. ^ Larkin, Anna (2019-04-03). "Football, art and revolution: Ammar al-Beik". EXBERLINER.com. Retrieved 2019-08-07.
  3. ^ "Ammar Al Beik". www.autourdu1ermai.fr. Retrieved 2016-01-17.
  4. ^ "Ayyam Gallery". www.ayyamgallery.com. Retrieved 2016-01-17.
  5. ^ "Ammar Al Beik - Artists". Ayyam Gallery. Retrieved 2015-12-25.
  6. ^ "Ammar Al Beik | LACMA Collections". Collections.lacma.org. Retrieved 2015-12-25.
  7. ^ "Political layers in Arabic art". www.koreaherald.com. Retrieved 2016-01-17.
  8. ^ "ArtAsiaPacific: Boya Boya Boya Ammar Al Beik". artasiapacific.com. Retrieved 2016-01-17.
  9. ^ "Virtual Agoras – Six videos from Syria inspired by the events of the Uprising". IMPAKT 2015. Retrieved 17 January 2016.
  10. ^ a b "CINEMA-TV - Arab Spring blossoming in cinema". Retrieved 2016-01-17.
  11. ^ a b "Somewhere between Art and Activism". Qantara.de - Dialogue with the Islamic World. Retrieved 2016-01-17.
  12. ^ سينما بديلة: عمار البيك(Arabic for "Cinema alternative: Ammar al Beik"), 2013-10-14, retrieved 2016-01-17
  13. ^ Mandelbaum, Jacques. "Syrie, l'art en armes". Le Monde.fr (in French). ISSN 1950-6244. Retrieved 2016-01-17.
  14. ^ "Film review: Aspirin and a Bullet". gulfnews.com. Retrieved 2016-01-17.
  15. ^ Beik, Ammar Al (2011-12-01), Aspirin and a Bullet, retrieved 2016-01-17
  16. ^ "Vimeo profile of ammaral-beik". www.lakako.com. Retrieved 2016-01-17.
  17. ^ "FESTIVAL/Berlinale 2015 Expanded - La Dolce Siria (Ammar al-Beik)". www.filmparlato.com. Retrieved 2016-01-17.
Retrieved from "https://wiki.riteme.site/w/index.php?title=Ammar_Al-Beik&oldid=1243022391"