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Addison/Ripley Fine Art

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Coordinates: 38°54′45″N 77°03′58″W / 38.91263058789578°N 77.0662480255547°W / 38.91263058789578; -77.0662480255547
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38°54′45″N 77°03′58″W / 38.91263058789578°N 77.0662480255547°W / 38.91263058789578; -77.0662480255547Addison/Ripley Fine Art is an art gallery in Washington, D.C. The gallery was established in 1981,[1] in addition to being an independent commercial fine arts gallery, it also serves as an art consultant[2] and curator to the Warner Building,[3] Washington, D.C., and as art consultants to several Washington, D. C. private companies,[3] as well as to the German Marshall Fund,[3] Washington, D.C., and to the United States Department of State, Overseas Buildings Operation,[3] Washington, D. C.

Location and co-owner

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The gallery is currently located in the Georgetown neighborhood of Washington, DC at 1670 Wisconsin Avenue NW, Washington, DC 20007. The co-owner, Christopher Addison,[4] is a past president of the Art Dealers Association of Greater Washington, DC.[5]

Artists represented

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Addison/Ripley represents several well-established national artists as well as several well-known Washington, DC area contemporary artists.[6] Among the artists represented by the gallery are Wolf Kahn,[7] Isabel Manalo,[8] Joan Belmar,[9] Carol Brown Goldberg,[10] Frank Hallam Day,[11] Amy Lin,[12][13] Lou Stovall and Manon Cleary.[14][15][16]

Critical reception

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Exhibitions at the gallery have been widely reviewed over the years by both local newspapers such as The Washington Post,[6][9][17][18][19] Washington City Paper,[20][21][22][23][24] and The Washington Times,[25][26] as well as by national art magazines.[13][27][28] In referring to some of the artists represented by the gallery, The Washington City Paper used terms as "the great D.C.-based photographer Frank Hallam Day...",[20] while The Washington Post described painter Manon Cleary as "one of our finest realist oil painters for years."[15] Modern Luxury Magazine also noted about artist Amy Lin that "...the 32-year-old... has nabbed the attention of top District curators, including the National Portrait Gallery’s Anne Collins Goodyear..."[13]

References

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  1. ^ O'Sullivan, Michael (January 14, 2011). "'Who doesn't want a conversation with what's beautiful?'". The Washington Post. Retrieved 2019-02-17.
  2. ^ Grant, Daniel (August 7, 1990). "The Art of Leasing". The Washington Post. Retrieved 2019-02-17.
  3. ^ a b c d ".about". Addison Ripley. Retrieved 2019-02-17.
  4. ^ "artline® Digest | Art Dealers Association of Greater Washington | Addison Ripley Fine Art". www.artline.com. Retrieved 2019-02-17.
  5. ^ "artline® Digest | Art Dealers Association of Greater Washington". www.artline.com. Retrieved 2019-02-17.
  6. ^ a b O'Sullivan, Michael (June 6, 2013). "'Sigil' art exhibition at Addison/Ripley Fine Art". The Washington Post. Retrieved 2019-02-17.
  7. ^ Dawson, Jessica (2002-07-04). "Misaki Kawai, Happily Up a Tree". The Washington Post. Retrieved 2019-02-18.
  8. ^ Jenkins, Mark (January 11, 2019). "In the galleries: Photojournalist's memoir is a tale of two cities". The Washington Post. Retrieved 2019-02-17.
  9. ^ a b Jenkins, Mark (May 18, 2017). "In the galleries: 'Poor art' is often minimalist, but rich in its impact". The Washington Post. Retrieved 2019-02-17.
  10. ^ "Gallery event of the week: 'Carol Brown Goldberg: New Work'". The Washington Post. 2012-12-12. Retrieved 2019-02-18.[permanent dead link‍]
  11. ^ Jenkins, Mark (July 13, 2018). "In the galleries". The Washington Post. Retrieved 2019-02-17.
  12. ^ Jenkins, Mark (April 7, 2017). "In the galleries: Art 101, a sampling event for beginners". The Washington Post. Retrieved 2019-02-17.
  13. ^ a b c "Collect Call". Modern Luxury. Retrieved 2019-02-17.
  14. ^ Fleming, Lee (November 12, 1994). "Galleries". The Washington Post. Retrieved 2019-02-17.
  15. ^ a b Welzenbach, Michael (January 4, 1992). "Galleries". The Washington Post. Retrieved 2019-02-17.
  16. ^ ".artists". Addison Ripley. Retrieved 2019-02-17.
  17. ^ Jenkins, Mark (May 13, 2016). "In the galleries: Hypnotic pictures at Addison/Ripley". The Washington Post. Retrieved 2019-02-17.
  18. ^ Benjamin, Forgey (September 30, 1982). "An Unsettling View of Life In the City". The Washington Post. Retrieved 2019-02-17.
  19. ^ Lewis, Jo Anne (September 20, 1983). "The Camaraderie Of the Camera". The Washington Post. Retrieved 2019-02-17.
  20. ^ a b "Reviewed: "Click: Space & Time" at Addison/Ripley Fine Art". Washington City Paper. 15 June 2012. Retrieved 2019-02-17.
  21. ^ "At Addison/Ripley, Painter Trevor Young Modestly Extends His Brand". Washington City Paper. 15 February 2016. Retrieved 2019-02-17.
  22. ^ "The Year in Photography". Washington City Paper. 25 December 2009. Retrieved 2019-02-17.
  23. ^ "The Best Images of 2012". Washington City Paper. 27 December 2012. Retrieved 2019-02-17.
  24. ^ "The Best Photographic Images of 2011". Washington City Paper. 21 December 2011. Retrieved 2019-02-17.
  25. ^ "A sparkling array of images". The Washington Times. December 14, 2002. Retrieved 2019-02-17.
  26. ^ "Arts center gets its due". The Washington Times. January 23, 2004. Retrieved 2019-02-17.
  27. ^ "Magazine Reviews - Stand Up and Be Counted". Art Net Magazine. September 11, 2003. Retrieved 2019-02-17.
  28. ^ "Addison/Ripley Fine Art". www.artforum.com. Retrieved 2019-02-17.
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