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Aideen O'Kelly

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Aideen O'Kelly
White woman, smiling, dark hair dressed back into a low bun.
Aideen O'Kelly, from a 1980 newspaper.
Born(1936-09-05)5 September 1936
Died22 April 2015(2015-04-22) (aged 78)
OccupationActress

Aideen O'Kelly (5 September 1936 – 22 April 2015) was an Irish actress of stage and television, who worked in both Ireland and the United States. She was nominated for a Drama Desk Award for her performance in Othello in 1982.

Early life

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Aideen O'Kelly was from Dalkey, a suburb of Dublin. Her father was Dermod O'Kelly, an accountant. Her mother, Florence Ledwidge, worked for the Dublin Gas Company. Her sister Emer O'Kelly became a theatre critic.[1]

Career

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Irish theatre

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O'Kelly was sent by director Ernest Blyth to the Aran Islands as a teenaged actress, to improve her spoken Irish for performing at the Abbey Theatre. She went on to star in productions at the Abbey, including The Plough and the Stars (1966), The Playboy of the Western World (1968). In 1984 she played the Mother Superior in a Dublin production of Agnes of God. She was also in a production of The Plough and the Stars in London in the 1990s, directed by her Abbey colleague Joe Dowling.[1] She wrote about meeting with Samuel Beckett in a 1990 article for Backstage.[2]

In the United States

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O'Kelly appeared on Broadway in A Life (1980-1981),[3] as Emilia in Othello (1982, with James Earl Jones and Christopher Plummer), in Philadelphia Here I Come! (1994, with Milo O'Shea),[4] and in The Beauty Queen of Leenane (1998-1999).[5] She won a 1982 Drama Desk Award for her Emilia in Othello. She also appeared in numerous Irish Repertory Theatre productions in New York. She appeared off-Broadway on several occasions, including in Frank McGuinness's Baglady, Samuel Beckett's Happy Days (1987),[6] Stephen Jeffreys' The Libertine (1998),[7] and Joseph O'Connor's Red Roses and Petrol (2000).[8]

Mel Gussow, The New York Times critic, said of O'Kelly in Happy Days that: "Aideen O'Kelly conforms more than many of her predecessors to the physical outline suggested by the author: blond, plump and bosomy. At the outset, the actress has an amiable, almost chipper quality as she goes through Winnie's ritual ablutions and her marital memories."[9] Broadway caricaturist Al Hirschfeld drew O'Kelly three times, in her roles in A Life, Othello and Happy Days.[10]

Film and television

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In Ireland, O'Kelly won a Jacob's Award for best actress in 1970, for a television role.[1] She appeared on American television in episodes of Third Watch and Law & Order, both filmed in New York City, and the soap opera Another World. She also had roles in the televised versions of the plays A Life (1984) and Playboy of the Western World (1983). Film roles for O'Kelly included parts in Boyd's Shop (1960), Family Business (1989), and A Perfect Murder (1998).

O'Kelly appears as herself in Still Dreaming (2014), a documentary about the Lillian Booth Actors Home.[11]

Personal life

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Aideen O'Kelly married Eoin Troy; they later divorced. She had four children, Judith, Orla, Kevin and David. She moved to the United States in 1979,[12] and there converted to Judaism. She died in 2015, aged 78 years, at the Lillian Booth Actors Home in Englewood, New Jersey.[1]

Filmography

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Year Title Role Notes
1960 Boyd's Shop Agnes Boyd
1962 The Webster Boy Mary
1989 Family Business Widow Doheny
1998 A Perfect Murder Met Woman #2

References

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  1. ^ a b c d "Gifted actor with string of successes in Ireland and on Broadway". The Irish Times. 9 May 2015. Retrieved 6 May 2020.
  2. ^ O'Kelly, Aideen (21 December 1990). "Meeting and Working with Beckett". Back Stage. 31: 26 – via ProQuest.
  3. ^ O'Haire, Patricia (5 November 1980). "Aideen O'Kelly Keeps in Character". Daily News. p. 49. Retrieved 6 May 2020 – via Newspapers.com.
  4. ^ "Aideen O'Kelly". Playbill. Retrieved 6 May 2020.
  5. ^ Sholiton, Faye (21 May 1999). "GLTF's 'Beauty Queen': An Irish stew of comedy, mystery and tragedy". Cleveland Jewish News. p. 34 – via ProQuest.
  6. ^ Nemy, Enid (2 October 1987). "Up to Her Neck in Work". The New York Times. p. C2 – via ProQuest.
  7. ^ Bruckner, D. J. R. (16 January 1998). "A Restoration Romp Fllled with Self-Indulgent Delight". The New York Times. p. E22 – via ProQuest.
  8. ^ Mac Reamoinn, Laoise (31 October 2000). "A Petrol-Fueled Evening". Irish Voice. p. 22 – via ProQuest.
  9. ^ Gussow, Mel (4 September 1987). "Stage: Beckett's 'Happy Days'". The New York Times. p. C3 – via ProQuest.
  10. ^ "Aideen O'Kelly". Al Hirschfeld Foundation. Retrieved 6 May 2020.
  11. ^ "Still Dreaming". docnyc.net. Retrieved 6 May 2020.
  12. ^ Ben-Zvi, Linda (1992). Women in Beckett: Performance and Critical Perspectives. University of Illinois Press. pp. 35–. ISBN 978-0-252-06256-8.
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